Sentences with phrase «sized paintings on paper»

The installation is immersive, composed of dozens, maybe hundreds of irregularly sized paintings on paper.

It also debuts medium - sized paintings on paper that are 38 x 30 and 44 x 30 inches in size and smaller paintings on canvas that measure 16 inches square.

Not exact matches

BOB ADELMAN (1930 - 2016) Roy Lichtenstein at work on his painting «Large Interior With Three Reflections» photograph 1993 (printed later) archival pigment print, AP, signed paper size > 22 x 20 inches

BOB ADELMAN (1930 - 2016) James Rosenquist in his studio, working on the painting, «Fahrenheit 1982», currently in the collection of MOMA photograph 1981 (printed later) archival pigment print, AP, signed paper size > 30 x 20.5 inches

«Of Earth and Sky» includes paintings on linen canvas and on wood panel — ranging in size from 54 x 50 inches to as small as 8 x 10 inches — along with a suite of works on paper.

The new work, on canvas, board and paper, range from postcard size pieces to large scale paintings, installed in ways which recall the story boards used in television and film production.

Meg Cranston 6 Paintings, Same Composition, 4 Hues, Different Titles, After Corbusier 2016 Acrylic on paper (framed) 14 x 17 in / 35.6 x 43.2 cm paper size MC030

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

JP: In the video, I had explained that I started making art by painting large works collaboratively with friends and that I had learned a lot by doing that, and I explained how I learned to make a sketch on a piece of paper of the size of a larger - scale drawing on a wall.

This is a giclee print of the original painting reproduced on heavy Archival A3 size paper using pure pigment inks.

American artist Augusta Wilson created this framed medium size mixed media on paper abstract painting entitled «Beguiled I» in 2018.

At the opening reception of his latest exhibit, The World of Line, Ink, and Nude by Chang - Woo Seok, now on display at the Korean Cultural Center Washington DC through June 8, the artist demonstrated his very personal technique, making use of his prosthetic limbs to grasp a brush and his torso movement to paint across a room - sized canvas of traditional Korean paper, spread across the gallery floor.

Xl horizontal seascape coastal living wall art, ocean paintings, oil on canvas 40 «x30» art prints on paper and canvas huge sizes, Modern art

Lee Kit Portrait of a boy (detail) Emulsion paint, pencil and inkjet on drawing paper readymade objects, 2 plastic boxes, looped projection Dimensions variable, Projection size: 100 x 151 cm, 16:9 Drawing size: 23.3 x 17.3 cm 2015

Although he may be better known for his larger - than - life - sized, grisaille, figural paintings, Alfred Leslie spent the 1950s working in an abstract expressionist vein, creating paintings of explosive color as well as small - scale abstract works on paper.

Lee Kit Cup Emulsion paint on lining paper, inkjet print, video, readymade objects Projection size: 137 x 187 cm, 4:3 Drawing size: 44.5 x 48.5 cm 2015

Best known for her plein air paintings, Prey's commission sets a new benchmark for the size and scale of watercolor works on paper, among the most unforgiving combination of any painterly media.

Indigo, 1990 color aquatint with spitbite, aquatint, ed 15/50 40-1/2 x 54-1/4» - paper size 47-1/8 x 56-1/4» - framed signed on verso Al Held began his career as an Abstract Expressionist, but after becoming dissatisfied with this type of painting, he began to exhibit work demonstrating an alternative style.

From functioning clocks made from paper, intricate room - sized mobiles, and serpentine smoke trails laser - etched on bright paper or woven into tapestries, to colorful paintings draped with real spider webs and animal - shaped functional cast - iron barbecues, White amplifies the «artfulness» of everyday things.

