Sentences with phrase «skin pigment leaves»
A dearth of skin pigment leaves people more susceptible to nonmelanoma skin cancers such as squamous cell carcinoma and basal cell carcinoma.
https://www.scientificamerican.com/ Not exact matches
Vitiligo destroys skin pigment, leaving areas of skin looking like they've been bleached white.
After spreading it across the skin, the violet pigments disperse and leaves the skin with a gorgeous bright, healthy glow.
Vegetable Glycerin, Tocopherol (Vitamin E), Pigments / Extracts Of Vaccinium Myrtillus (Bilberry), Punica Granatum (Pomegranate), Wine (Red Wine) Lees, Vaccinium Macrocarpon Fruit (Cranberry), Rubus Fruticosus Fruit (Blackberry), Prunus Persica Fruit (Peach), Theobroma Cacao (Cocoa), Rubus Occidentalis (Black Raspberry), Aronia Melanocarpa (Chokeberry), Prunus Cerasas (Cherry), Theobroma Cacao (Cocoa Bean) And Vaccinium Angustifolium (Blueberry) Skin, Granatum (Pomegranate) Seed Oil, Butyrospermum Parkii (Shea Butter), Euphorbia Cerifera (Candelilla) Wax, Rosmarinus Officinalis (Rosemary), Origanum Vulgare (Oregano), Thymus Vulgaris Flower / leaf (Thyme), Natural Flavors, Oryza Sativa (Rice) Starch, Labradorite (Natural Mineral Stone), Moonstone (Natural Mineral Stone), Australian Opal (Natural Mineral Stone), Pyrite (Natural Mineral Stone), Sunstone (Natural Mineral Stone), May Contain Mica
Containing pearlescent pigments and a high concentration of water to hydrate the skin, this miracle foundation instantly brightens and leaves the complexion with a dewy finish for up to 12 hours.
Garnier's Skin Renew Miracle Skin Perfector B.B. Cream uses mineral pigments to even tone, fight oil and leave your face looking flawless.
This reactivates the pigments in foundation and leaves the skin feeling hydrated, fresh, and glowing — not to mention making foundation look fresh.»
Formulated with pure fruit pigments and antioxidant - rich botanical ingredients, this dual lip and cheek tint leaves skin soft and smooth, with a naturally gorgeous flush.
In his diary, Anselm Kiefer notes: «this heavy lead bandage that can no longer be detached from the paint skin, these festering sores welling out from the still boiling lead when the pigment beneath it is not bone dry, the little straws on a field that I painted years ago and that appear as charred leavings on the solidified lead — all this reminds me of the Baudelaire poems I reread last year.»
In his diary — which will partly be published in the catalogue accompanying the exhibition and gives prime access to the artist's creative process — Kiefer notes: «This heavy lead bandage that can no longer be detached from the paint skin, these festering sores welling out from the still boiling lead when the pigment beneath it is not bone dry, the little straws on a field that I painted years ago and that appear as charred leavings on the solidified lead — all this reminds me of the Baudelaire poems I reread last year in Portugal.»
Working spontaneously, in one sitting, Moskowitz affixed the discarded and discolored shades to his canvases with rabbit - skin glue mixed with pigment over the surface of the canvas, leaving visible brush strokes and chance drips and splatters.