Brown's brooding pallete of black, grays, and flashes of pale skin, depicts a private moment
as a
memento mori, where a woman and her reflection are joined in the form of a loosely - painted
skull.
But, significantly, the show will not include recent works such
as the critically panned
skull paintings he showed at the Wallace Collection in London in 2009 — described by the Guardian's art critic, Adrian Searle,
as «a
memento mori for a reputation».