Sentences with phrase «sized paintings and installations»

With roots in traditions of Chinese landscape painting, my monumentally sized paintings and installations evolve a fantastic, abstract vision of the natural world.

Not exact matches

In a unique style that is both sensory and utopian, Kusama's work — which spans paintings, performances, room - size presentations, sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures — possesses a highly personal character, yet one that has connected profoundly with large audiences around the globe.

Unprecedented in size, the installation offers an immersive inversion of the painting experience, along with an opportunity for reflection — literal and philosophical — in an exhilarating and undetermined environment.

Over the years, Samaras has created drawings, furniture, jewelry, paintings, photographs, sculpture and room - sized installation using a variety of material including beads, chicken wire, clay, Cor - Ten steel, fabric, mirrors, pastel, pencil, pins, plaster and oil.

MARTHA MYSKO (* 1982) is a recent Cranbrook graduate whose first show at the gallery in 2012 included room - size sculptural installations and wall works assembled from found domestic matter: painted carpets, outdated TVs and iMacs, half of a couch.

Acclaimed in the art world for his room - size installations of paintings, sculpture, and digital projections, Matthew Ritchie's work investigates architecture and the dynamics of culture.

Michael Heizer's impressive installation at Gagosian Beverly Hills features new paintings that deny the conventional rectangular or square confines of the canvas, alongside negative wall sculptures, known for their size, raw materials, and ability to awe viewers.

Alternating sculpture — the medium in which he develops a broader spectrum, ranging from small three - dimensional creations to large - sized installations and hybrid objects — with photography, drawing, and mural painting, Irazu's work addresses the problems that occur in the relationships established between our bodies, objects, images, and spaces.

He was in final preparations for an upcoming exhibition at Blum & Poe gallery that includes new paintings, a mixed - media installation, and a room - sized video projection.

Her extraordinary and highly influential career spans paintings, performances, room - size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures, which allude at once to microscopic and macroscopic universes.

From her paintings on canvas to her room - sized installations, Yayoi Kusama creates vision - encompassing experiences, often through brightly colored and obsessively repeated motifs.

«It was an honor... The variety of submissions was impressive, ranging from intimate figurative drawings to large - scale abstract paintings and from sculptural constructions to gallery - sized installation work.

Kusama's extraordinary and highly influential career spans paintings, performances, room - size presentations, outdoor sculptural installations, literary works, films, fashion, design and interventions within existing architectural structures.

Over the years she has presented these works in a variety of ways - from life - size cut - outs of famous heads to grandiose tableaus and installations in which famous paintings come to life in our time with coke bottles, empty take - out food trays, etc. presenting these characters with humor & intelligence.

The work is an altar - like, room - sized installation that uses paint, hair extensions, rope, found plywood and the eulogy that Lezley McSpadden, Michael Brown's mother, wrote for her son.

Presented as a series of room - size installations — site - specific wall paintings, painted environments, monumental stacked canvases, and anthropomorphic painting «machines» — Ain't Painting a Pain presents major works never before seen in the United States, including a sculpture that was conceived early in his career but never built and a major new work to be completed painting «machines» — Ain't Painting a Pain presents major works never before seen in the United States, including a sculpture that was conceived early in his career but never built and a major new work to be completed Painting a Pain presents major works never before seen in the United States, including a sculpture that was conceived early in his career but never built and a major new work to be completed in 2012.

The works shown ranged from room - sized installations by Ross Sinclair, Graham Fagen, Torsten Lauschmann and Simon Starling to painting and sculpture by Charles Avery, Kate Davis, Jonathan Monk, Lucy McKenzie, Victoria Morton and Alison Watt.

The work, titled He Was, is an altar - like, room - sized installation that uses paint, hair extensions, rope, found plywood and the eulogy that Brown's mother, Lezley McSpadden, wrote for her son.

The installation will feature Time Dust — Black Hole, a thirty - five foot billboard - sized painting from 1992, along with the paintings Yellow Applause and Shadows from the 1960s, and two prints, Horse Blinders (east) and Horse Blinders (west) from 1972.

This initiates a compelling dialogue with the installation in the gallery's second space, in which further aluminium painting and sculpture pairings are interspersed with a group of figurative photographs of the sort of life - sized rubber dolls made for shop windows or medical experiments.

The sizes, aspect ratios and locations of the works in this show are deduced from the architectural geometry of the gallery for the purpose of creating one complete painting installation, in order to present the work as a thematic group cycle.

In an effort to share their dreams with the world, they depict their visions in surreal paintings, sculpture, and installations: human figures with removable faces, exploding bursts of color, and room - size heads installed with shanty interiors.

Intricate line work, painting, metal leaf and collage twist and undulate under Schoultz's meticulous hand, ranging from intimately sized wall works to staggering murals and installations.

Never Odd or Even is a room - sized installation in which an anonymous looking work station - a table, a chair, painted lumber and a saw horse...

This year, the indie fair known for adventurous experiments in sculpture and installation is chockablock with paintings of every size, shape, and support.

This publication is the first to comprehensively trace this thread in Bartlett's practice, reproducing her newest paintings on canvas, the Blob paintings, and gathering works from three pivotal series in her career: early plate pieces from the 1970s, shaped canvases from the early 2000s, and plate pieces relating to the 2008 - 2010 room - size installation Recitative.

