Sentences with phrase «size than the painting»

- darker colors, and larger size than the painting he's well known for - really great stuff!

Not exact matches

As in medieval painting Christ is sometimes larger than other figures because of his importance, but in general, size relates to the spatial organization of a design.

I like it when the paint is thick enough for each dot to turn into a visible fingerprint with an interesting structure and when I can easily see how the flowers made by my younger child are smaller than the ones made by my oldest because of the different sizes of fingers.

In about 40 minutes, we made it to HQ and were escorted into one of the coolest elevators ever — it was bigger than the size of my kitchen and living room combined and it was painted in this cool green and yellow mod podge-esque finish!

I initially wasn't going to paint them because taping around them would be more trouble than I thought it was worth, but then I realized they were the size of a regular hole puncher.

Nowhere is this more disturbing than when Dusty improvises a fairy tale to the kids about the «real king» and the «step - king» in a way that paints Brad in a negative light, including the relative sizes of the men's «swords».

Overall I like the Camry for its large trunk space, sporty look, the metallic red paint, reliability and low maintenance, Toyota warranty, Toyota dealer service department and better gas mileage than my full size truck.

2012 Triumph Rocket 3 Roadster, 148 HP, 168 ft lb torque, 2.3 L engine, has n`t been raced, paint, chrome, tires and wheels excellent, all factory, no mods, clear title, one owner, never laid down or crashed, less than 4,000 mi, gloss black and chrome, includes Triumph full body one piece rain suit, Triumph kevlar jacket with liner, Triumph kevlar full length gloves size Lg, full face helmet.

Tuck writes that: «the paintings in this show alternate between the quiet and the chaotic: landscapes that are represented like in comics and topographical maps — on a soft colored ground lines are drawn with paint, the figures are much smaller than life size and feel like quotes from movies... [Richter] draws seamlessly from our common cultures of art, entertainment, violence, music, etc., and plants these things in his paintings.»

Without their encompassing size, Rothko's paintings are boxes rather than events.

Small Paintings features the small - scale oil paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finisPaintings features the small - scale oil paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finispaintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finished size.

Because it is a hard sized paper the amount of paint absorbed is less than that of other softer sized papers and I find that leaves the pigments retain more of their glow when dry.»

More than a hundred works on display (some never seen before in this country) include «The Naked Man» (1962), which was once confiscated by East German authorities, perhaps because of its depiction of a larger - than - life - size erect penis; work from his «Helden,» or «Heroes,» series (mid-1960s); and the upside - down paintings that made him famous in the»70s.

Schubert notes, however, that the»80s paintings vary in size, and larger ones have sold privately for more than # 500,000 ($ 750,000).

Recent paintings by Joe Goode, most of them monumental in size, elaborate themes with which he has been engaged for more than 40 years.

Although he may be better known for his larger - than - life - sized, grisaille, figural paintings, Alfred Leslie spent the 1950s working in an abstract expressionist vein, creating paintings of explosive color as well as small - scale abstract works on paper.

In the spacious galleries on the ground floor the artist presents carefully staged settings of larger than life - sized sculptures, such as mock - ups of an ancient olive tree or of a fireplace with mantle, as well as large - scale paintings.

Wieder - Blank paints larger - than - life size figures writhing together in scenes of love and violence taken from the Bible and mythology.

For more than 250 years, a series of life - size portraits depicting Jacob and his 12 sons, painted by the Spanish artist Francisco de Zurbarán in the 1640s, have resided in Auckland Castle in County Durham, England.

«Spectator» detail and various views slightly larger than life size 72» x 17» x15» polyester resin and oil paint

The life of what one drops the brush into counts for more than the size of what one paints on.

But there's never been a more compatible venue for Riley's signature work than the giant MASS MoCA hall that housed Izhar Patkin's installation of diaphanous paintings on wall - size lengths of mesh, «The Wandering Veil.»

The size of Mosset's painting implies not so much a containment of the hard - edge forms than a dialectical relationship with the architecture by way of a reconfiguration or alteration of one's spatial orientation.

