Sentences with phrase «single scene in the movie»

Not exact matches

Update: An eagle - eyed reader reminds me that Kermit and Miss Piggy got married in a movie within - in - a-movie scene, and they are subsequently still single.

«The CMB sky is a snapshot of the early Universe, it is a single frame in the movie of the Universe, and we have shown that Rayleigh signal gives us another fainter snapshot of the same scene at a slightly different time,» co-author Kris Sigurdson explained.

Based on our city's census data, our high number of Starbucks coffee shops, and the fact that there seems to be a lot of cheesy romcom movies and TV shows set here set in our city than any other place on Earth, huge publications like Forbes magazine and Marie Claire have been frequently ranking the Seattle adult dating scene as the center of the singles universe..

There's isn't a single action scene in the entire movie.

Aside from the opening and closing scenes which bookend things, the movie takes place in a single day in each of the time periods, alternating back and forth between them.

Over in the past segment of the movie, Evan Peters has a single fight scene, but he almost steals the show with it.

The Visual Commentary combines just about every single behind - the - scenes feature and puts it in the movie so you can watch it in place.

I truly can not think of a movie that I've seen that was so blatantly torn to shreds in post-production in the editing room, to a point where it feels like no single scene belongs in the same movie as any other one, and that no one working on the film even realized they were working on the same one as all of these other people involved.

There's no reason for the name in the context of the movie, save for the fact that the cute little robot that the lead singer's dead father built for her has projected a single hologram a few scenes beforehand.

From the tightly scripted dialogue — by turn sharp, harrowing & funny and without an ounce excess on its bones — to the beautifully melancholic score by Carter Burwell and the powerhouse performances from a cast who've never been better, I fell in love with the entire movie, with every single breath - taking, nauseating, alarming, disturbing, uplifting scene, a fact made slightly more unusual given that I've tried — and failed on repeated occasions — to watch and enjoy Martin McDonagh's back catalogue.

Though deceptive advertising is nothing new in movies, the DVD cover art of Coming & Going takes the practice far, keeping the wheelchair out of the picture (save for the title logo's odd twist on the familiar handicap symbol), portraying the leads as young and hip in their jeans and tall boots respectively, and, most egregiously, placing a chihuahua poodle hybrid that features in a single 1 - minute scene front, center, and large.

But in his review, Barber does single out the South Korean action scenes that, in his words, feel too much like a James Bond movie: «[S] pies mutter to each other via micro-radios, metal suitcases are packed with diamonds, and the hero bumps into an old CIA associate, Everett Ross.»

Where this single soundtrack selection of Aileen 2 is pointed, even prophetic, the music in Monster is strictly prosaic (a love scene following a murder scene is banally accompanied by Tommy James & The Shondells» «Crimson And Clover») and illustrative of the movie's tendency to take the path of less resistance.

The extended scene of Shoshana's lunch with Goebbels and Zoeller is mostly presented in a single long take, while a brief sequence celebrates the mechanics and showmanship of a presenting a movie in a movie palace of old.

Devoid of charm, mirth or inspiration, the movie is quick to distract you with the nearest weapon at hand — a frenetic action scene, an unfunny one - liner or, worse yet, another ear - clogging rendition of a hit single, in what the press notes have characterized as a deliberate tip of the hat to «American Graffiti.»

It also includes a «Deleted Scenes» extra that lets you play through the discarded, almost - complete single - player adventure that Ritual constructed earlier on in the game's protracted development, and ships to stores with a third disc compendium of the various Half - Life 2 movies released on the web to date.

In addition to liner notes by British film critic Jason Solomons and a feature - length audio commentary track with writer Lothian and director Metzstein, there's the movie's theatrical trailer, a single deleted scene and a couple of featurettes in which Lance and Cilenti showcase two respective bits of sleight - of - hand that their characters emploIn addition to liner notes by British film critic Jason Solomons and a feature - length audio commentary track with writer Lothian and director Metzstein, there's the movie's theatrical trailer, a single deleted scene and a couple of featurettes in which Lance and Cilenti showcase two respective bits of sleight - of - hand that their characters emploin which Lance and Cilenti showcase two respective bits of sleight - of - hand that their characters employ.

