Sentences with phrase «silver daguerreotypes»

Today, Danh's silver daguerreotypes of national parks are superreflective, like mirrors.

Not exact matches

The Internet spread the news (ironically, daguerreotypes make great JPEG files: A backlit monitor simulates the effect of light scattering off the plate's silver background), and a very small revival began.

In a daguerreotype the white areas are the silver / gold speckles that scatter light in all directions.

Daguerre's technique, which used copper plates coated with silver, was made known to the public in 1839 and the images were called «daguerreotypes».

Credit: Heavy Fixture, 2014, installation including gold, silver, stainless steel, Herkimer Diamonds, light, with Alber Sands Southworth (1811 - 1894) and Josiah Johnson Hawes (1808 - 1901), Unidentified Man (Thomas Cole) c. 1843 - 1848, whole plate daguerreotype, 8 1/2 x 6 1/2, George Eastman House, International Museum of Photography and Film; Gift of Alden Scott with Thomas Cole's Box of Minerals, c. 1830 - 1848, 3 x 19 3/4 x 8, Thomas Cole National Historic Site, Gift of Edith Cold Silberstein and the Greene County Historical Society, dimensions variable, Courtesy the Artist, George Eastman House, and Thomas Cole National Historic Site.

The center's collection of more than 150,000 works includes daguerreotypes, gelatin silver and digital chromogenic prints, and a host of American and European documentary photography from 1930 to 1960.

The collection has grown to represent the full historical range of the medium, including early daguerreotypes, anonymous stereoviews, and cartes de visite; gelatin silver prints by Walker Evans, Robert Frank, and Ansel Adams; Kenneth Snelson's expansive panorama; landscapes by Carleton Watkins; photograms by Man Ray and Lotte Jacobi; and works by a range of contemporary American photographers, such as Robert Mapplethorpe, Cindy Sherman, and Andy Warhol (Polaroids).

From the earliest daguerreotypes through gelatin silver prints and contemporary digital images, Skinner handles a breadth of important historical and fine photography.

Her personal work includes gelatin silver prints, hand - colored silver prints, digital photographs, and most recently, the 19th century processes of daguerreotypes, tintypes and wet plate collodion negatives and positives (ambrotypes).

Mat COLLISHAW Deliverance 47 2008 daguerreotype with silver - plated copper, glass, birch wood, black lambskin leather, brass, and velvet case inside acrylic box 15 x 22 inches; 38 x 56 cm (exterior box) 10 1/2 x 16 1/4 inches; 26.7 x 41.3 cm (case size) 10 x 8 inches; 25.4 x 20.3 cm (image) Edition of 10

Other significant additions include a suite of 25 photographs from Lewis Baltz's seminal 1971 series The Tract House; a rare early self portrait by Sally Mann from 1976; Laurie Simmons» 1987 gelatin silver print, Walking Camera (Jimmy the Camera); Lorna Simpson's 1991 Coiffure, a triptych of gelatin silver prints and ten engraved plastic plaques; Chuck Close's daguerreotype portraits Cindy Sherman and Self - Portrait, both from 2000; and Hiroshi Sugimoto's Oscar Wilde (2000), all of which complement works by these artists already in the collection.

ICP's collection includes over 150,000 works with daguerreotypes, gelatin silver and digital chromogenic prints, and a host of American and European documentary photography from 1930 to 1960, among the collection.

Nearly every photographic process from its origins — daguerreotypes, albumen silver prints, gelatin silver prints, gum bichromates, platinum silver, cyanotypes and even digital archival prints — are in the collection, making it a keen contribution to the history of the medium itself beyond Albany's city limits.

Patrick Ravines Optical and Surface Metrology and Photographs: Confocal and Interference Microscopy Applied to Daguerreotypes and Silver Gelatin Prints 2007