1956 - 1968 Sioux City Art Center, Sioux City, IA, Marilyn Monroe, Life as a Legend HVCCA — Hudson Valley Center for Contemporary Art, Peekskill, NY, Size Matters — XXL - recent Large - scale paintings Galerie Leu, Munich, Group Show Museum Dhondt - Dhaenens, Deurle, Belgium, Verzameling Roger en Hilda Matthys - Colle Vonderbank Artgalleries — Berlin, Berlin, Prime Time — Idols and Icons Mireille Mosler Ltd., New York, Tease Walker Art Center, Minneapolis, MN, Picasso and American Art CeSAC (Centro Sperimentale per le Arti Contemporanee) Caraglio, Italy, Le cinque anime della scultura Woodward Gallery, New York, When Art Worlds Collide; The 60's CeSAC (Centro Sperimentale per le Arti Contemporanee) Caraglio, Italy, Collectors 1 — Collezione La Gaia Oklahoma City Museum of Art, Oklahoma City, OK, Breaking the Mold: Selections from the Washington Gallery of Modern Art, 1961 - 1968 Burkhard Eikelmann Galerie, Dusseldorf, News on Paper The Dayton Art Institute, Dayton, OH, Marilyn Monroe; Life as a Legend Maxwell Davidson Gallery, New York, The Painted Lady Stiftung Schleswig - Holsteinische Landesmuseen — Schloss Gottorf, Schleswig, Schönwahnsinnig The Columns, Seoul, Temptations Galerie Hafenrichter & Flügel, Nuremberg, New Arrivals and Classics Princeton University Art Museum, Princeton, NJ, Pop Art at Princeton; Permanent and Promised Bank Austria Kunstforum, Vienna, Fondation Beyeler: EROS in der Kunst der Moderne Josef Lebovic Gallery, Sydney, NSW, International & Australian Works on Paper Contessa Gallery, Cleveland, OH.

Melora Griffis» «imaginary cave» is a framed 16 x 20 inch acrylic, gouache, charcoal, graphite and pastel painting on paper (framed size 19 x 22.75 x 1.25 inches).

The array of media in this exhibition was rather startling: two videos and a photograph, all rather large (each took up a wall of its own); sculptures of bronze and plastic, or bronze alone, most small, often serially arranged; and works on paper, variously sized, sometimes watercolors, sometimes subtly mixing watercolor and automotive paint.

Jessica Wozny (b. 1978), a German - born artist who is a long - time resident of Oaxaca, realized a room - sized installation that combines over 15 individual mixed media sculptures with a group of acrylic paintings on paper.

Judy Ledgerwood talks about the creative jump from making a small study on paper to executing a wall - sized painting.

Across the gallery is a near replica of the rock painting, but this one is in watercolor on paper, and a quarter of the size.

So they contacted some classmates from their Cooper days back in the 1980's and gathered donations of original artworks on paper, paintings, drawings, prints, photography etc., (keeping the size no larger than 8» x 10»).

Jennifer Williams, Episodic Drift # 1, Pittsburgh Center for the Arts, PA, 2012, pigment ink on Photo Tex paper, foam - core, acrylic paint, size variable

A neon sign with the title of the exhibition, referring to the title of the art - history guidebook 1,001 Paintings You Must See Before You Die (2007), rested on the floor against the gallery walls, which were covered with dozens of small A4 paper - sized monochromatic canvases arranged in a grid.

Lynda Benglis (American, b. 1941) Proof Signed and dated in pencil «L. Benglis» 00» l.r. and titled l.l. Etching with gouache and paint on paper, image size 7 3/4 x 5 3/4, paper size 16 3/4 More...

There were eight big and nine medium - size dark paintings in Galerie Max Hetzler's Bleibtreustraße location, along with one very large and colorful canvas, a small work on paper executed in colored pencil and crayon, and an artist's book.

Though all of the pieces in this exhibition are paintings, they are in a variety of media and sizes, on paper, canvas, board and a single painted object.

Painted on wax paper, these body - sized works choose a middle ground between the spare beauty of a minimal aesthetic and the gestural panache of abstraction.

Collage 2 - Up, 2016 acrylic on ceramic, paper, spray paint, leather, unglazed and glazed ceramic, pigment print, mirrored and fluorescent plexiglas, paper, wood size variable

This show, Ms. Tyson's 10th solo outing with the gallery since 1995, presents an overview of her dynamic works on paper from 2002 to 2016 — ranging from penciled sketchbook studies and life - size ink drawings to colorful portraits that are painted on glass and then pressed on to paper to achieve a more gestural, emotional representation of her troubled figures.

