The compact page layout is coupled with a compact writing style, delivering the most important facts and stats in bite -
size pieces of text that can be easily read within seconds, further enhancing the concept that this is the perfect book to use while playing the games.
Not exact matches
It's a
piece of microfilm, with the
text of 1,245 pages shrunken down to the
size of a postage stamp.
«The Making
of «John Carpenter's Snake Plissken Chronicles»» is a
text - based
piece (albeit one strangely labelled «featurette») that explains each stage in the process
of realizing an issue
of the «Snake Plissken Chronicles» with excessive brevity, but the sample half -
size comic jammed into the gatefold
of the DVD package (above left) is a swell purchase incentive.
It wouldn't be too much to write a profile on all
of the modes for clarification or at least put some
text or separate things into bite -
sized pieces so you can see the character roster, all
of their movesets, an example
of a boss fight and such... You know the more I write this I'm realising that my problem is more with the article than your videos (if you write this, you can still take notes maybe — still note that playthroughs don't appeal to some folk as much as seeing the systems that the game presents).
The scale is much larger here, and the appropriations are more exacting, with outsized copies
of Philip Guston's Nixon drawings and Jean Dubuffet's expressionistic takes on women and heads, along with
text pieces loaded with billboard -
size letters spelling out «MAKE IT GO AWAY» and «GOT HIM!»
His enigmatic work, conjuring the dry, flat surfaces
of 1940s easel -
size abstraction, incorporates fragmented
pieces of text, code, and other symbols.
Extending the idea
of playfulness, Brătescu is fascinated by the disruptive potential
of magnets, as illustrated in her landmark
piece, «Magnets in the City» (1974), a photomontage with an accompanying
text describing the ways in which magnets
of various
sizes, placed outside and within the city limits, unleash their hazardous energies, generating chaos while simultaneously reminding people
of their own volition and power to act.
Friends and unabashed fans
of each other's work since they both attended the School
of the Art Institute
of Chicago, the artists informally discuss the unlikely direction
of Otero's new
text - based
pieces as well as a few easel -
sized paintings.