Sentences with phrase «simple painted shapes»

Charles starts his paintings with anything at all, simple painted shapes of animals and other images, or collaged materials of all sorts and big fat spills of paint, which liver when dry, providing a complex, wrinkled terrain that he then covers with tiny lines and dots of sign - painter's enamel, squeezed from little bottles.

Not exact matches

To begin painting your necklace in a «pinwheel» type fashion, start with a simple triangle shape.
The basic idea is simple: cut out an egg shape from a piece of white poster board, and let you toddler dip their fingers in happy spring colors and finger paint away.
The gift could be something as simple as a piece of fabric from an old shirt that has your scent, or a small heart - shaped rock you painted red.
It's a simple craft, but it packs in lots of opportunities for learning: painting, colour - mixing, shape recognition, cutting, and gluing, to name a few.
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I have my husband's old wooden toy box sitting in our garage and I just can't decide how to paint it... keep it simple (one color) or get out of my comfort zone and try stripes or geometric shapes.
Drawing their way toward graduation — from the art basics of simple shapes and coloring, to exciting advanced techniques of shading and blending — players will wield a variety of tools, including markers, colored pencils, pastels and paints to illustrate popular Pokémon from all known regions.
If you dream of creating your own games and love to build your own stories, «Project Spark» provides a powerful creation engine that unlocks world building through intuitive sculpting tools to shape and paint a new world, as well as a simple yet incredibly powerful visual programming language to make anything happen.
In this pastel painting class, popular tutor Cath Inglis looks at the simple shapes that make up an iris flower and how to make it jump off the page using complementary colours.
Sultan writes: «used the elements of cartooning ---- bold colors, simple shapes, black outlines ---- to create vivid and inventive abstract paintings.
Colors, in their variety, combinations and sequences, reference lived experiences from garishness to mysticism, and it is this range that is key to their depth of feeling... Compositions are built on simple layouts — diamonds intersecting cruciform shapes — but it is the complicating of these geometries through color that make the paintings happen.
The simpler shapes in my previous paintings have become more complex over time and my compositions have become more dynamic with the use of tessellations and vanishing points.
In all but one case, their simple Minimalist spatial geometry is enhanced by multiple panels which give material heft to the vaporously painted rectangular shapes.
If these paintings, like all of Kelly's shaped canvases, seem simple at first sight, that's because Kelly has already done the hardest work.
Slight curves in one direction or another throw each of these sculptures and paintings into an uncanny relationship with the simple geometric shapes they seemingly mimic.
In the 1960s, English painter John Hoyland's Color field paintings were characterised by simple rectangular shapes, high - key color and a flat picture surface.
I hope it is not too grand to say that when looking at this painting I find that I am thinking first about what a strange thing this is but then about what a strange thing I am, that I can find many different ways of seeing such a «simple» arrangement of colour / shapes.
Adian's bulked - up, shaped and painted canvases are simple abstract forms that look something like the vinyl upholstery once found in cheap bars — a perverse kind of artistic reverse engineering.
In another series, the chevrons became diamonds, his first shaped paintings (1964 - 69), by the simple device of butting one set of chevrons upside down against another, forming a tricky squarish picture hung on the diagonal.
Actually — with their simple, linear shapes and muted colors — these paintings have more to do with a return to minimalism than anything else.
The heart shape provides a simple structure that defines the composition while allowing the freedom to fill the painting surface in a multitude of different ways and to try new creative approaches, just as Jim Dine has done.
Ms. Kogelnik's paintings feature bright colors, figures and simple geometric shapes, under which she compressed enormous emotional and formal complexity.
Marina Adams produces almost equally large paintings that in their simple, bright hues and voluptuous shapes echo poster - like notions of the eternal return.
In the artist's words» (using) the same seven buckets of paint, keeps it simple» and permits him the freedom to focus on content, shape and form.
By the late 1950s, he taught at Hunter College in New York City and he developed a singular style of painting that focused on intense color and simple geometric shapes.
An innovative colorist, Kenneth Noland began his career as an Abstract Expressionist, became one of the first practitioners of Color Field painting as part of the Washington Color School, and ultimately embraced a Minimalist approach that comprised vivid color and simple geometric shapes.
