Sentences with phrase «sky lights create»

The wrap around windows and sky lights create an expansive yet cozy feel.

Not exact matches

«Let there be light, let there be atmosphere, let there be vegetation, Let there be lights to serve as signs (sun, moon etc), Let the water and sky have living creatures, Let the land have living creatures of which man was the last created then God rested from creation.
The order of creation reads better as spiritual poetry which rings true yet I assume your issue is related to current physical and cosmological order: Let there be light, let there be atmosphere, let there be vegetation, Let there be lights to serve as signs (sun, moon etc), Let the water and sky have living creatures, Let the land have living creatures of which man was the last created then God rested from creation.
Gaia - created herself, she is eternal birth, she also created the gods / goddess she gave birth to father sky a virgin, and she and father sky gave birth to fire water thunder wind cold Light Darkness earth
In Genesis, the Earth was created before the lights in the sky, stars.
Just because we didn't know what caused lightning at one time doesn't mean it was just as likely created by gods hurling light at each other in the sky.
The Bible also says rabbits chew their cud, the earth is balanced on pillars, the earth is a flat disc, the stars are small ornaments hung up in the sky, which itself is nothing more than a black sheet covering the world at night... it says the moon gives off its own light, it says the world was created in 6 days less than 10,000 years ago... It says a lot of things that aren't true.
4c) let there be LIGHT (1 - 4 all the first day) 5c) God next creates the heavens (what we call the sky) above (2nd day) 6c) dry land appears as the oceans form (3rd day) 7c) green plant life appears on land (3rd day also) 8c) the cloud cover left over from the billions of years of rain finally condenses enough that a visible moon and sun can be seen from the earth's surface through the clouds (4th day) 9c) God creates sea life including fish and birds (5th day) 10c) God creates cattle and beasts (large land animals)(6th day) 11c) God creates man.
Another evening and morning, and again good was not good enough, so he spent the fourth day hanging lights in the firmament, the fifth calling swarming things to swarm in the sea and birds to hover on the face of the sky, the sixth filling the earth with animals and creating man male and female in his image.
4) then photons erupted from this energy 4) let there be LIGHT (1 - 4 all the first day) cloud (detectable today as the microwave background radiation) 5) photons and other particles form the 5) God next creates the heavens (what we call the sky) above bodies of the early universe (atoms, (2nd day) molecules, stars, planets, galaxies) 6) it rained on the early earth until it was 6) dry land appears as the oceans form (3rd day) cool enough for oceans to form 7) the first life form was blue green bacteria.
Spirulina is derived from blue - green algae and creates a beautiful sky blue color that's both heat and light stable.
This light blocks our view of the night sky and stars, creates glare hazards on roads, messes with our circadian sleep - wake rhythms, interrupts the patterns of nocturnal wildlife, and is by and large annoying.
NASA's Wide - field Infrared Survey Explorer (WISE), slated for launch no earlier than 6:09 A.M. Pacific Standard Time on December 11, is charged with mapping the sky in the mid-infrared to create an atlas of objects whose emitted light is invisible to human eyes and largely absorbed by Earth's atmosphere.
Rainmaking using laser light Tiny clouds have been created by shooting a powerful laser into the sky over Berlin, Germany.
As a unique and powerful tool for discovery MUSE uses 24 spectrographs to separate light into its component colours to create both images and spectra of selected regions of the sky.
As a result, light would have kept looping around during those 13.7 billion years, creating a hall - of - mirrors effect in which the same bits of universe appear repeatedly in the sky.
Each of these projectors is punctured by pinholes patterned after the positions of stars in the sky; a mercury vapor lamp encased by the colander beams light through the holes to create an accurate map of the stars on the ceiling of the dome.
And this allows them to do something new: to tell their astronomer colleagues roughly where to look in the sky, using ordinary telescopes, for some form of electromagnetic waves (perhaps visible light, gamma rays, or radio waves) that might have been produced by whatever created the gravitational waves.
That scattering worsens sky glow, a sort of haze of light created as the light reflects off of particles in the air above big cities.
The excess spray creates a small rainbow in the blue and pink sky, the sun sinking below the horizon as fireflies start flashing their lights.
A very special effect is created by the lights of the Concept A-Class, as the innovative full - LED high - performance headlamps repeat the starry sky motif with numerous lighting points.
