Not exact matches
Just because that something is the second
brightest object in the night sky and you've probably seen it just about every
single night of your entire life is no excuse for not saying something.
Just because that something is the second
brightest object in the night sky and you've probably seen it just about every
single night of your entire life is no excuse...
The
bright object seen in this Hubble image is a
single and little - studied star named TYC 3203 -450-1, located in the constellation of Lacerta (The Lizard).
The
brightest object in a nearby star cluster, thought for decades to be a
single star, is actually two massive stars in the process of merging.
Such an explosion, which would have more fuel to burn than a
single detonated white dwarf, might explain certain
bright supernovae that appear to be powered by an
object above the Chandrasekhar mass.
That far out, the only way a
single round
object could be as
bright as 2003 UB313 would be if it is at least as large as Pluto and completely reflective.
Whereas Bickerton's early works tackle form, function, and communication, with sometimes
single words acting as the entire painting, his later figurative pieces are visually deafening, with
bright color and cluttered
objects mirroring the over-the-top excess featured as the work's subject.
For example, the film «Wounds and Absent
Objects», a homage to Kapoor's hero, American abstract expressionist Barnett Newman (1905 - 70), suggests a deep journey from colour to darkness; on the screen, viewers see a
single - coloured image, very much like one of Newman's painting, that shifts from
brighter to darker shades.
Later works include exuberantly satirical works of the 1960s, many featuring the vaguely autobiographical figure described by critic and artist Anne Doran as a «nattily dressed and deeply ridiculous Everyman in mad pursuit of liberty, poetry, and sex»; the pornography - inspired «X-Rated Paintings» of the early 1970s; the «Noun» paintings of the same period (each depicting a
single everyday
object against a
bright, patterned background); the schematic, figurative canvases made in homage to Copley's Surrealist idol Francis Picabia; and the story cycles and morality tales from the 1980s and 90s, including a painting from the installation project The Tomb of the Unknown Whore.