This exhibit is the first to comprehensively trace this thread in Bartlett's practice, debuting her newest paintings on canvas, the «Blob» paintings, and gathering works from three pivotal series in her career: early plate pieces from the 1970s, shaped canvases from the early 2000s, and plate pieces relating to the 2008 — 2010 room - size installation Recitative.

The exhibition will feature new sculptural installations by Karla Black and Claire Barclay; paintings by Victoria Morton, Alison Watt and Callum Innes; immersive room - sized installations by Ross Sinclair, Graham Fagen and Martin Boyce; a room of sculptures and prints by David Shrigley; and film and video works by Douglas Gordon, Luke Fowler and Rosalind Nashashibi.

Her highly influential career spans paintings, performances, room - size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures, which allude at once to microscopic and macroscopic universes.

Large scale installation and mural sized paintings were out, with pieces embracing a domestic scale very much the flavour of the day.

With a diverse artistic repertoire that includes works in a variety of media and sizes, including paintings, sculptures and video installations, Pouran Jinchi is very much a product of the modern age.

One of the most dramatic installations will feature The Huntington's masterpiece of the French Enlightenment, Jean - Antoine Houdon's life - size bronze Diana, behind which Israel's Untitled (Flat)-- a starburst - shaped work, constructed like a set - piece, coated in stucco, and painted in hues of gold, pink, and orange — will hang.

In the 1970s she was known for her room - sized installations and later, influenced by the equally vanguard John Cage and Agnes Martin, she struck upon a method of poured painting, where she dripped paint onto paint, creating waterfall - like giant canvases which were stoic and imposing, suspended in time.

The film is presented as part of an immersive installation on MoMA's 3rd floor Elaine Dannheiser Project space, an expansive gallery painted to match Syms» signature [The Color] purple (see martinesyms.com), and equipped with a series of movie poster - sized photographs that transform into moving image works with the addition of a site - specific augmented reality app called WYDRN (ie.

Mark Manders Coloured Room with Black and White Scene 1998 - 1999 Painted aluminum and various materials Figure size: 40 x 70 x 170 cm Installation dimensions variable Collection Sammlung Goetz, Munich

Set in a stadium - sized space, artists were invited to present existing or commissioned large - scale sculptures, paintings, installations, projections, and live performances, free of the confines of the traditional walls of art fair booths.

-- Far Rockaway, NY — Ian makes site - specific room - sized installations comprised of built structures, large paintings, and... more»

This hypnotic installation will be carefully layered in groups that include a neon rainbow, colored gels on the windows, floating mandalas, blurred target paintings, painted windows, gradient color walls and a surreal cast of life - size, clown sculptures.

Hatton Gallery, Newcastle 2004 Victoria & Albert Museum London (part of Uncomfortable Truths) and Harris Art Gallery, Preston 2007 (part of Talking On Corners) Naming the Money is a spectacular installation made up of 100 life - size painted cut - out figures.

The site - specific installation features four, large, interconnected abstractions perfectly sized to the gallery wall and a column that's relatedly painted by Mr. Metz smartly paired with a monumental, poured color abstraction from 1958 by Mr. Louis.

Gaia November 18, 2012 — May 5, 2013 Site - specific installation Baltimore - based street artist Gaia has created two mural - sized artworks inspired by the museum's iconic Vahine no te Vi (Woman of the Mango) painting by Paul Gauguin and individuals living in the Museum's neighboring Remington community.

With two additional stars of the show, both of them located outside the gallery: an eye - catching large scale mural painted on the wall of the gallery space and a life - size installation of an iconic American police cruiser crushed by the world famous D * Dog sculpture that landed on its windshield.

What's on view: The gallery, which is separated into two exhibition spaces, contains a series of Fraga's amorphous, figurative paintings on crinkly found paper in one space, while in the other, his collection of altered found objects and materials forms the basis of a spacious, room - sized installation.

This survey «brings together photography, drawing, works on paper, and objects rendered in mirror, lightbulbs, silk flowers, and glass alongside several major room - size installations,» including the blue, swirling cloudscape that looks like a painting but is actually made of denim.

His installations mix imagery and media such as painting, fiberglass relief sculpture, wall - size flowcharts, and digitally generated wallpaper.

Showcasing new paintings from his «Anonymous» and «Waiting» series, the show stopper was his large - scale installation of a San Francisco bus - stop, complete with life - size figures looming ominously, as they typically do in Amory's canvases.

A few elements I've evinced from Smith's past exhibitions and around the city (including his painted - directly - on - the - wall installation at Deitch in Long Island City): gestural subject matter (fish, leaves, his name), seriality (in canvas size, subject matter, and hanging — like his 2011 show at Luhring Augustine featured panel grids), synthesized flatness and depth (the mixed - media compositions in his 2009 show Currents resembled large - scale flatbed scans, while neighboring canvases maintained every brushy, gloopy instance of Smith's hand).

I stopped painting for a few years to work on some digital and installation projects, and when I returned, I fastened onto post-war easel - sized abstraction — particularly the earliest work of Ab Exers like Krasner, Motherwell, and Rothko.

The museum commissioned new works specially for the show: landscapes etched in soot - coated bottles by Jim Dingilian, life - size figures made of dirt by James Croak, and flammable - paint works by artist duo Tim Simpson and Sarah van Gameren of Studio Glithero, among other installations.

Presenting a cycle of five large - scale oil paintings which specifically respond to the space in terms of their size and installation, offering a site for reflection.