Nestled among the climate - controlled walls of their warehouse are hundreds, maybe thousands, of paintings that range in size from two to three feet tall and every bit as wide, to seven feet tall and more than eight feet wide.

To the strength, the capacity for immediately sizing up a situation, the instinctive knowledge of what painting is all about which characterize the best postwar art in America, the sojourn in Paris has contributed intelligence and introspection which heighten rather than attenuate these gifts.

Life imitates are more than we (or Oscar Wilde) thought, apparently, as you can now live inside Vincent Van Gogh's painting «The Bedroom» — at least a full - size 3D replica of it.

On the other two walls of the main gallery, which are painted a customary white, there is an oil painting of blue balls on a white field, «Bloobs» (2014) by Mathew Cerletty; a loopy, oddly affecting drawing, «Untitled (shit)» (2011) by David Shrigley, of concentric circles emanating from the word «shit»; Vern Blosum's «Off The Hook» (2015), a larger - than - life - size graphite drawing of a vintage payphone with its receiver dangling, appropriately, off the hook; and Emily Mae Smith's «The Studio (Science Fiction)» (2015), which depicts the split halves of an eggshell hovering above a flying saucer / fried egg, the edge of its white perimeter forming the words «THE STUDIO» against the starry blackness of outer space.

Although Monument's size — some of the limbs are taller than an adult viewer — reinforces the idea that the painting depicts (and, in itself, might be) a monument, the meaning of the fleshy structure imagined by Guston remains ambiguous, and was never clarified by the artist himself.

From the press release: The first museum exhibition devoted to the Indian influences in Clemente's work and how they relate to the artistic practices and traditions of various regions in India features approximately 20 works, including paintings from the last 30 years, and four new, larger than life - size sculptures created especially for the exhibition.

Her driftwood assemblage sculptures, mostly small sized totemic abstract figures sometimes wall mounted, are probably better known than her paintings.

The Rubin Museum of Art, New York Curated by Beth Citron The first museum exhibition devoted to the Indian influences in Clemente's work and how they relate to the artistic practices and traditions of various regions in India features approximately 20 works, including paintings from the last 30 years, and four new, larger than life - size sculptures created especially for the exhibition.

Kehinde Wiley creates larger - than - life - size portraits that mix historical Western European painting styles such as French Romanticism, Rococo, and Baroque with images from contemporary urban streets.

So they contacted some classmates from their Cooper days back in the 1980's and gathered donations of original artworks on paper, paintings, drawings, prints, photography etc., (keeping the size no larger than 8» x 10»).

Part II: Unreasonable Sized Paintings at SVA Chelsea Gallery does not, in this instance, refer to unorthodox variations in canvas shape or size, but rather to particular occasions where painters, who otherwise produce larger works, feel compelled to make paintings approximately within this modest scale — occasions that are often less influenced by reason than by the need to concretize, without limitation, pure emotion or spontaneous Paintings at SVA Chelsea Gallery does not, in this instance, refer to unorthodox variations in canvas shape or size, but rather to particular occasions where painters, who otherwise produce larger works, feel compelled to make paintings approximately within this modest scale — occasions that are often less influenced by reason than by the need to concretize, without limitation, pure emotion or spontaneous paintings approximately within this modest scale — occasions that are often less influenced by reason than by the need to concretize, without limitation, pure emotion or spontaneous thoughts.

Two main exhibition galleries were filled with monumental altar pieces, life - size portraits, some of the earliest still - life paintings in Europe, full - length carved and painted wooden sculptures of Spanish saints and more than 50 pieces of Spanish glass and ceramics.

In a departure from his industrial landscape scenes, Andrew Lenaghan's larger than life size painting of a young girl captures both an attitudinal gesture and the gritty, often unnoticed, details of a city street.

The paintings, which are slightly larger than life - size, depict the back side of subjects» heads, hooded in coats made of synthetic materials but rendered similar to the fabrics found in Renaissance and Flemish 17th century portraiture.