Of the 64 colours available, Pantone created seven specific settings inspired by light and its interplay with different elements of nature like the ocean, the forest, the skies and even the Aurora Borealis.
Birkeland traveled to Egypt and Sudan to study the Zodiacal Light — a subtle light effect seen in night skies created by sunlight scattered off small particles orbiting theLight — a subtle light effect seen in night skies created by sunlight scattered off small particles orbiting thelight effect seen in night skies created by sunlight scattered off small particles orbiting the sun.
Taking his cue from Valencia's brilliant light, Calatrava created white expanses and shimmering tiles offset by blue sky and water.
The towering mountains of the Coast Mountain Range create a dramatic backdrop, and the rich sunsets towards Vancouver Island light - up evening skies.
It's like swimming in a starry sky, with fish moving around you, creating little comets of light, while your paddle creates galaxies in the water.
For every sunset Jimbaran comes into its own with seafood barbeque restaurants on the beach where truly unworldly cuisine is served accompanied by breathtaking tropical sunsets in this wonderful bay of Indonesian beauty, as the sky darkens a candle lit horizon is provided by the offshore traditional fishing boats creating an unimaginably romantic scene.
Within 10 minutes he created a desert scene, placed a sun in the sky, added color and changed the lighting.
This said the lighting effects in NCAA 14, which create the natural progression of sun and clouds across the sky, are pretty darn impressive.
Artist Bio: From Austin, Texas, Colleen Blackard is based in Brooklyn, NY and creates drawings inspired by the light of the Texas night skies of her youth.
The renovation incorporates a new program of LED lights created by the artist, which change to contrast with the darkening sky.
«Whatever the initial stimulus — be it sky, water, light, earth — I work to create a visual sense of the threshold between light and matter, the image and the imagined,» explains Gundersen.
Twenty years ago this month, visitors streamed to a Brentwood mountaintop to see the brand new Getty Center, featuring breathtaking vistas, sky - lit galleries, dramatic modernist architecture by Richard Meier, and the always - changing Central Garden, created by artist Robert Irwin.
Someone has proposed an idea of nanotechnology city: very fine fiber, like spider's nest, will be created, so everything will be very light and buildings don't have to be on the ground and might be floating in the sky.
Los Angeles - Twenty years ago this month, visitors streamed to a Brentwood mountaintop to see the brand new Getty Center, featuring breathtaking vistas, sky - lit galleries, dramatic modernist architecture by Richard Meier, and the always - changing Central Garden, created by artist Robert Irwin.
Moving through the galleries, there is Mark Rothko's Light Cloud, Dark Cloud, 1957; Philip Guston's The Light, 1964; the essential light / dark dichotomy in Callum Innes's Exposed Painting Mars Black, 2002; the red flashing light in Robert Rauschenberg's Whistle Stop (Spread), 1977; Dan Flavin's Diagonal of May 25, 1963, 1963; Robert Irwin's use of light to create the shadows that define Untitled, 1968; the projected light that makes visible Bill Viola's The Greeting, 1995; the reflective quality of the Plexiglas in Donald Judd's stacked piece Untitled, 1967; and the stars in Vija Celmins's Night Sky # 17, 2000 &mdashLight Cloud, Dark Cloud, 1957; Philip Guston's The Light, 1964; the essential light / dark dichotomy in Callum Innes's Exposed Painting Mars Black, 2002; the red flashing light in Robert Rauschenberg's Whistle Stop (Spread), 1977; Dan Flavin's Diagonal of May 25, 1963, 1963; Robert Irwin's use of light to create the shadows that define Untitled, 1968; the projected light that makes visible Bill Viola's The Greeting, 1995; the reflective quality of the Plexiglas in Donald Judd's stacked piece Untitled, 1967; and the stars in Vija Celmins's Night Sky # 17, 2000 &mdashLight, 1964; the essential light / dark dichotomy in Callum Innes's Exposed Painting Mars Black, 2002; the red flashing light in Robert Rauschenberg's Whistle Stop (Spread), 1977; Dan Flavin's Diagonal of May 25, 1963, 1963; Robert Irwin's use of light to create the shadows that define Untitled, 1968; the projected light that makes visible Bill Viola's The Greeting, 1995; the reflective quality of the Plexiglas in Donald Judd's stacked piece Untitled, 1967; and the stars in Vija Celmins's Night Sky # 17, 