Not exact matches
And most Coen films revolve around a
simple story line like this, but once those opening credits start to roll, it's
kind of like having sex during a blizzard.
The online site is
simple and easy to use with millions
of active members, thousands
of success
stories and millions
of singles finding their
kind of person.
It's likely going to center itself around an actor acting really cocky for two hours and without other characters to ground him (like if it's a
simple smuggling scenario), I'm not sure that's the
kind of story I want to watch.
It's rare that the
story of an actor's career can be told in sweeping, clean lines, but Gyllenhaal's trajectory to date
kind of does lend itself to
simple before - and - afters.
DreDD 3D is a much
simpler story on the outside, but Garland seems to have found the subtext and exploited it very subtly, which is
kind of the point
of sci - fi in general.
Both serve a purpose for a certain crowd, but the
kind of person who connects with Jason Brody's
story likely won't fall for
simple co-op and a forced - but - functional competitive side.
The
story starts out pretty
simple, and then gets complicated, and then
kind of loses focus before ending just right.
To tell this rather
simple story, Vaughn indulges in all
kinds of flashy visual trickery.
It's nothing special but does provide a
simple escape for anyone interested in these
kinds of stories.
Fatih Akin — «In the Fade,» «The Edge
of Heaven» Adolfo Aristarain — «Common Places,» «A Place in the World» David Ayer — «Suicide Squad,» «Fury» Nabil Ayouch — «Horses
of God,» «Ali Zaoua» Siddiq Barmak * — «Opium War,» «Osama» Aida Begić * — «Children
of Sarajevo,» «Snow» Emmanuelle Bercot — «Standing Tall,» «On My Way» Martin Butler — «Tanna,» «Contact» Patricia Cardoso — «Real Women Have Curves,» «The Water Carrier» Peter Ho - Sun Chan — «Dragon,» «Perhaps Love» Derek Cianfrance — «The Light between Oceans,» «Blue Valentine» Pedro Costa — «Horse Money,» «Blood» Garth Davis — «Lion» Bentley Dean — «Tanna,» «Contact» Lav Diaz * — «A Lullaby to the Sorrowful Mystery,» «Norte, the End
of History» Carlos Diegues — «Orfeu,» «Bye Bye Brazil» Nelson Pereira dos Santos * — «How Tasty Was My Little Frenchman,» «Barren Lives» Nana Dzhordzhadze — «27 Missing Kisses,» «A Chef in Love» Ildikó Enyedi * — «Simon Magus,» «My Twentieth Century» Amat Escalante — «The Untamed,» «Heli» Safi Faye * — «Mossane,» «Lettre Paysanne» Tom Ford — «Nocturnal Animals,» «A Single Man» Goutam Ghose * — «Dekha,» «Paar» Jessica Hausner — «Amour Fou,» «Lourdes» Joanna Hogg — «Archipelago,» «Exhibition» Hannes Holm — «A Man Called Ove,» «Behind Blue Skies» Ann Hui — «A
Simple Life,» «Summer Snow» Christine Jeffs — «Sunshine Cleaning,» «Sylvia» Barry Jenkins * — «Moonlight,» «Medicine for Melancholy» Alejandro Jodorowsky * — «The Holy Mountain,» «El Topo» Kim Ki - duk * — «3 - Iron,» «Spring, Summer, Fall, Winter... and Spring» Zacharias Kunuk — «Searchers,» «The Fast Runner (Atanarjuat)» Mohammed Lakhdar - Hamina * — «Chronicle
of the Years
of Embers,» «The Winds
of the Aures» David Mackenzie — «Hell or High Water,» «Starred Up» Sharon Maguire — «Incendiary,» «Bridget Jones's Diary» Theodore Melfi — «Hidden Figures,» «St. Vincent» Kleber Mendonça Filho — «Aquarius,» «Neighboring Sounds» Brillante Mendoza — «Thy Womb,» «Kinatay» Márta Mészáros * — «Diary for My Children,» «Adoption» Takashi Miike — «13 Assassins,» «Ichi the Killer» Orlando Montiel — «The Son
of No One,» «A Guide to Recognizing Your Saints» Jocelyn Moorhouse — «The Dressmaker,» «Proof» Kira Muratova — «The Tuner,» «The Asthenic Syndrome» Héctor Olivera — «El Mural,» «Funny Dirty Little War» Idrissa Ouedraogo * — «Tilaï,» «Yaaba» Jordan Peele * — «Get Out» Mohammad Rasoulof * — «Manuscripts Don't Burn,» «Goodbye» Eran Riklis * — «The Human Resources Manager,» «Lemon Tree» Arturo Ripstein — «Deep Crimson,» «The Beginning and the End» Guy Ritchie — «Sherlock Holmes,» «Lock, Stock and Two Smoking Barrels» Anthony Russo — «Captain America: Civil War,» «Captain America: The Winter Soldier» Joseph Russo — «Captain America: Civil War,» «Captain America: The Winter Soldier» Mrinal Sen * — «The Case Is Closed,» «In Search
of Famine» Cate Shortland — «Lore,» «Somersault» Peter Sollett — «Freeheld,» «Raising Victor Vargas» Juan Carlos Tabío — «Guantanamera,» «Strawberry and Chocolate» Rawson Marshall Thurber — «Central Intelligence,» «Dodgeball: A True Underdog
Story» Johnnie To — «Election,» «Exiled» Tran Anh Hung * — «Norwegian Wood,» «The Scent
of Green Papaya» Pablo Trapero — «The Clan,» «Lion's Den» Athina Rachel Tsangari — «Chevalier,» «Attenberg» Paula van der Oest — «Black Butterflies,» «Zus & Zo» Susanna White — «Our
Kind of Traitor,» «Nanny McPhee Returns» Martin Zandvliet * — «Land
of Mine,» «A Funny Man»
It seems like the
kind of story that should be later - revealed as a joke: a crazy
simple app is released with $ 1 million in venture capital funding and then a few days later it gets hacked.
Color is a fairly
simple (but
kind of sweet)
story about two artists who are drawn together by similar visions.
Well, this
kind of essay is very alike
simple narration essay, where you are to retell some
story you have experienced once.
What
kind of story - telling becomes possible when everyone has access to
simple eBook publishing?
All three
of the books spend disproportionate time on the failure
of AIG, which is
kind of a shame, because the failure was the
simplest part
of the
story.
Simple Path to 5 %, Why It Works, A Special
Kind of Investment, Dividend Baseline: Expanded, Fluctuating Dividends, Fluctuating Dividends with a Growth Kicker, Income Stream Insights, A Special
Kind of Investment Sensitivity Study, A Special
Kind of Investment Addendum, Subtle Observation about Dividend Capture, Dividend Blend Rule
of Thumb, Dividend Growth and Bond Ladders, Dividend Growth Rule
of Thumb, Dividend Growth
Story; Sometimes Dividends Get Cut; Dividend Disaster; Dividend Quality.
I imagine how a low budget narrative game could use that
kind of stuff to great effect (with
simple, interconected puzzles as a sort
of skeleton group
of activities to do while most
of the
story is visualized in one's mind).
And that's why most mobile games are
kind of a waster
of time to me, because there is not even a
simple story to follow, the opposite
of Chain Chronicle.
I do have to say that I am really missing any
kind of story here but this
kind of game does not really need one but even a
simple narrative or vocal dialog would have made it a bit more immersive.
It's so
simple and not overly done like so many seem to be, which
kind of take away from the
story.