Sentences with phrase «skill behind the camera»

Director and co-writer Coogler — who has previously shown off his considerable skill behind the camera with Creed (2015) and Fruitvale Station (2013)-- seems tailor - made for the material here.

«Ericson has an inimitable level of skill behind the camera as a director and cinematographer,» says producer Scott Clayton.

Summary: The Legend of Barney Thomson is a strong directorial début for Carlyle, who not only shows tremendous skill behind the camera, but demonstrates a real knack for character drama and comedy.

Director Sharim Sarif adapted her own first novel with an obvious lack of skill behind the camera.

Quentin Tarantino, a man whose undeniable skill behind a camera is matched only by his taste for uncomfortable subject matter, is evidently weighing a historical project for his next movie.

For all Winocour's obvious skill behind the camera, too much of «Disorder» bogs down in ill - defined motivations and credulity - straining plot turns.

And when Gebbe's skills behind the camera no longer cover up her vacuous take on the subject matter, the film goes from intriguing to annoyingly offensive.

But there's at least one film that proves Paxton has some serious skills behind the camera: the unsettling, quietly audacious Frailty.

It's cold, but precisioned and Bigelow's skill behind the camera elevates the material into something resembling a tightened fist of tension just waiting for release.

Stearns has skill behind the camera as well.

With his talent for storytelling and tremendous skill behind the camera, he directs this all - star cast into the crazier side of moviemaking.

At its best moments, the carefully orchestrated scenes of destruction echo Jurassic Park / Close Encounters of the Third Kind - era Spielberg, and Edwards» skill behind the camera can not be denied.

, many of whom are members of the Lower Brule Sioux Tribe and genuine cowboys, are quite credible actors, a tribute to Zhao's skill behind the camera.

Meanwhile, Sarah Polley continues to impress with her skills behind the camera with Stories We Tell.

He made his directorial debut with the excellent Gone Baby Gone and while that film didn't set the box office on fire, it did show his skill behind the camera.

Affleck (the director) has an edge on Clooney (the filmmaker) in this area, as the latter tends to get by more on the strengths of his cast and script (see: The Ides of March)-- rather than his skills behind the camera (in this writer's opinion, anyway).

Who knew that such a funny comedian had the skills behind the camera to scare us silly too?

Though there's no denying director Jean Renoir's skill behind the camera - indeed, the film's visuals are clearly the best thing about it - there's virtually nothing here to hold our interest, as the screenplay (by Carl Koch and Renoir) places the emphasis on the antics of these entirely tedious characters (something exacerbated by the complete lack of a storyline).