Sentences with phrase «silver gelatin photograph»

Josiah McElheny Scheerbart Hand - Colors Taut's Stairway to the Exhibition Room 2014 Drawing with retouching pencil on silver gelatin photograph 20 x 16 inches

Josiah McElheny Sheerbart Hand - Colors Taut's Glass House 2014 Drawing with retouching pencil on silver gelatin photograph 20 x 16 inches

1908/2012 (Version VII), 2012 black and white silver gelatin photograph, exposed and solarized by firelight 50 x 40 cm

Drawing on silver gelatin photograph using color retouching pencil, 23 1/2 x 17 1/2 in., Edition variant 1 of 4 with 1 artist's proof.

1908/2012 (Tiled Version IV), 2012 black and white silver gelatin photograph, exposed and solarized by firelight 32.9 x 39.6 inches 83.5 x 100.5 cm

1908/2012 (Version VIII), 2012 black and white silver gelatin photograph, exposed and solarized by firelight 50 x 40 cm

This pair consists of a silver gelatin photograph and a silkscreen.

An elegant and moody limited edition, silver gelatin photograph of the British Challenger for the 1895 Americas Cup Valkyrie 3.

• Edward Weston (American, 1886 - 1958), Melting Ice, 1938, vintage silver gelatin photograph, 8 × 10».

• André Kertesz (American, born Hungary, 1894 - 1985), Umbrellas, Tokyo, 1968, silver gelatin photograph, 11 × 14».

Four photographs, «Nude,» 1934, by Edward Weston (American, 1886 - 1958); silver gelatin print; 3-1/2 by 4-1/2 inches; «Weeds and Wall,» 1972, by Brett Weston (American, 1911 - 1993); 13-1/2 by 10-1/2 inches; silver gelatin photograph; «8th Street Movie Theatre,» 1938, by Ruth Bernhard (American, born in Germany, 1905 - 2006); silver gelatin print; 7-1/2 by 9-1/2 inches; and «New York, 1951,» 1951, by Aaron Siskind (American, 1903 - 1991); silver gelatin print; 24 by 20 inches; director's discretionary purchases with VMFA's A. Paul Funkhouser Endowment Fund.

This circa late 1920s silver gelatin photograph still life with pale flowers in a vase is by Dr. F.W. Buraky, a member of the Chicago Camera Club.

Terry O'Neill «Brigitte Bardot, Cigar» Silver Gelatin Photograph Executed in 1971, printed later Signed and editioned # 9/50 in ink on recto (Co-signed) 47 x 35 1/2 inches

Silver gelatin photograph Image © the artist.

Cathleen Naundorf «Valentino en Rose, Haute Couture, Winter 2007» Silver Gelatin Photograph Executed in 2007, Printed 2017 Signed, titled, date printed, edition 3/10 and artist's copyright stamp labeled on verso.

Donna Mintz, Untitled (Portent), 2018, Unique silver gelatin photograph, altered with natural pigments, plus red clay in collage, 6H x 3.5 W inches

Trepte pairs a found silver gelatin photograph with a text based silkscreen to be displayed either as a diptych or in disparate locations within a single space.

Bruno Taut on Mies van der Rohe (1922), i 2009 Drawing on silver gelatin photograph using color retouching pencil 23 1/2 x 17 1/2 inches (59.7 x 44.5 cm) Edition of 4 with 1 AP ARG # MJ2009 - 005

Bruno Taut on Mies van der Rohe (1922), ii 2009 Drawing on silver gelatin photograph using color retouching pencil 23 1/2 x 17 1/2 inches (59.7 x 44.5 cm) Edition variant 1 of 4, 1AP ARG # MJ2009 - 006 © Josiah McElheny

Lisa Oppenheim, Landscape Portraits (Butternut)(Version II), 2016, set of four black and white silver gelatin photographs with Butternut frames, 24 3/8 x 24 1/4 inches (each panel); 49 3/8 x 49 3/8 inches (overall).

