The wrap around windows and
sky lights create an expansive yet cozy feel.
Not exact matches
«Let there be
light, let there be atmosphere, let there be vegetation, Let there be
lights to serve as signs (sun, moon etc), Let the water and
sky have living creatures, Let the land have living creatures of which man was the last
created then God rested from creation.
The order of creation reads better as spiritual poetry which rings true yet I assume your issue is related to current physical and cosmological order: Let there be
light, let there be atmosphere, let there be vegetation, Let there be
lights to serve as signs (sun, moon etc), Let the water and
sky have living creatures, Let the land have living creatures of which man was the last
created then God rested from creation.
Gaia -
created herself, she is eternal birth, she also
created the gods / goddess she gave birth to father
sky a virgin, and she and father
sky gave birth to fire water thunder wind cold
Light Darkness earth
In Genesis, the Earth was
created before the
lights in the
sky, stars.
Just because we didn't know what caused lightning at one time doesn't mean it was just as likely
created by gods hurling
light at each other in the
sky.
The Bible also says rabbits chew their cud, the earth is balanced on pillars, the earth is a flat disc, the stars are small ornaments hung up in the
sky, which itself is nothing more than a black sheet covering the world at night... it says the moon gives off its own
light, it says the world was
created in 6 days less than 10,000 years ago... It says a lot of things that aren't true.
4c) let there be
LIGHT (1 - 4 all the first day) 5c) God next
creates the heavens (what we call the
sky) above (2nd day) 6c) dry land appears as the oceans form (3rd day) 7c) green plant life appears on land (3rd day also) 8c) the cloud cover left over from the billions of years of rain finally condenses enough that a visible moon and sun can be seen from the earth's surface through the clouds (4th day) 9c) God
creates sea life including fish and birds (5th day) 10c) God
creates cattle and beasts (large land animals)(6th day) 11c) God
creates man.
Another evening and morning, and again good was not good enough, so he spent the fourth day hanging
lights in the firmament, the fifth calling swarming things to swarm in the sea and birds to hover on the face of the
sky, the sixth filling the earth with animals and
creating man male and female in his image.
4) then photons erupted from this energy 4) let there be
LIGHT (1 - 4 all the first day) cloud (detectable today as the microwave background radiation) 5) photons and other particles form the 5) God next
creates the heavens (what we call the
sky) above bodies of the early universe (atoms, (2nd day) molecules, stars, planets, galaxies) 6) it rained on the early earth until it was 6) dry land appears as the oceans form (3rd day) cool enough for oceans to form 7) the first life form was blue green bacteria.
Spirulina is derived from blue - green algae and
creates a beautiful
sky blue color that's both heat and
light stable.
This
light blocks our view of the night
sky and stars,
creates glare hazards on roads, messes with our circadian sleep - wake rhythms, interrupts the patterns of nocturnal wildlife, and is by and large annoying.
NASA's Wide - field Infrared Survey Explorer (WISE), slated for launch no earlier than 6:09 A.M. Pacific Standard Time on December 11, is charged with mapping the
sky in the mid-infrared to
create an atlas of objects whose emitted
light is invisible to human eyes and largely absorbed by Earth's atmosphere.
Rainmaking using laser
light Tiny clouds have been
created by shooting a powerful laser into the
sky over Berlin, Germany.
As a unique and powerful tool for discovery MUSE uses 24 spectrographs to separate
light into its component colours to
create both images and spectra of selected regions of the
sky.
As a result,
light would have kept looping around during those 13.7 billion years,
creating a hall - of - mirrors effect in which the same bits of universe appear repeatedly in the
sky.
Each of these projectors is punctured by pinholes patterned after the positions of stars in the
sky; a mercury vapor lamp encased by the colander beams
light through the holes to
create an accurate map of the stars on the ceiling of the dome.
And this allows them to do something new: to tell their astronomer colleagues roughly where to look in the
sky, using ordinary telescopes, for some form of electromagnetic waves (perhaps visible
light, gamma rays, or radio waves) that might have been produced by whatever
created the gravitational waves.
That scattering worsens
sky glow, a sort of haze of
light created as the
light reflects off of particles in the air above big cities.
The excess spray
creates a small rainbow in the blue and pink
sky, the sun sinking below the horizon as fireflies start flashing their
lights.
A very special effect is
created by the
lights of the Concept A-Class, as the innovative full - LED high - performance headlamps repeat the starry
sky motif with numerous
lighting points.