2000 &mdashlight / dark dichotomy in Callum Innes's Exposed Painting Mars Black, 2002; the red flashing light in Robert Rauschenberg's Whistle Stop (Spread), 1977; Dan Flavin's Diagonal of May 25, 1963, 1963; Robert Irwin's use of light to create the shadows that define Untitled, 1968; the projected light that makes visible Bill Viola's The Greeting, 1995; the reflective quality of the Plexiglas in Donald Judd's stacked piece Untitled, 1967; and the stars in Vija Celmins's Night Sky # 17, 2000 &mdashlight in Robert Rauschenberg's Whistle Stop (Spread), 1977; Dan Flavin's Diagonal of May 25, 1963, 1963; Robert Irwin's use of light to create the shadows that define Untitled, 1968; the projected light that makes visible Bill Viola's The Greeting, 1995; the reflective quality of the Plexiglas in Donald Judd's stacked piece Untitled, 1967; and the stars in Vija Celmins's Night Sky # 17, 2000 &mdashlight to create the shadows that define Untitled, 1968; the projected light that makes visible Bill Viola's The Greeting, 1995; the reflective quality of the Plexiglas in Donald Judd's stacked piece Untitled, 1967; and the stars in Vija Celmins's Night Sky # 17, 2000 &mdashlight that makes visible Bill Viola's The Greeting, 1995; the reflective quality of the Plexiglas in Donald Judd's stacked piece Untitled, 1967; and the stars in Vija Celmins's Night Sky # 17, 2000 — 01.
One of the first things I notice are the empty billboards along the road: no advertisement, no cover, just long lines of fluorescent white light against a dark sky, creating different patterns per how many tubes are currently working.
The pink and pale blue dusk becomes marked with white curved lines, creating a drawing of light against the backdrop of the sky.
More recently, Tomás Saraceno's Cloud City used mirrors to reflect the clouds and blue of the sky so as to create a disorienting, heavenly feel, and James Turrell filled the Guggenheim's rotunda with light that memorably phased into a beautiful blue.
«Inundation,» 2012, a series of photos he created during perambulations in Hamburg, bears echoes of Caspar David Friedrich: Shot in the cool northern light, the river Elbe mates with the sea, as water meets sky.
[7] For the Venice Biennale in 2003, he created Cleave 03, an installation which consisted of a World War II searchlight sending a seven - mile beam of light into the night sky over the Giudecca flashing intermittently in a morse code version of Ellis Wynne's 1703 Welsh text Gweledigaethau y Bardd Cwsc.
Katrin Fridriks is one of the artists that has created an installation for the exhibition, her piece is called Northern Lights, after the enchanting natural wonder that only shows it's vibrant colours in a clear, unpolluted sky.
There is no single time to view this work, as each variation provides something new: at night the distant lights refract to create a universe of stars; on a tranquil afternoon the sky is transformed into banks of blue fragmented by slices of clouds.
Not only does this create a great visual look from the exterior, it also greatly helps to break up the lines of the house on the inside and the high windows provide lots of light and great views of the sky from the interior of the home.
Because AGWSF fisics is fake there is no internal coherence in it, for example: if «all electromagnetic energy is the same and all creates heat when absorbed» then AGWSF fisics doesn't have any answer to the real world physics understanding of how visible light is reflected / scattered in the atmosphere which is by real technical absorption of visible light by the electrons of the molecules of nitrogen and oxygen, hence our blue sky.
With it you can capture light trails created by things like moving cars, or the stars in the sky.
Huawei also added a light painting mode, that lets you capture light trails created by things like moving cars, or the stars in the sky.
It's called Light Painting and allows users to capture light trails created by moving cars or stars in theLight Painting and allows users to capture light trails created by moving cars or stars in thelight trails created by moving cars or stars in the sky.
For night lights with a difference, consider adding fibre optics above the bed to create your child's very own starry sky.
In the kitchen, with its glass and metal doors, the ceiling was raised just above the vintage circular light and a specialist painter was commissioned to create a moody sky scene — to tie with the colours of the adjoining living room and lend a feeling of space and infinity.
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