Modern and Contemporary • Carl van Vechten (American, 1880 - 1964), three silver gelatin photographs: Portrait of Prentiss Taylor, 1932, 6-15/16 x 5-5/16»; Portrait of Prentiss Taylor, 1933, 8 ⅞ x 6 ⅞»; Portrait of Prentiss Taylor, 1948, 9 ⅞ x 6-15/16».

Thus Don McCullin, quoted on the information board of a new display at Tate Britain of around 50 black - and - white silver gelatin photographs, chosen and printed by the artist himself.

This Thursday at Ryan Lee Gallery, the noble and light - footed nephew of the late Helen Frankenthaler will showcase two series of silver gelatin photographs from the late»90s in «The Abstract Edge,» beginning with his «Grain Series,» perhaps the most abstract and spare photographic works in Ross» expansive but underappreciated catalogue.

The exhibition begins with a series of geometric abstractions rendered in Formica by de Barros, along with silver gelatin photographs from both the beginning and end of his career.

Sugimoto's Limited Edition Silver Gelatin Photographs usually executed in Editions of 25 consistently realize $ 20,000 - $ 30,000 at public auction; depending upon the specific impression.

• Cornell Somogyi, (American, born Hungary, 1910), two vintage silver gelatin photographs: Untitled (Street Scene), 1936, vintage silver gelatin print; St. Endre Gypsy Dwelling, 1946, vintage silver gelatin print.

Rachel Wetzel An Examination of the Short and Long Term Effects of Light Bleaching Silver Gelatin Photographs 2007

Not exact matches

Unidentified photographer Bill Cunningham Photographing Five Models, ca. 1968 − 76 Gelatin silver print New - York Historical Society Library, Gift of Bill Cunningham

She is represented here by three photographs: two iconic platinum palladium prints of tabletop still lifes and a mysterious gelatin silver print of a hand grasping at a silvery, conical form.

All photographs in the Marking Questions portfolio are selenium - toned silver gelatin prints from 120 film negatives.

Ernest James Bellocq, Lee Friedlander, [Untitled], 1 of 10 Photographs of Storyville Subjects, c. 1911 - 1913, Gelatin silver print, Gift of Lee Friedlander, 86.111.3

Walker Evans, Erosion, Mississippi, 1936, Silver gelatin print, 25 x 20 cm, Library of Congress press photograph, Collection David Campany, Handful of Dust Whitechapel Gallery 2017

Two large gelatin silver prints of the teams mostly in uniform, celebrating wins over Yale in both years, the 1898 photograph by More...

Here's what did work: Glenn Kaino's glittering mass of arrows in flight at Honor Fraser's booth, a demure suite of gelatin silver prints showing Carrie Mae Weems dancing in a nearly transparent white nightgown, Galerie Brandstrup's laser - focus on young painters (including Michael Kvium and Christer Glein), and Chris Wiley's quirky photographs mimicking and framed with quotidian substances (never has Astro - Turf served a better purpose than a picture frame) as part of Nicelle Beauchene Gallery's entry into Armory Presents.

Stamped «ARTHUR ROTHSTEIN / PHOTOGRAPH / from the collection of GRACE ROTHSTEIN» in black ink on the verso l.l. Gelatin silver print, image size 14 x 18 in.

John Divola, Photographs from The Vandalism Portfolio (1974 - 5) Printed 1993, Silver gelatin prints on 50x40cm paper, © John Divola, Courtesy of Gallery Luisotti

Credit: Horseshoe Falls, Ontario Canada, 1992, silver gelatin print, 45 x 45 in., framed, Collection of the Artist, © Lynn Davis, Photograph Courtesy Artist.

I.S. Kobozev (photographer) photographing the first October Celebration, 1918, gelatin silver print, 6.8 x 4.10» • Georgi Zelma (Russian, 1906 — 1984): ° Tractor Driver, Birobizhan, mid — 1930s, vintage gelatin silver print; 2.3 x 3.1» ° Krasnaya Ploschad», Kolonna «Elektrozavoda».

