Selected by Laskey and art dealer Steven Lieber, the Lozano sheets on view show how
a similar formal vocabulary can appear to serve dramatically different temperaments.
Dreamy color chords and excitingly delicate
vocabulary of marks within the figurative pieces seem to nod and confirm the existence of
similar patterns of brushwork and tonality in the abstract canvases Yet, I left the exhibition wondering if the task of finding (and thus, securing) similarities and
formal dialogues within the two modes was a mistake?