Sentences with phrase «single woman in the film»

But at least Bruce Wayne gets a ridiculous Rocky-esque training montage (sans John Cafferty motivational music) while almost every single woman in the film is either abducted or murdered.

(As far as we can tell, there isn't a single woman in this film.)

Not exact matches

Many of the women who appear in the film discuss issues that, while not gone entirely, were more widespread 30 years ago — the denial of assisted reproduction to lesbians or single women; the lack of legal recognition for non-biological parents; creating then - untested contracts between a known donor and a female couple; a mother being denied entrance to the hospital where her partner has just given birth to their severely premature child.

Brisbane woman filmed having a long - term relationship in Amsterdam, Rotterdam, The UK's 1 destination for casual encounter New Oriental girl Escorts and private escorts in Perth singles online.

Inspired by, but not adapted from, Roland Barthes, Claire Denis» new film about a single woman living alone in Paris is a sophisticated delight

In the latest trailer for Mike Mills» new film 20th Century Women Annette Bening plays a single mother in 1979 who concocts a plan to make her teenage son (Lucas Jade Zumann) a «good man.&raquIn the latest trailer for Mike Mills» new film 20th Century Women Annette Bening plays a single mother in 1979 who concocts a plan to make her teenage son (Lucas Jade Zumann) a «good man.&raquin 1979 who concocts a plan to make her teenage son (Lucas Jade Zumann) a «good man.»

Every single cliché occurs in this film: hesitant small town woman in the big city, mean lady isn't so mean at all, throw in a love interest, mean lady really is mean after all (or is she?)

The trailer for the John Curran - directed film stars Jason Clarke as Kennedy and Kate Mara as Kopechne as well as a roster of actors portraying all the WASPy figures involved in the event including Bruce Dern as the senator's domineering father Joseph Kennedy, Ed Helms as Joe Gargan, Jim Gaffigan as DA Paul Markham, and Olivia Thirlby as one of the «boiler room girls,» a group of single women who worked Bobby Kennedy's 1968 Presidential campaign, which ended with his assassination.

There is a single shot in a film called The Mummy's Ghost, where the limping Egyptian creature carries a woman up a railroad trestle — in a long - shot, executed in terrible day - for - night — that I find existentially terrifying.

Jordan Peele, the mastermind of «Get Out,» a social thriller about American racism, became the first African American to earn producer, director and writer nominations for a single film; the academy nominated a female cinematographer, «Mudbound's» Rachel Morrison, for the first time in its 90 - year history; and Greta Gerwig became just the fifth woman recognized as a director, feted for her wry, observational coming - of - age story «Lady Bird.»

They may have posed as divorce mediators at the film's open, but off the clock (which is to say for the rest of the duration) they posed as anything but when in the presence of their other «clientele,» single women they picked up at weddings.

The rest of the film is pretty much the three women, attached to a paper - thin story that merely gives them the opportunity to explore the life of a single lady that is in no rush to settle down.

«Bening creates yet another memorable award - winning role portraying Dorothea, a free - spirited single mother raising her teenage son in Mike Mills» upcoming film «20th Century Women.»»

In a film that doesn't even try to explain the blindness (not that it could), there's room for nothing but symbols and metaphors and the well - diversified group we identify with, which includes an Asian couple (Yusuke Iseya and Yoshino Kimura), the doctor and his wife (Mark Ruffalo and Moore), a wise old black man (Danny Glover), a single woman (Alice Braga), a boy (Mitchell Nye) and a dog (uncredited).

From the literal, physical journey of one single heart from one human to another in Heal the Living, to the metaphorical way the heart keeps going even when it stops pumping blood in A Ghost Story, via the discovery of intimacy and the baring of the soul that the characters of Moonlight, Certain Women, Call me By Your Name and God's Own Country all experience as they open up their hearts to life and love - and all that they entail - these films kickstarted my heart, and let the engine roar.

Before taking on the role of Caroline, Kate Hudson played a single, career woman who is left with the responsibility of caring for her nieces and nephew when her sister unexpectedly dies in the film Raising Helen.

SKA: My first question is when you were directing Sharon Stone on set, did you ever have a moment where you just kind of thought, «Wow, this film is really breaking down ageism in Hollywood by focusing on a single woman who's in her late forties and going into her fifties?»

Playing Marina, a waitress, nightclub singer, and strongly self - possessed trans woman in Santiago, Chile, Vega is on - screen for all but the first few minutes, carrying the film almost single - handedly through its shifts between melodrama, social - problem picture, and delirium.

Great art it's not — but it's frisky, in charge of itself, and about as keenly felt a vision of this S&M power game we could realistically have expected to see... The film's single biggest asset is Johnson, who has worked hard with Marcel and Taylor - Johnson to perform a three - woman salvage job on the character of Anastasia.

Yet, Vigalondo's brilliant film managed to finish in the Top 5, edging out Patty Jenkins» equally brilliant «Wonder Woman» by a single vote.

I saw films with stories about finding happiness even with cancer (Me and Earl and the Dying Girl), the struggles of addiction (I Smile Back), transgender women in Los Angeles (Tangerine), post-apocalyptic love triangles (Z for Zachariah), a teenage girl's sexual awakening (The Diary of a Teenage Girl), relationships between interviewer and interviewee (End of the Tour, True Story), washed up Olympians (The Bronze), two kids who go for a joy ride (Cop Car), psychological studies (The Stanford Prison Experiment), lesbian lovers coming - of - age (The Summer of Sangaile), being a single parent (People, Places, Things), and geeky kids learning how to grow up (Dope).

Actress Audrey Tautou and designer Gabrielle «Coco» Chanel are both international symbols of modern French femininity — Chanel as the trend - setting couturier who liberated 20th century women with the simplicity and ease of her clothing, and Tautou as the single most recognizable French actress in the world, thanks to her captivating performances in films like 2001's Oscar - nominated Amelie and a little 2006 thriller called «The Da Vinci Code.

Other celebrated auteurs looking for their first Foreign Language nomination are Belgian brothers Jean - Pierre and Luc Dardenne, who went home from Cannes empty - handed but whose film Two Days, One Night will likely have their highest stateside profile yet due to the presence of Marion Cotillard in the lead role as a woman who has a single weekend to convince her co-workers to give up their bonuses so she will not be laid off.

This list, or so I've tried, was put together following many different but intimate echoes in between films; some correspond just in reflections of a single shot, others to the general feeling experienced, many to a communal and identified way of being (for example, woman), of living, cinematically.

Filmed in her Syracuse studio, artist Carrie Mae Weems discusses the impetus for her work The Kitchen Table Series (1990), a photographic investigation of a single domestic space in which the artist staged scenes of «the battle around the family» between women and men, friends and lovers, parents and children.

2005 The Rape of the Sabine Women, single channel High Definition Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen Hatch

If you have not seen the film, it chronicles a 30 - something's journey (Bridget, a single woman living in London, played by Renee Zellweger) as she moves through career and personal angst, one day, one crisis and one joyful event at a time.