Warner Brothers certainly must have thought he's got some level of
skill as a screenwriter, considering that they scooped this up before Gosling even began shooting.
Not exact matches
Just
as its predecessor can be granted some leeway for the action - hero status afforded to Sherlock Holmes simply because the character is named Sherlock Holmes (It's not too much of a stretch to imagine him a
skilled combatant, if one only reads between the lines of Doyle
as Holmes» ever - faithful assistant Dr. John Watson), there's an instinctive reaction to forgive
screenwriters Michele and Kieran Mulroney for their broadly megalomaniacal interpretation of James Moriarty.
M. Night Shyamalan may have burst onto the scene
as a strong, rising talent three years ago when he wrote and directed the wildly popular and highly celebrated ghost story The Sixth Sense and immensely improved his storytelling
skills in his follow - up Unbreakable, but with Signs, he has essentially perfected his craft, both
as a director and
screenwriter.
Playwright and
screenwriter David Mamet (The Untouchables, The Postman Always Rings Twice) takes his first crack at direction with modest success, mostly due to his
skills as a writer than anything else.
Director Scott and
screenwriter Bian Helgelaland suppress a good deal of the merriment that most Robin Hood stories inject (they were called the «Merry Men», after all), to present more grit and violent action, where Robin is just
as comfortable slashing men with swords or a punch to the gut
as he is utilizing his archery
skills and ability to gain the upper hand through trickery.