Of the 64 colours available, Pantone
created seven specific settings inspired by
light and its interplay with different elements of nature like the ocean, the forest, the
skies and even the Aurora Borealis.
Birkeland traveled to Egypt and Sudan to study the Zodiacal
Light — a subtle light effect seen in night skies created by sunlight scattered off small particles orbiting the
Light — a subtle
light effect seen in night skies created by sunlight scattered off small particles orbiting the
light effect seen in night
skies created by sunlight scattered off small particles orbiting the sun.
Taking his cue from Valencia's brilliant
light, Calatrava
created white expanses and shimmering tiles offset by blue
sky and water.
The towering mountains of the Coast Mountain Range
create a dramatic backdrop, and the rich sunsets towards Vancouver Island
light - up evening
skies.
It's like swimming in a starry
sky, with fish moving around you,
creating little comets of
light, while your paddle
creates galaxies in the water.
For every sunset Jimbaran comes into its own with seafood barbeque restaurants on the beach where truly unworldly cuisine is served accompanied by breathtaking tropical sunsets in this wonderful bay of Indonesian beauty, as the
sky darkens a candle
lit horizon is provided by the offshore traditional fishing boats
creating an unimaginably romantic scene.
Within 10 minutes he
created a desert scene, placed a sun in the
sky, added color and changed the
lighting.
This said the
lighting effects in NCAA 14, which
create the natural progression of sun and clouds across the
sky, are pretty darn impressive.
Artist Bio: From Austin, Texas, Colleen Blackard is based in Brooklyn, NY and
creates drawings inspired by the
light of the Texas night
skies of her youth.
The renovation incorporates a new program of LED
lights created by the artist, which change to contrast with the darkening
sky.
«Whatever the initial stimulus — be it
sky, water,
light, earth — I work to
create a visual sense of the threshold between
light and matter, the image and the imagined,» explains Gundersen.
Twenty years ago this month, visitors streamed to a Brentwood mountaintop to see the brand new Getty Center, featuring breathtaking vistas,
sky -
lit galleries, dramatic modernist architecture by Richard Meier, and the always - changing Central Garden,
created by artist Robert Irwin.
Someone has proposed an idea of nanotechnology city: very fine fiber, like spider's nest, will be
created, so everything will be very
light and buildings don't have to be on the ground and might be floating in the
sky.
Los Angeles - Twenty years ago this month, visitors streamed to a Brentwood mountaintop to see the brand new Getty Center, featuring breathtaking vistas,
sky -
lit galleries, dramatic modernist architecture by Richard Meier, and the always - changing Central Garden,
created by artist Robert Irwin.
Moving through the galleries, there is Mark Rothko's
Light Cloud, Dark Cloud, 1957; Philip Guston's The Light, 1964; the essential light / dark dichotomy in Callum Innes's Exposed Painting Mars Black, 2002; the red flashing light in Robert Rauschenberg's Whistle Stop (Spread), 1977; Dan Flavin's Diagonal of May 25, 1963, 1963; Robert Irwin's use of light to create the shadows that define Untitled, 1968; the projected light that makes visible Bill Viola's The Greeting, 1995; the reflective quality of the Plexiglas in Donald Judd's stacked piece Untitled, 1967; and the stars in Vija Celmins's Night Sky # 17, 2000 &mdash
Light Cloud, Dark Cloud, 1957; Philip Guston's The
Light, 1964; the essential light / dark dichotomy in Callum Innes's Exposed Painting Mars Black, 2002; the red flashing light in Robert Rauschenberg's Whistle Stop (Spread), 1977; Dan Flavin's Diagonal of May 25, 1963, 1963; Robert Irwin's use of light to create the shadows that define Untitled, 1968; the projected light that makes visible Bill Viola's The Greeting, 1995; the reflective quality of the Plexiglas in Donald Judd's stacked piece Untitled, 1967; and the stars in Vija Celmins's Night Sky # 17, 2000 &mdash
Light, 1964; the essential
light / dark dichotomy in Callum Innes's Exposed Painting Mars Black, 2002; the red flashing light in Robert Rauschenberg's Whistle Stop (Spread), 1977; Dan Flavin's Diagonal of May 25, 1963, 1963; Robert Irwin's use of light to create the shadows that define Untitled, 1968; the projected light that makes visible Bill Viola's The Greeting, 1995; the reflective quality of the Plexiglas in Donald Judd's stacked piece Untitled, 1967; and the stars in Vija Celmins's Night Sky # 17, 2000 &mdash
