Today, Alan Ross makes each Special Edition Photograph by hand from Adams «original negative on gelatin
silver fiber paper.
Klea McKenna Rainstorm 6 (California, February), 2014, unique, photogram of rain on gelatin -
silver fiber paper, 34 x 41 inches (86.3 x 104.1 cm), Von Lintel Gallery, Los Angeles
Not exact matches
there is no doubting that Arsene has helped to provide us with some incredible footballing moments in the formative years of his managerial career at Arsenal, but that certainly doesn't and shouldn't mean that he has earned the right to decide when and how he should leave this club... there have been numerous managers at each of the biggest clubs in Europe throughout the last decade who have waged far more successful campaigns than ours yet somehow and someway each were given their walking
papers because they failed to meet the standards laid out by the hierarchy of their respective clubs... of course that doesn't mean that clubs should simply follow the lead of others, especially if clubs of note have become too reactionary when it comes to issues of termination, for whatever reasons, but there should be some logical discourse when it comes to the setting of parameters for a changing of the guard... in the case of Arsenal, this sort of discourse was largely stifled when the higher - ups devised their sinister plan on the eve of our move to the Emirates... by giving Wenger a free pass due to supposed financial constraints he, unwittingly or not, set the bar too low... it reminds me of a landlord who says he will only rent to «professional people» to maintain a certain standard then does a complete about face when the market is lean and vacancies are up... for those who rented under the original mandate they of course feel cheated but there is little they can do, except move on, especially if the landlord clearly cares more about profitability than keeping their word... unfortunately for the lifelong fans of a football club it's not so easy to switch allegiances and frankly why should they, in most cases we have been around far longer than them... so how does one deal with such an untenable situation... do you simply shut - up and hope for the best, do you place the best interests of those with only self - serving agendas above the collective and pray that karma eventually catches up with them, do you run away with your tail between your legs and only return when things have ultimately changed, do you keep trying to find
silver linings to justify your very existence, do you lower your expectations by convincing yourself it could be worse or do you stand up for what you believe in by holding people accountable for their actions, especially when every
fiber of your being tells you that something is rotten in the state of Denmark
A team there recently printed what they call
silver nanowire ink — a paste composed of 100 - nanometer - wide wires, jumbled together — onto
paper made with
fibers slightly wider than common
paper.
Featured image: Murray Garrett, Sinatra Recording Session, gelatin
silver print on archival
fiber paper, 1953 © Ralph Lauren Home and Getty Images
So This Is, (diptych) 2011
Silver gelatin print on
fiber - based
paper, 3.135 x 4.705 inches and silkscreen on
paper with color shifting ink, 8.135 x 9.705 inches (unframed),
Installation: Peter Downsbrough, Untitled 1978 - 2009, Black and white photographs
silver gelatin prints on
fiber based
paper 30x40 cm
B / W photograph
Silver gelatin print on
fiber based
paper.
It becomes interesting when the newer form of presentation, with Sintra - mounted inkjet prints, is also applied for the earlier acquired «Proto - Investigations» that were initially made manifest with gelatin
silver prints on
fiber - based
paper that were push - pinned to the wall.
B&W print from a 35 mm negative on Glossy Illford multigrade
fiber based
silver gelatin
paper.
Two gelatin
silver prints on
fiber paper, with colophon page, in cloth bound clamshell case with
silver embossing
So This Is, 2011
Silver gelatin print on
fiber - based
paper, 3.135 x 4.705 inches and silkscreen on
paper with color shifting ink, 8.135 x 9.705 inches
0368 - 22, 20 Untitled Kaiserslauten, 2005 B / W photograph / diptych:
Silver gelatin print on
fiber based
paper.
While he experimented with platinum printing he eventually settled on Portriga Rapid, a double - weight,
fiber - based gelatin
silver paper manufactured by Agfa - Gevaert.
Suite of 6
silver gelatin prints on
fiber paper, colophon page, and page with poem by Rainer Maria Rilke printed letterpress on Arches 88, in iris cloth bound clamshell case with
silver embossing
Instead of film, McCaw inserts expired
fiber - based gelatin
silver photo
paper directly into the camera.