As ignorant as it looks now, Black Panther was once considered a gamble for Marvel Studios, which hadn't yet made a movie in the M.C.U. featuring a black lead or even a single scene without white characters.

He also has the single worst written scene in the movie near the end, but to describe it would give too much away.

Set predominately in 1979 Santa Barbara, the movie is a series of loosely connected scenes and vignettes — all linked by single mother Dorothea (the always stellar Annette Benning) and her attempts to teach her teenage son, Jamie (Lucas Jade Zumann), what it means to be «a good man».

Berberian never shows a single frame of movie Gilderoy works on but provides plenty of aural cues, sound track snippets and narration describing the ludicrous set up of each scene to paint an image of an over-the-top mess commonly found in Italian horror.

in my not so humble opinion the X assist excels at the most every single aspect of what makes a horror movie good whether it's a well - developed sense of dread, incredible shock moments that make you jump at your seat, well presented themes that make you think about the movie long after it's over, well developed characters that you care about, special effects and make up that contribute not detract from the movie, etc. one of the good examples of the latter point is how William Friedkin who in my opinion is one of the 10 greatest directors of all time used a refrigerated room for some of the scenes.

In the movie's climactic scene, not a single word of dialogue is uttered and yet, it is thoroughly evocative and remarkably expressive.

In one of the final scenes (I can't say the «climactic» scene, because the narrative has no climax) Hanks delivers the single best line of dialogue in any movie so far this year — by faIn one of the final scenes (I can't say the «climactic» scene, because the narrative has no climax) Hanks delivers the single best line of dialogue in any movie so far this year — by fain any movie so far this year — by far.

Every line sparkles with wit and insight, every scene fits into a beautiful whole, and there isn't a single character in it who wouldn't furnish an interesting movie of their own.

The single - disc release includes all of the special feature basics (deleted scenes, outtakes and an alternate ending), but it's been a long time since I've listened to a director (in this case, the brotherly duo of Anthony and Joe Russo) defend their movie with such fervor.

In this cinematic era when no less than half a dozen tentpole superhero movies will hit theaters with the force of Thor's hammer in a single year, it takes more than cool fight scenes and colorful costumes for a comic book - based film to emerge as something speciaIn this cinematic era when no less than half a dozen tentpole superhero movies will hit theaters with the force of Thor's hammer in a single year, it takes more than cool fight scenes and colorful costumes for a comic book - based film to emerge as something speciain a single year, it takes more than cool fight scenes and colorful costumes for a comic book - based film to emerge as something special.

- the scene at the beginning of a ceremony caused Shimamura a bit of trouble - the lines of the ritual did not properly reflect Zelda's personality, her motivations, her powerlessness, and awkwardness - Shimamura talked about it with Naoki Mori (who was in charge of Cinematic Design, including screenplay, and cutscenes)- the whole thing was rewritten several times, until they arrived at the final result - there's quite a lot of scenes she really likes in the game - her favorite line is the «Yes» Princess Zelda gives as an answer to the Deku Tree in a particular scene - in that scene, Zelda thinks about what she should do, but she can not see it at all - she refuses to give up, and wants to give hope to Link - Shimamura tried to convey all of those feelings through the single «Yes» she spoke - recording felt completely different than for animation, the dubbing of (foreign) movies, or other games - there was no fixed routine of how to approach it, as all different things were being tried out - lines were redone even after other lines were implemented in the game, as the team found better ways to say things - Shimamura finally managed to beat the game the other day, but she wants to keep practicing her shield surfing - Shimamura explains that she really gave it her whole when voicing Princess Zelda, to give her emotions - she hopes that players will remember their memories of Princess Zelda

Screen - printed on 100 % recycled paper, each poster emphasises the filming challenge that the competition demands by depicting a famous one - shot movie scene skilfully drawn in a single one line «take».

Typically completed in a single sitting, Jackson's sequential drawings present a fragmentary, staccato - like form of storytelling where aspects of his daily life intersect with remembered scenes from movies and television shows or song lyrics.