It is, perhaps, an unexpected image to open «Mark Steinmetz: Terminus,» at the High Museum of Art through June 3, a series of more than 60 silver gelatin print photographs taken from

BOB ADELMAN (1930 - 2016) Andy Warhol empties his boots after being pushed into the pool by Edie Sedgwick, Al Roon's Gym, New York photograph 1965 (printed later) unique vintage gelatin silver print signed and stamped on verso image size > 6 x 8.5 inches / paper size > 11 x 14 inches

Eight photographs by Hullihen Williams Moore (American, born 1942): «Appalachian Trail and Mist,» 1994, pigment print, image: 30 x 23 1/2 inches; «Falling Spring,» 1996, pigment print, Image: 30 x 24 1/2 inches; «Rhododendron and Tall Trees,» 2007, pigment print, image: 30 x 22 3/4 inches; «Baldface Mountain Overlook,» 1981, pigment print, image: 20 x 26 inches; «Baldface Mountain Overlook», 1988, pigment print, image: 20 x 24 3/4 inches; «New Ferns,» 1992, gelatin silver, image: 19-7/8 x 19 1/4 inches; «Big Meadows Pine, Fog and Ice,» 1991, pigment print, image: 14 x 11 1/4 inches; «Ice Orb and Lace,» 1992, gelatin silver print, image: 10-3/8 x 13 1/4 inches

BOB ADELMAN (1930 - 2016) Marisol Escobar looks at Bob Adelman through a glass, in Robert Rauschenberg's studio photograph 1966 unique vintage gelatin silver print signed and annotated in pencil, photographer's credit stamp, and photographer's copyright stamp on verso image size > 8.25 x 5.75 inches / paper size > 11 x 14 inches

gelatin silver photographs and graphite on paper mounted to wood, nylon fabric, acrylic, brass nails, wood frame

He also made an important series of photographs of Parisian graffiti in the 1930s, which was exhibited at MoMA in 1956 and is being celebrated in this show featuring a selection of silver gelatin prints and two large and rare tapestries that the artist had fabricated from composites made from his pictures in the late - 1960s.

BOB ADELMAN (1930 - 2016) Andy Warhol on the fire escape of the Factory on 47th Street photograph 1965 (printed later) unique vintage gelatin silver print signed in ink, photographer's copyright stamps on verso image size > 9.375 x 6.375 inches / paper size > 14 x 11 inches

Hamish Fulton, UNTITLED, 1970 - 1971 (ENGLAND - SCOTLAND), 1970 - 1971, Silver gelatin print, acid - free cardboard with text, wood frame, vintage photographs, unique, 4 photographs: 3 x 4.5 inches each, 12.25 x 16 inches framed

Stairway, St. Martin, Ellsworth Kelly, 1977: Marking the first photograph by Kelly to enter the BMA's collection, this gelatin silver print strengthens the BMA's substantial collection of works by Kelly.

The photographs on view, all gelatin silver prints, include twenty - five prominent artists at work in their studios or taking a break — among them Nevelson, Calder, Chuck Close, Willem de Kooning, Roy Lichtenstein, Andy Warhol, Louise Bourgeois, Robert Rauschenberg, Jasper Johns, Frank Stella, Joan Mitchell, Romare Bearden, Isamu Noguchi, Saul Steinberg, and Laurie Anderson.

The exhibition features some of the artist's most celebrated photographs from the 1920s and 1930s, including large - scale gelatin silver prints of unprecedented size (29 x 39 inches) made by Ignatovich himself for the 1969 exhibition at the Moscow Central House of Journalists in honor of his seventieth birthday.

Photographed in 1980 and printed in 1980, this work is number three from an edition of fifteen plus three artist's proofs Other gelatin silver prints from the edition are in the collection of the Solomon R. Guggenheim Museum, New York, the Musée national d'Art moderne - centre Georges Pompidou, Paris; the joint collection of the J. Paul Getty Trust and the Los Angeles County Museum of Art, and the Museum of Contemporary Photography at Columbia College, Chicago.