But just as it never settles on
a single narrative style, Hardline also struggles to remain coherent in its combat design.
Not exact matches
and there is a myriad of visual incident and detail to drink in but aside from a gladiatorial sequence involving what can only be called giant, sharp toothed Martian apes and a Braveheart
style desert battle in which Carter takes on the Tharks
single - handed, the production is somewhat lacking in action but Stanton's conviction somehow manages to transcend the dull stretches and
narrative flaws which gives John Carter a unique charm all of its own.
By starting the story in the 1730s (with a long glance backwards) and continuing into the early career of A.W.N. Pugin, Lindfield makes it plain that Gothic changed and developed through the period he discusses; he does not devote a
single chapter to Strawberry Hill, but returns to it at key points in his
narrative, tracing how Walpole's Gothic evolved from a repertoire of ornament derived from pattern books to a
style based on a study of medieval precedent.
A breath of fresh air in the competitive «mine is best» atmosphere currently so divisive in the field of trauma therapy, each varied and complex case (presented in a variety of writing
styles: case reports, session - by - session
narratives,
single session transcripts) is approached with a combination of methods ranging from traditional psychodynamic and cognitive approaches and applications of attachment theory to innovative trauma methods including EMDR and Levine's SIBAM model.