Sentences with phrase «sketch show key»

For audiences familiar with Keegan - Michael Key and Jordan Peele's award - winning sketch show Key and Peele, odds are their new movie Keanu is going to feel very familiar.

The comedy sketch show Key and Peele did a lot of interesting and hilarious things, one of them being race relations and the minuteness of matters, especially from the perspective of black men.

Comedy Central's sketch show Key & Peele was groundbreaking for a number of reasons — the impeccable comic timing of Keegan - Michael Key and Jordan Peele, director Peter Atencio's pitch - perfect, feature - quality direction, and its breathless combination of committed lowbrow humor and incisive sociopolitical digs at race, gender, relationships and politics.

One of our most beloved comedians, late of the dearly departed sketch show Key & Peele, had a new film.

Not exact matches

Comedy Central's other rising stars, Keegan - Michael Key and Jordan Peele, have been hitting satirical sketch comedy out of the park over on their show, Key and Peele.

Written and directed by comedian Jordan Peele, who is best known for his sketch comedy show, Key & Peele, Get Out is a very impressive debut film.

Peter Atencio, who directs Key & Peele's sketch show and has also worked on The Last Man On Earth, is calling the shots on the story, which involves the comedy duo acting like gangstas to retrieve a stolen kitten.

Fans of the late TV sketch comedy show «Key & Peele» know how deftly Peele (his partner on the show was Keegan - Michael Key) plays with fire.

The best bit on Key & Peele, the late, great Comedy Central sketch show, was Luther, President Obama's anger translator.

For the members of a popular New York improv troupe, teamwork is the key to crowd - pleasing success — that is, until two members (played by Keegan Michael - Key and Gillian Jacobs) get the golden call to audition for an iconic Saturday Night Live — like sketch shkey to crowd - pleasing success — that is, until two members (played by Keegan Michael - Key and Gillian Jacobs) get the golden call to audition for an iconic Saturday Night Live — like sketch shKey and Gillian Jacobs) get the golden call to audition for an iconic Saturday Night Live — like sketch show.

Jordan Peele and Keegan Michael - Key are gifted comedic performers, as often evidenced from their often - brilliant sketch comedy show Key & Peele.

Just as Peele and partner Keegan - Michael Key found clever ways of dealing with racial issues on their sketch - comedy TV show, this movie turns clichés and social metaphors inside out.

It is the logical extension of his work as co-creator and co-performer on Key and Peele, probably the greatest and most consistently high - quality sketch show in living memory, in which genre conventions are skewered and turned inside out.

After gaining popularity with their eponymous Comedy Central sketch show, it was only a matter of time before Keegan - Michael Key and Jordan Peele made the jump to the big screen.

Keegan Michael Key rose to fame on Comedy Central with Jordan Peele on their hit sketch show «Key & Peele».

The film, also starring Birbiglia, along with Keegan - Michael Key, Gillian Jacobs, Kate Micucci, Tami Sagher and Chris Gethard, follows the ups and downs of an improv comedy troupe on a long - running sketch - comedy show.

Key and Peele consistently featured a high level of camera work and cinematography not often befitting of a sketch comedy show, and though Peele himself never officially directed, what he was exposed to technically carries over here.

He left the show in 2008 and did a variety of other roles, but the duo eventually landed their own show on Comedy Central, the sketch comedy show Key & Peele.

The story of a modestly successful improv comedy troupe that is pulled apart when one of its members (Keegan - Michael Key) is offered a job on a big, SNL - like sketch show, the film is nicely structured, gently witty, and it boasts an excellent cast (also including Birbiglia, Gillian Jacobs, Chris Gethard, Kate Micucci, and Tami Sagher).

-LRB-...) Fans of Key & Peele know that when Peele and co-star Keegan - Michael Key have done horror themed sketches on their soon - to - end sketch show that they could be either hilarious or effectively scary.

Fans of the sketch comedy show Key and Peele are probably aware that one of its stars, Jordan Peele, is a huge horror film fan.

The two forged a friendship and eventually created the sketch comedy show Key & Peele, which would bring Peele to his widest platform yet and win a Peabody Award and two Emmys for its incisive takes on social issues, particularly race.

In «Keanu,» a patchy mix between kidnapping crime comedy and glorified cat video, Keegan - Michael Key and Jordan Peele cap off their sketch show success with a first feature that adds a large budget to their specific brand of humor.

Writer / director Jordan Peele (of Key & Peele fame) clearly loves horror films and thrillers, as several of the sketches on his Comedy Central show demonstrated.

HSF.IF.B.4 For a function that models a relationship between two quantities, interpret key features of graphs and tables in terms of the quantities, and sketch graphs showing key features given a verbal description of the relationship.

Being a huge fan of comedy, I have studied the greatest sketches of Saturday Night Live, MAD TV, Key and Peele, Monty Python, Hugh and Laurie, The Three Stooges, Groucho Marx, and the kids» comedy sketch show All That.

In this course professional artist Michael Howley takes you through sketching Skies, Hills and Trees in graphite.Mike will also show you how he tackles foreground details and the importance of tonal keys.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.