Whatever it is, if drawing presents a certain window into the artist's brain, then the exhibition «Trenton Doyle Hancock:
Skin and Bones, 20 Years of Drawing,» which opens at the Studio Museum in Harlem on Thursday, will serve as a trip inside the mind's eye of an artist whose practice has included everything from
multimedia paintings comprised of acrylic and collaged felt to site - specific
installations and even a ballet — one that explodes off the page and directly onto the gallery walls.