The five artists in the first session, which began January 3 and lasts until February 12, are Carrie Beckmann, a watercolorist who paints directly from nature and can normally be found working in the Conservatory; Danielle Durchslag, who is using cut and layered paper to represent Wave Hill's natural surroundings; Sabrina Gschwandtner, who has covered her studio floor with 16mm - film strips (some found stock and some she's shot at Wave Hill) that will be sewn together to create illuminated quilts; Nick Lamia, who is experimenting with plein - air drawings as a source for multi-dimensional abstractions; and Adam Parker Smith, who has been busily painting colorful, wall - sized assemblages of plants and flowers based on observations at Wave Hill.

No matter how small the work on paper, he built it like a full - sized painting.

Los Angeles Times art critic Christopher Knight notes that the 10 feet - high and 30 feet - wide paintings point to the resistance of the medium to deskilling: «Within the rectangle of a painting, whether on paper a few inches square or wood panels the size of a ballroom wall, an artist can exert the absolute power — the Late Western Impaerium — of individual imagination.»

He also utilized pastels and paints on paper, varying in size and medium to suit his subject.

Prior to the artworks arriving, paper templates cut to the size of each painting in the exhibition are hung on the gallery walls.

Presenting approximately 30 large - size paintings and 86 works on paper, the exhibition in the Schirn will focus on this late work for the first time, introducing an artist who, with his dynamically two - dimensional forms and clear colors transcending the pictorial space, makes an impression that is not historical at all but surprisingly up - to - date.

mixed media on paper; unframed full sheet size 22 x 30 inches; signed lower right corner Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysteri...

Nine large paintings (black gesso and oil - based ink on aluminum), four substantially sized works in oil - based relief ink on paper, and a site - specific wall drawing (all works 2013) had

What's on view: The gallery, which is separated into two exhibition spaces, contains a series of Fraga's amorphous, figurative paintings on crinkly found paper in one space, while in the other, his collection of altered found objects and materials forms the basis of a spacious, room - sized installation.

mixed media on paper; unframed full sheet size is 22 x 30 inches; signed lower right corner Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create myst...

Reference #: ULLC1195 - B Artist Name: Frankenthaler, Helen Title: Aerie Medium: Serigraph Edition Size: 128 Year: 2009 Paper Size: 30 x 39 inches Image Size: 30 x 39 inches Condition: A: Mint Notes: Titled «Aerie» and based on a painting of this title, the screen print wonderfully embodies the energetic and radiant color one so desires in Ms. Frankenthaler's paintings.

This survey «brings together photography, drawing, works on paper, and objects rendered in mirror, lightbulbs, silk flowers, and glass alongside several major room - size installations,» including the blue, swirling cloudscape that looks like a painting but is actually made of denim.

Working simultaneously in a range of mediums, Conner created hybrids of painting and sculpture, film and performance, drawing and printing, including bodies of works on paper utilizing drawing and collage and two important photographic bodies of work, including a haunting group of black - and - white life - sized photograms called ANGELS.

Sidney Janis Invitation, 1956 Lithograph on paper; printed on verso: (Invitation: Preview new paintings by Franz Kline Monday 4 to 7 March 5th thru 31st 1956) plus (Sidney Janis Gallery 15 East 57 New York return postage guaranteed) Paper size: 16 x 17.5 inches; 40.6 x 44.45 cm Frame size: 19.25 x 21 inches; 48.9 x 53paper; printed on verso: (Invitation: Preview new paintings by Franz Kline Monday 4 to 7 March 5th thru 31st 1956) plus (Sidney Janis Gallery 15 East 57 New York return postage guaranteed) Paper size: 16 x 17.5 inches; 40.6 x 44.45 cm Frame size: 19.25 x 21 inches; 48.9 x 53Paper size: 16 x 17.5 inches; 40.6 x 44.45 cm Frame size: 19.25 x 21 inches; 48.9 x 53.3 cm

RICHARD TUTTLE Painted Frames 1992 water color and pencil on paper, framed 7 x 4 inches (17.8 x 10.2 cm) Frame size: 8.5 x 6.25 inches (21.6 x 15.9 cm) ARG # TR1992 - 007

Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion.