Sentences with phrase «simply high art»

Or is this simply high art without any emotional pull?

Not exact matches

It is good to light a candle or have a beautiful piece of art or religious iconography in front of you (it doesn't matter which, simply something very high in beauty).

Even the high - ups at Universal appear to be trying hard to convince themselves that the film is something special; the DVD art boasts not simply «deleted scenes,» but «thrilling deleted scenes.»

These are simply designed with high school students in mind - no childish clip art for those kids who are too cool for that sort of thing!

In my post Stopping the Summer Slide in English Language Arts, I provided basic recommendations, from starting digital book clubs to sending home high - interest texts, or even simply staying in touch as often as possible with students through email or social media.

She looked closely at the breakdown of grades in a given semester, and noticed how the relatively high percentage devoted to completing one's homework and simply submitting assignments might disguise the reality that a student was actually struggling with some of the essential competencies in her English Language Arts class.

In service to high - stakes «test and punish» threats, schools with the most limited resources have been most likely to cut back on history, art, music and physical education, simply because they aren't covered on standardized tests.

It is my mission at Simply Beautiful By LC to offer high quality, handmade art that brings positivity to your chaotic day.

I feel cheated sony does not market highest end of the state of the art anymore simply for cost reduction things when I have come to expect much more from them.

Looking for art beneath the High Line was simply foolish.

Simply a world - class fair in an awe - inspiring venue placing contemporary African art on a higher level.»

It was not simply a statement against an ivory towered «high art» but an effort to shed light on the relationship between art and life, an investigation of our daily experience of the world.1 In Kounellis's «objects,» the convergence of two - and three - dimensional materials engages the senses, imagination and emotion.

Abstractionists working in a painterly, post-Minimalist manner — an approach that combines a pared - down, abstract vocabulary with either expressive brushwork or Pop art's theatricality — can be divided into two groups: those who are demonstrating abstraction's continuing vitality and those who are simply nostalgic for its high - toned rhetoric.

Where his early work simply collided high and low, black and white, sacred and profane, art and shit, Ofili now makes more commanding, syncretic images — of the raising of Lazarus, or couples boogying on intricately patterned dance floors — that reject such dualism and thrill to mixing, creolisation, and promiscuity.

Not content simply to blur the boundaries between high and low, Erró deploys a kaleidoscope of cartoon characters, art historical icons, and government leaders to comment on urgent social and political issues.

If the juxtaposition of Mr. Colbert and high art (or simply the sight of him dressed in black, without his glasses) makes you nervous, a segment in which he introduces the banjo music of Steve Martin and the Steep Canyon Rangers appears below.

Taking a monochromatic grey palette as its organizing principle and aesthetic theoretical vehicle, this exhibition reveals the emergence of that which subtracts or divides — a polemics of black and white or the search for a middle ground, a shade of grey — in the work of artists from around the globe: including Shiva Ahmadi, Yasima Alaoui, Ayad Alkadhi, Afruz Amighi, Reza Aramesh, Shoja Azari & Shahram Karimi, Bruce High Quality Foundation, Dilip Chobisa, Seth Cameron, Arthur Carter, Noor Ali Chagani, Nick Farhi, Nir Hod, Rachael Lee Hovanian, Joseph Kosuth, Liane Lang, Farideh Lashai, Shirin Neshat, Enoc Perez, and Dan Witz, Grisaille: originally derived from a 19th century term for monochrome painting, especially the portrayal of three dimensional objects in two dimensional form, of which the work of British based Liane Lang in this exhibition approaches the closest contemporary example of this art historical origin, the gris or grisaille is updated in this exhibition to reflect the embattled gesture of not simply the monochromatic, but also any opposition to color as such, in at once its aesthetic and political modes.

This depersonalization and mechanization of art's form and content did more than simply complicate the claims of authorship and authenticity so dear to high modernist aesthetics; it inserted the idea of the multiple into the once autonomous space of the unique, and introduced the plural into the singular in a way that dramatically impacted our conceptual appreciation of these binary terms.

That Barney's work of high art has filtered into the media stream on so many levels is simply further evidence that he'll be back.

Simply fill out the online form, and receive «apples - to - apples» comparisons between over 100 reliable and high - rated insurance companies in the U.S. Sure, it may be more fun to take a stroll around the historic Park Avenue West houses or to attend a recital at the Mansfield arts Center.