Far more likely is the possibility that Hoyland's paintings and Judd's sculptures just share a look that was common in the «60s, of simple, bold and elemental shapes.
In his sculptures, paintings, wall drawings, and prints, LeWitt explored repetitions and variations of simple elements of line or shape in order to achieve complex relationships and patterns.
Parsons» paintings employ simple visual elements to deconstruct then rebuild the pictureplane, transforming it into a multidimensional environment of interactive shapes and textures.
The leaning works are simpler, as well, many just one shape and one mark, and when there is a material shift in the work — for example, in the move from painted wood structure to steel base in «Deft Composition (Deft Composition)» — the move is hardly as disjunctive as painted wood structure to movie poster base.
Effulgent in their gorgeous, low - toned palette of greys, mauves, greens and a whole range of pinks that are Avery's trademark, these late paintings appear modest and even simple — the shapes flattened and nearly blunt, but balanced in the most elegant compositions.
His paintings and sculptures range from simple geometric shapes in reduced colors up to bold experiments with diverse shapes and colors.
As simple as the well - known heart - shape is, Dine's heart paintings are not nearly as simple.
The third, we abstracted and pulled out and simplified it to the simplest shapes that we could find in the still life - no, from our painting.
Stockman's abstract paintings, most recently exhibited in a solo show at Gavlak Gallery, in Los Angeles, are simple yet luscious, with thick, sensuous, curved shapes in intense, vibrating hues.
His paintings move between abstraction and representation, presenting simple organic shapes in graphic and often chromatically vivid compositions.
Tony DeLap, Thauma II, 1986, Laguna Art Museum, Gift of Mason and Elizabeth Phelps In the early 1960s, he was making paintings of simple shapes in flat if unusual color combinations.
At first glance, the paintings seem like formal abstraction, investigations of relationships between shape and line, but, when seen in terms of the development of MacPhee's visual language, they are more complex than simple arrangements of form.
Critic Edith Newhall described the shapes in Grassi's works as «striking and simple,» while her abstract paintings «capture the essence of natural events.»
Starting with simple geometric shapes and slowly evolving into slightly more representational paintings to abstracted still lifes, the repetition of color and shapes starts to develop an internal dialogue.
Combining a personal graphic vocabulary of primitive shapes, pattern and expressionistic mark - making, with masterfully rendered photorealism, Dau creates a type of «painted collage» that explores the tension of opposites — between modern and primitive, geometric and abstract, the simple and complex.
After years of working on sculptures using a similar set of geometric shapes, this new body of paintings on linen takes those same simple bold shapes into painted forms.
By the end of the decade, the artist's ongoing exploration of figure - ground tensions is expressed in works such as «Große Flächenteilung / Spiegel» (Large field - division / mirror)(1989) and «Unterbrechung» (Interruption)(1989), in which simple shapes are painted over horizontal swaths of intense and even acrid contrasting colour fields.
By the end of the decade, the artist's ongoing exploration of figure - ground tensions is expressed in such works as «Große Flächenteilung / Spiegel» (Large field - division / mirror)(1989) and «Unterbrechung» (Interruption)(1989), in which simple shapes are painted over horizontal swaths of intense and even acrid contrasting color fields.
Minimalism A non-representational style of painting, sculpture and architecture in the late 1960s, which was severely restricted in its use of visual elements and limited itself to simple geometric shapes or masses.
Mr. Kelly searched for simple outlines that would generate abstract paintings and sculpture yet retain echoes of things, from leaf shapes to remnants of architecture, that he had seen in the everyday world, and which he sometimes recorded in photographs.
Painting on raw canvas, she presents an assortment of recognizable objects (fire, smoke, alligators, matchsticks, letters) and simple geometric shapes (circles, zigzags) by using bright even colors and sharpened edges, leaving strong instant impression which continues to resonate visually, and creating moments of perverse tension.
His painting gradually became simpler via a play of geometric shapes and a reduced number of colours.
Attracted to the clean shapes and industrial materials of sculptures by Donald Judd, and the simple geometric structure of paintings by artists such as Brice Marden, Amado began looking for different industrial materials that he could manipulate to form geometric paintings and sculptures.
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