While the sense of scale generated by Dachman's work has always been imposing and big, the work presented in Recent Paintings creates a perception of size from within the painting rather than from its physical aspect.

Trees in Contemporary Art Altana Kulturstiftung, Bad Homburg Animal Mineral Vegetable Andrew Kreps Gallery, New York Allegory of the Cave Painting Extra City Kunsthal, Antwerp Alchemy NEST, The Hague Size Matters Foundation for Art Fort at Vijfhuizen, Vijfhuizen Picture This SALTS, Birsfelden Halftone: Through the Grid Galerie Max Hetzler, Berlin Beating around the bush Episode # 1 Bonnefantenmuseum, Maastricht Objects in mirror are closer than they appear Lugar a Dudas, Cali RE: Painted S.M.A.K., Ghent video screening 25 Zero, Milan Amnesia Nadácia - Centrum súčasného umenia, Bratislava 2013 Behind Images Garage Rotterdam, Rotterdam (catalogue) Traces Stedelijk Museum, s - Hertogenbosch Agora 4th Athens Biennale, Athens On the Road to... Tarascon, Adrian Ghenie and Navid Nuur Plan B, Berlin Passion de l'Art en Finistère / Collection # 4 Centre d'art contemporain de Quimper (T) HERE Bonnefanten Hedge House, Wijlre Flex - Sil Reloaded Kunst Halle St. Gallen, St. Gallen Casey Kaplan, New York The Image in the Sculpture Centre Pompidou, Paris (curated by Christine Macel and Navid Nuur) Time, Trade and Travel Stedelijk Museum Bureau, Amsterdam Small Gestures MU / Strijp S, Eindhoven Mesures et disparition / Over maat en verdwijning Institut Néerlandais, Paris It wasn't there yesterday Raster Gallery, Warsaw 2012 This Title is an Artwork of Mine Motto Charlottenborg, Copenhagen (curated by Mikkel Carl) The Castle in the Air.

The variation in size and shape of surfaces in this composition created a sweeping movement that made the work much more interesting than the subject matter and execution of the paintings themselves.

Using fabric - dying techniques rather than brushed paint, Gruzis has layered these medium - sized paintings with nesting frame shapes, or splayed radiating lines across the paintings» surfaces against tie - dye patterns in smoky purples, blues, and icy grays.

While the scale of the paintings alone connotes a broadened sense of scope, Weatherford's brushstrokes have also increased in size, so that they imply the presence of the entire body rather than just that of the hand.

Studying the work of American abstract expressionists such as Helen Frankenthaler, an artist who poured thinned paint directly on larger than life - sized canvases on the floor in her Color Field works, Olivier similarly engaged in a process of coaxing acrylic paint to spread and drip in brilliantly hued pools, more characteristic in watercolor.

Apartment - sized rather than loft - sized, they vary from all - over paintings reminiscent of Pollock but with their own coloristic pizzazz, to others that have been called «calligraphic» but are more pictographic.

The price was more than twice the estimate of $ 2,000 to $ 3,000, which felt like a bargain, based solely on the size and visual quality of the painting, without considering all of the other substantive and mitigating factors that influence value.

Her paintings are usually much larger than life size.

[15] These improvements clearly impressed Judd, who stated «The paintings are stronger than before and thorough... The greater scale, not size, since the painting is smaller than several others, adds considerable force and abstraction... The new scale makes the forms and the rectangle of the work more nearly identical, makes the painting more autonomous and exclusive.»

Each of the paintings is slightly larger than life - sized, flat, not messy, loosely abstract, and look like a graphic combination of stained glass, dish towels, mystic dotted Australian dream paintings, and nonrepresentational movie posters.

Mark Skilton: And they are also more substantial in their size; they are bigger elements, bigger parts of the painting, rather than being these events that happen to float around on the surface.

The nine paintings, executed between 1874 and 1885, linked by size rather than theme, were assembled by Colin B. Bailey, the Frick's deputy director, and Peter Jay Sharp, its chief curator.