light / dark dichotomy in Callum Innes's Exposed Painting Mars Black, 2002; the red flashing
light in Robert Rauschenberg's Whistle Stop (Spread), 1977; Dan Flavin's Diagonal of May 25, 1963, 1963; Robert Irwin's use of light to create the shadows that define Untitled, 1968; the projected light that makes visible Bill Viola's The Greeting, 1995; the reflective quality of the Plexiglas in Donald Judd's stacked piece Untitled, 1967; and the stars in Vija Celmins's Night Sky # 17, 2000 &mdash
light in Robert Rauschenberg's Whistle Stop (Spread), 1977; Dan Flavin's Diagonal of May 25, 1963, 1963; Robert Irwin's use of
light to create the shadows that define Untitled, 1968; the projected light that makes visible Bill Viola's The Greeting, 1995; the reflective quality of the Plexiglas in Donald Judd's stacked piece Untitled, 1967; and the stars in Vija Celmins's Night Sky # 17, 2000 &mdash
light to
create the shadows that define Untitled, 1968; the projected
light that makes visible Bill Viola's The Greeting, 1995; the reflective quality of the Plexiglas in Donald Judd's stacked piece Untitled, 1967; and the stars in Vija Celmins's Night Sky # 17, 2000 &mdash
light that makes visible Bill Viola's The Greeting, 1995; the reflective quality of the Plexiglas in Donald Judd's stacked piece Untitled, 1967; and the stars in Vija Celmins's Night
Sky # 17, 2000 — 01.
One of the first things I notice are the empty billboards along the road: no advertisement, no cover, just long lines of fluorescent white
light against a dark
sky,
creating different patterns per how many tubes are currently working.
The pink and pale blue dusk becomes marked with white curved lines,
creating a drawing of
light against the backdrop of the
sky.
More recently, Tomás Saraceno's Cloud City used mirrors to reflect the clouds and blue of the
sky so as to
create a disorienting, heavenly feel, and James Turrell filled the Guggenheim's rotunda with
light that memorably phased into a beautiful blue.
«Inundation,» 2012, a series of photos he
created during perambulations in Hamburg, bears echoes of Caspar David Friedrich: Shot in the cool northern
light, the river Elbe mates with the sea, as water meets
sky.
[7] For the Venice Biennale in 2003, he
created Cleave 03, an installation which consisted of a World War II searchlight sending a seven - mile beam of
light into the night
sky over the Giudecca flashing intermittently in a morse code version of Ellis Wynne's 1703 Welsh text Gweledigaethau y Bardd Cwsc.
Katrin Fridriks is one of the artists that has
created an installation for the exhibition, her piece is called Northern
Lights, after the enchanting natural wonder that only shows it's vibrant colours in a clear, unpolluted
sky.
There is no single time to view this work, as each variation provides something new: at night the distant
lights refract to
create a universe of stars; on a tranquil afternoon the
sky is transformed into banks of blue fragmented by slices of clouds.
Not only does this
create a great visual look from the exterior, it also greatly helps to break up the lines of the house on the inside and the high windows provide lots of
light and great views of the
sky from the interior of the home.
Because AGWSF fisics is fake there is no internal coherence in it, for example: if «all electromagnetic energy is the same and all
creates heat when absorbed» then AGWSF fisics doesn't have any answer to the real world physics understanding of how visible
light is reflected / scattered in the atmosphere which is by real technical absorption of visible
light by the electrons of the molecules of nitrogen and oxygen, hence our blue
sky.
With it you can capture
light trails
created by things like moving cars, or the stars in the
sky.
Huawei also added a
light painting mode, that lets you capture
light trails
created by things like moving cars, or the stars in the
sky.
It's called
Light Painting and allows users to capture light trails created by moving cars or stars in the
Light Painting and allows users to capture
light trails created by moving cars or stars in the
light trails
created by moving cars or stars in the
sky.
For night
lights with a difference, consider adding fibre optics above the bed to
create your child's very own starry
sky.
In the kitchen, with its glass and metal doors, the ceiling was raised just above the vintage circular
light and a specialist painter was commissioned to
create a moody
sky scene — to tie with the colours of the adjoining living room and lend a feeling of space and infinity.