Artwork is accurately
sized in the sense
of not having
images that are too small, big, narrow or wide that is very important for a book
of art, while it is accompanied by precise positioning and spacing in accordance to create a wonderful presentation
of everything Destiny from the front to back cover and everything in between.
For Loss / Less, Eley has painstakingly repainted the crowd - edited
image at the original
size of 70» x70», using his identity as both an artist and father to address the fears and explore the consequences
of the internet on his
artwork and symbolically his children.
Trees in Contemporary Art Altana Kulturstiftung, Bad Homburg Animal Mineral Vegetable Andrew Kreps Gallery, New York Allegory
of the Cave Painting Extra City Kunsthal, Antwerp Alchemy NEST, The Hague
Size Matters Foundation for Art Fort at Vijfhuizen, Vijfhuizen Picture This SALTS, Birsfelden Halftone: Through the Grid Galerie Max Hetzler, Berlin Beating around the bush Episode # 1 Bonnefantenmuseum, Maastricht Objects in mirror are closer than they appear Lugar a Dudas, Cali RE: Painted S.M.A.K., Ghent video screening 25 Zero, Milan Amnesia Nadácia - Centrum súčasného umenia, Bratislava 2013 Behind
Images Garage Rotterdam, Rotterdam (catalogue) Traces Stedelijk Museum, s - Hertogenbosch Agora 4th Athens Biennale, Athens On the Road to... Tarascon, Adrian Ghenie and Navid Nuur Plan B, Berlin Passion de l'Art en Finistère / Collection # 4 Centre d'art contemporain de Quimper (T) HERE Bonnefanten Hedge House, Wijlre Flex - Sil Reloaded Kunst Halle St. Gallen, St. Gallen Casey Kaplan, New York The
Image in the Sculpture Centre Pompidou, Paris (curated by Christine Macel and Navid Nuur) Time, Trade and Travel Stedelijk Museum Bureau, Amsterdam Small Gestures MU / Strijp S, Eindhoven Mesures et disparition / Over maat en verdwijning Institut Néerlandais, Paris It wasn't there yesterday Raster Gallery, Warsaw 2012 This Title is an
Artwork of Mine Motto Charlottenborg, Copenhagen (curated by Mikkel Carl) The Castle in the Air.
Alongside the series
of A4 -
size pages adorned with photographs and typewritten texts used by Kovanda to document his ephemeral actions, the walls
of the gallery are covered with black - and - white photocopies
of film stills, newspaper
images, and
artworks by Roman Signer, Marcel Duchamp, Chris Burden, and Vito Acconci, among many others.