Sentences with phrase «sized paper sculptures»
A new campaign by Greenpeace has sent beautiful life - sized paper sculptures of penguins to every continent of the world in an effort to educate people about the importance of protecting Antarctica, penguins» native habitat and one of the world's last pristine marine ecosystems.
https://www.treehugger.com/ Not exact matches
Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY
And here, the little girl lost theme will be more disarming than ever as Sohn moves away from her traditional 2 - D style and creates a life - size paper mache sculpture of a six - year - old girl.
The array of media in this exhibition was rather startling: two videos and a photograph, all rather large (each took up a wall of its own); sculptures of bronze and plastic, or bronze alone, most small, often serially arranged; and works on paper, variously sized, sometimes watercolors, sometimes subtly mixing watercolor and automotive paint.
Jessica Wozny (b. 1978), a German - born artist who is a long - time resident of Oaxaca, realized a room - sized installation that combines over 15 individual mixed media sculptures with a group of acrylic paintings on paper.
This exhibition, the first major survey of Nevelson's work since 1980, includes 66 sculptures, works on paper, and two room - size masterworks.
While her room - sized spider sculptures are probably the most recognizable works of her long career, she was an accomplished printmaker whose works on paper were created over a span of 70 years.
The featured contemporary artists are Kara Walker, who makes panoramic silhouettes of plantation life and African American history; Canadian artist Kristi Malakoff, who cuts paper to make life - size sculptures depicting a children's Maypole dance; MacArthur - prize - winner Camille Utterback, who will present an interactive digital work that reacts to visitors» shadows and movements; and Kumi Yamashita, who «sculpts» light and shadow with objects to create mixed - media profiles of people who are not there.
Consisting of diverse materials, the sculpture is composed of balloons, molded from paper pulp and covered in snakeskin, dried honeycomb, a mirrored box filled with abandoned skins of cicadas, and a drawer of human bones also fabricated of paper pulp, replicating the exact size and proportions of the artist's own body.
Involving hundreds of saucer - size discs of handmade paper embedded with scraps of text, calligraphy and musical scores and suspended overhead with book - binding yarn, the sculpture makes perfect site - specific sense, but that's all it makes.
Actually, its quite a range of sights: film, sculpture, illuminated manuscripts, and photographic works scaled from palm - size to monumental and realized in an almost dizzying array of media, from prints on the highest - tech aluminum to 50 - foot Shoji screens of translucent paper that might have been rescued from an ancient temple.
The photographs exhibited by Daniel Gordon (b. 1980) represent the final stage of a process that starts with the construction of life - size figurative sculptures made from cut paper and other images, often culled from the internet.
Sku: CB6851 Artist: Henri Matisse Title: Drawing Into Sculpture: 1400 - 1980 Year: 1981 Signed: No Medium: Offset Lithograph Paper Size: 22... more Sku: CB6851 Artist: Henri Matisse Title: Drawing Into Sculpture: 1400 - 1980 Year: 1981 Signed: No Medium: Offset Lithograph Paper Size: 22.25 x 27 inches (56.515 x 68.58 cm) Image Size: 12 x 16 inches (30.48 x 40.64 cm) Edition Size: Unknown Framed: No Condition: A -: Near Mint, very light signs of handling Additional Details: Poster advertising the exhibition titled Drawing Into Sculpture: 1400 - 1980 which was held at the Museum of Fine Arts in Houston from July 31 - September 20.
Working simultaneously in a range of mediums, Conner created hybrids of painting and sculpture, film and performance, drawing and printing, including bodies of works on paper utilizing drawing and collage and two important photographic bodies of work, including a haunting group of black - and - white life - sized photograms called ANGELS.
Among the 50 or so sculptures, installations and works on paper, don't miss «Homebound,» an assemblage of ordinary household objects and furniture threaded together by a crackling wire of live electricity, and «La grande broyeuse (Mouli - Julienne x 17),» a steel sculpture that imagines a monstrously sized «vegetable slicer» as a menacing creature.