The subject of the painting, perhaps flowers in the garden, has been reduced to
its simplest shape and form.
Not exact matches
I like pasta in any
form or
shape so I may try this recipe next week, because I have a weekend full of celebrations ahead of me,
and I think that I will need this kind of
simple meals the following days.
Seriously though, how can anyone not love pumpkin in all its sweet
shapes and forms,
and curries,
and pies,
and ice creams,
and puddings of all sorts,
and in its
simplest purest
form — just roasted?!
Around 3 o'clock, a hot cuppa
and some lovely oatiness in the
shape and form of these
simple vegan oat bars really does go down well.
Vlogging is
simple video blogging,
and most of the world's uber - popular blogs feature them in some
shape or
form.
The
simplest and most straight - forward way would be to make it illegal for any member of congress to participate in any fund - raising activities in any way
shape or
form until 60 days before their election.
The most basic of the detectors was a
simple high - speed video camera, which watched where the rod hit the surface
and recorded the
shape of the depression it
formed.
To demonstrate the kind of complex behaviors that can be achieved with
simple commands, Becker videotaped an experiment over the Labor Day weekend in which a swarm of a dozen randomly scattered r - one robots were directed to
form a complex
shape — a capital R. To direct the robots, Becker used a basic controller — a
simple one - button,»80s - era videogame joystick that was capable of giving only two commands: rotate
and roll forward.
The doughnut -
shaped droplets, a
shape known as toroidal, are
formed from two dissimilar liquids using a
simple rotating stage
and an injection needle.
We made two critical discoveries: the signals occur while the embryo is still just a
simple cup -
shaped structure, before any organs have begun to
form;
and, from the very beginning, these cells are earmarked for either the left or right ventricle (chamber) of the heart.
Those two things come in many ways,
shapes and forms, but stripped down to its
simplest form, most of us really want out of life is to be happy
and healthy.
Loved House of Flying Daggers
and I'm sure this one will be very good as well... just, as you said Sean, how is this associated with Blood
Simple in any way
shape or
form?
The standards covered in Unit 6 are: describe objects in the environment
and the relative positions of these objects as above, below, beside, in front of, behind,
and next to, classify
and sort, correctly name
shapes, identify
shapes as 2D or 3D (flat / plane or solid), analyze
and compare two
and three dimensional
shapes, model
shapes in the world by building
shapes from components,
and compose
simple shapes to
form larger
shapes.
Interior design chief Winnie Cheung describes the theme as «simplicity...
forms and shapes are very
simple, but rich, with a modern look,»
and with «a more premium fit
and finish.»
As well as the neat,
simple design
forms that make up the dashboard
and centre console, the interior's four individual dark brown leather sports seats add to the minimalist ambience of the cabin, each made up of
simple linear
shapes and featuring built - in inertia reel seatbelts to minimise «cabin clutter».
Once you're doing this you're starting to ingrain who you are in people minds with just
simple shapes or a house style in the
form of standard fonts
and colour palette you use for all your work.
Therefore Amazon needed a full color screen
and due to
simple technological restrictions, it is in the
shape and form of Kindle Fire.
We've been through this in every way
shape and form a thousand times, so you can get
simple answers to even the most perplexing questions.
These come in various
forms:
simple wave -
form patterns that you need to match up; mathematics puzzles you need to complete; or
shape and object selection tasks.
Minimalism is an extreme
form of abstract art developed in the USA in the 1960s
and typified by artworks composed of
simple geometric
shapes based on the square
and the rectangle
The structure itself is representative of the elements innately associated with Modern architecture -
simple, clean lines, basic geometric
forms,
and rectangular
shapes.
Clean,
simple geometric
shapes were emerging across the art
forms including fine art, commercial
and industrial design
and architecture.
His monumental
forms make you dance, his table - top works are in drag —
and his
shapes are so
simple you can't believe he dared.
Adian's bulked - up,
shaped and painted canvases are
simple abstract
forms that look something like the vinyl upholstery once found in cheap bars — a perverse kind of artistic reverse engineering.
Some artists, though, are none of the above, with
simple shapes that resolve into layer upon layer of color,
form,
and thought.
These range from what are referred to as «stacks», which are hung at even intervals from floor to ceiling; «progressions», whose measurements follow
simple numerical sequences; bull - nosed
shaped protrusions from the wall;
and box - like
forms that are installed directly on the floor.
A
simple form is depicted, yet the more one views this constructed
form the more multifaceted it reveals itself to be in
shape and surface.
As the artist progressed from
simple, knotted
forms composed of cotton bunting
and wire mesh to elaborately constructed, precision - edged metallic sculpture in the 1980s — she
shaped the material to entirely original
and independent purposes.
I have always enjoyed his subtle, modern, abstract
forms shaped by the natural world
and by ordinary objects, his refined use of
simple materials...
In the artist's words» (using) the same seven buckets of paint, keeps it
simple»
and permits him the freedom to focus on content,
shape and form.
Supporting some of these animal parts
and organic
forms are
simple rigid
shapes, traces of buildings once inhabited by the artist, cast in concrete
and stacked in piles.
Before affixing the translucent coloured Perspex to Propaganda (1965)
and Plastica (Paesaggio con Brancusi)(1965), he used the
simple geometric
shapes as stencils to create repeating
forms, which give a sense of dynamism.
Then bring it all together with an atmospheric townscape where you'll learn how to reduce complex architecture to
simple shapes and impressionistic
forms.
The minimal - leaning typographic mark uses a cute sans serif housed within an adaptable box
shape that moves
and mutates to
form numerous different iterations of an otherwise
simple logo.
Some of his most iconic works involve the
simplest materials
and most delicate actions, for example
shaping a thin strand of wire
and hanging it on a wall under direct light, simply interplaying its
form with its shadow.
Through
simple, exacting gestures, the artist renders visible the power dynamics that
shape each architectural environment,
and points out the structures (institutional, personal) that
form and inform our ever - artificial surroundings.
His work is characterized by
simple and smooth geometric
shapes that lend themselves to a physical
form of appreciation.
At first glance, the paintings seem like formal abstraction, investigations of relationships between
shape and line, but, when seen in terms of the development of MacPhee's visual language, they are more complex than
simple arrangements of
form.
Initially, these works gave structural
form to many of the images in Asawa's drawings, which themselves were exercises in the fluctuating relationships between figure
and ground: one
shape often overlaps, without entirely obscuring the others, through a
simple economy of means.
His sculptural production investigates basic geometric
forms in relationship to design
and architecture, privileging industrial materials
and simple shapes.
The
simple shape became one of the signature
forms for this artist's sublime works, which succeed in the realms of both Minimalist
and Pop Art.
For the installations
and wall drawings in «Dentro, o que existe fora» (Inside, What Exists Outside), the artist used colored planes to
form simple geometrical compositions that nonetheless produced complex experiential effects, giving the impression of three - dimensional
shapes folding into
and out of the corners, walls,
and floors of the gallery, as if collapsing out of
and drawing viewers into revealed spaces existing parallel to the structural planes of the
Asian art dealer Ben Janssens displayed a trio of eighteenth -
and nineteenth - century Frisbee -
shaped samurai hats in a niche, the
simple clean
forms reminiscent of modern sculpture.
Primarily composed of directed, framed
and focused light projections, Verjux's sculptural exploration of light serve not simply as
simple forms and geometric
shapes, but as indexes
and symbols of an event.
The imagined creatures are composites of
simple shapes culled from animal
and human
forms.
Attracted to the clean
shapes and industrial materials of sculptures by Donald Judd,
and the
simple geometric structure of paintings by artists such as Brice Marden, Amado began looking for different industrial materials that he could manipulate to
form geometric paintings
and sculptures.
Pushing the edges, often literally, of his primary disciplines, artist Tony DeLap has dedicated close to half a century to exploring the seam between sculpture
and painting, merging the boarders of architecture, design
and art, reducing to the most basic expression of
form,
shape, scale
and color, while remaining devoted to the search for beauty in the creation of a
simple object.
The same goes for geometric
shapes: they are basic
forms but they are also part of the «high» culture; although
simple to construct, they can become complex
and charged during the process of creating an image.
Artists representing various movements
and geographical backgrounds are all there: Cubist, Dada,
and Russian avant - garde artists of the 1910s
and 1920s, with their images of flat, intersecting planes
and floating
shapes; artists associated with Minimalism, Op art,
and hard - edge abstraction in the 1960s
and 1970s, whose primary interest lay in the investigation of reductive
form and color;
and contemporary artists who continue to exploit the infinite potential of
simple geometries.
Through
simple gestures of pouring
and removing paint, gravity
shapes the lines
and forms that start to resemble organic elements.