Sentences with phrase «sitting on a film set»

Although Scott Thomas never wearies of working onstage (she has appeared in several West End plays over the past decade), «sitting on a film set, waiting for hours to say one sentence, can be unbelievably boring,» she said.

Not exact matches

With «Walter Mitty» plowing through its theatrical run and into awards season, Martinez took the time to sit down and tell us about working on that project as well as his experience on a number of other film sets.

Radiator Springs sits on Route 66 (which was the film's working title), and the setting allows the animators to beautifully showcase the glorious mesas and deserts of the Southwestern United States.

Jamey Codding recently sat down to chat with Anthony and Joe Russo, the writer / director team behind «Welcome to Collinwood,» a new film from Warner Bros. starring George Clooney and William H. Macy, set to open in select theaters on October 4 and nationwide October 18.

At the film's Los Angeles press day, Collider got the opportunity to sit down with actor Armie Hammer for this 1 - on - 1 interview about what attracted him to Final Portrait, the master class experience of getting to watch Geoffrey Rush do his thing, how he delved into James Lord, and why he felt like the new guy on set.

For our final series on The Overnight (a film I've lovingly recommended to many) I had the privilege of sitting down with both Jason and director Patrick Brice, whom I also spoke conducted a more in - depth one - on - one (and you can find that interview here) to talk awkward screenings, reaction cams, penis prosthetics, the infamous butthole paintings, cracking up on set, how to make a good comedy movie and, finally, whether to expect more Coconut Records.

Serra sat down with FILM COMMENT at Cannes shortly after The Death of Louis XIV premiered as an Out of Competition selection to talk about his unique on - set process, his film's more restrained tone, and working with one of French cinema's most beloved actFILM COMMENT at Cannes shortly after The Death of Louis XIV premiered as an Out of Competition selection to talk about his unique on - set process, his film's more restrained tone, and working with one of French cinema's most beloved actfilm's more restrained tone, and working with one of French cinema's most beloved actors.

Sitting down to speak to me about Beasts of No Nation, Fukunaga and first - time actor Abraham Attah discuss the film, the casting process, and working on set.

Included here are two un-extraordinary featurettes, the ten - minute «A Look Inside Eternal Sunshine of the Spotless Mind,» which, with a mix of junket and on - set interviews (including cast member Mark Ruffalo and his crazy, amazing hairdo), is essentially an extended trailer for the film, and the slightly longer and in - depth «A Conversation with Jim Carrey and Director Michel Gondry,» which finds the actor and filmmaker sitting in what appears to be a grammar school band room reminiscing on the making of the film.

«Bonus material includes a collection of behind - the - scenes, making - of stories, including a conversation with directors Joachim Rønning and Espen Sandberg; a sit - down with the two young newcomers who play Henry and Carina; the secrets behind the menacing new villain, Salazar, and his ferocious ghost sharks; an on - set visit with Jack's first mate from all five films; a chat with Sir Paul McCartney who appears as Uncle Jack; and a discussion about the franchise's legacy; along with hilarious bloopers, deleted scenes and memories from producer Jerry Bruckheimer's photo diary.»

Set in the Dodge vehicle in which it was initially filmed, The Van will be screened while visitors can sit on furry pink seats and watch the artist depict three art - world personae.

In Killer of Sheep, Charles Burnett's 1977 film set in LA after the Watts riots, there is a scene you may recall: a group of friends sit in a car outside a liquor store; on the hood rests a can of beer, and the man in the passenger seat reaches through the empty windshield to sip from it.

Out of the half - dozen showcases of foreign artists, Morris's exhibition sits most comfortably in a contemporary Chinese setting, not only because of her eighty - four - minute - long documentary film focusing on the 2008 Olympic Games, but also due to the super-seductive and bizarre appearance of the show, which incorporates gigantic LED screens and flamboyant painted bandings.