Sentences with phrase «slasher where»

Vanillaware's steez is to combine light RPGish elements with mechanics that are a little more straight forward; Muramasa is a side - scrolling hack - n - slasher where stats and item management are brought to the forefront of tactical combat.

Medieval Moves is an on - rails slasher where players are left to wait until a wave of enemies encroach upon your position.

Cubers is an exciting arena brawler and a twin stick slasher where you have to defeat a master of gladiators to reclaim your freedom.

Oladipo is quicker / slasher where Jrue might be better on D.

Not exact matches

He and his coresearcher, Dr. Neil Malamuth, Chair of the Department of Communications at UCLA, believe that the increase in «slasher» films and R - rated violence movies in general («I Was a Teenage Werewolf,» «I Spit on Your Grave,»» Maniac,» «Texas Chainsaw Massacre,» and «The Toolbox Murders») are creating a serious problem in homes where such films are now readily available via cable television and home video.

It was like the final scene in a slasher film where the kids think they've fought off the antagonist, only for them to suddenly turn up for one more round.

David Blanchflower, Dartmouth College The day started with a press conference where Slasher Osborne, as I call him, backed down somewhat from his mantra of cutting to suggest that he would reverse the rise for poorer paid workers in National Insurance Contributions planned by Labour in 2011.

Where's the common ground between a tactical RPG and an over-the-top slasher, right?

This film is actually terrible — I mean, yeah — it is scary in the sense that its creepy, but I think, really, the film is just the byproduct of global DVD residuals from the directors father — allowing Panatos to string together a series of overproduced, overgrained interior sequences, cheap synth score and a slasher movie ending, and trying to pass it off as a «cult movie», when really we, the audience, need to know who, what or where the protagonist is coming from, what her dramatic need is, who she interacts with, and so on.

I have never seen a sequel retcon so many details and bury itself in inconsistency just to make a movie where the alien is just a typical Hollywood Slasher.

Halloween (Unrated) Rob Zombie directs this remake of the 1978 horror classic which jumpstarted the storied slasher franchise about a maniac (Tyler Mane) who embarks on a murderous rampage after escaping from the mental institution where he'd been held since killing his sister.

Tarantino's film, «Death Proof,» is a rip - roaring slasher flick where the killer pursues his victims with a car rather than a knife, while Rodriguez's film «Planet Terror» shows us a view of the world in the midst of a zombie outbreak Read the rest of this entry»

Happy Death Day isn't just a 90 - minute slasher movie where we watch a girl violently die repeatedly.

Not unlike whodunit slashers «Scream,» «Urban Legend» and «Valentine» where the whole cast is a suspect, Scott Lobdell's script toys with audience expectations in terms of who just might be a red herring and who is actually behind the mask, holding the knife / baseball bat / half - shattered bong.

Several characters die gruesomely inventive deaths typical of slasher films (where inventive «kills» are everything).

From the lushly terrifying cinematography to the deliberate and confident editing, all crafts on display in Follows form a complex whole that recalls slasher genre origins where the Big Ideas frightened us more than than a hyperactive construction.

Where many of its nastier, bloodier copycats have long since been carved and diced from our memory, John Carpenter's low - budget, genre - defining excursion into the slasher film's virgin territories is still very much alive and freshly frightening today.

by Walter Chaw Christopher Smith follows up his listless slasher - farce Severance with the handsome - looking Black Plague / witch - hunting flick Black Death — a well - played, well - conceived piece that's ultimately distinguished by a few sticky after - images, even as it doesn't quite get to where you hope it's going.

«In between Halloween and Nightmare on Elm Street, there were so many slasher films where it was just some whacko with a knife, and in those films there's a kind of ugliness in a way.

This gag was used to much better effect in Joe Dante's Gremlins 2: The New Batch (where it was similarly adapted for VHS viewers), not only because the monsters had a good reason to stop the film (they are gremlins and it is the nature of gremlins to muck up mechanical things, quite unlike mad slashers, who should just want to slash people), but also because Dante built on the joke by filtering it through his uniquely off - beat sensibility.

YouTube series What to Watch interviewed Rob Zombie at the Sundance Film Festival where his Halloween - themed slasher 31 had its world...

Throughout Zombie's slasher yarn, there's inevitably a close - up, as the killer comes crashing down upon his prey, where the victims» eyes drift heavenward and a brief, unspoken plea for mercy passes between them and monster.

Detention Director: Joseph Kahn, Writers: Joseph Kahn & Mark Palermo A downtrodden 17 - year - old girl is sent to detention where she must survive a slasher film killer and save the world in time for prom.

Things go meta, in the best traditions of Scream and Terry Gilliam's 12 Monkeys, once Jackie clocks in at her job at the local movie theater, where of course they are showing a slasher flick called Sleepover Slaughterhouse III, giving the real life filmmakers a fun opportunity to show off a very differently toned movie within the tightly wound world they have already created around Jackie.

At second glance, they appear to be nasty slasher films taking place in the very same room where Amy and David are staying.

SXSW Film Review Detention Complete Coverage of SXSW Film 2011 Director: Joseph Kahn, Writers: Joseph Kahn & Mark Palermo A downtrodden 17 - year - old girl is sent to detention where she must survive a slasher film killer and save the world in time for prom.

A must - have for the shelves of any horror lover, film buff or teenager wondering where on earth the idea for the slasher genre could have been born and what cultural landscape could have fostered such ideas.

We have some exciting news for horror gamers coming out of New York Comic Con this weekend, where it was announced yesterday that Michael Myers and Laurie Strode of John Carpenter's 1978 film Halloween will join the popular slasher - inspired video game Dead by Daylight.

It is simply a cream - of - the - crop slasher movie, where you already know what you're going to get from it and are therefore surprised by its dramatic character.

In a time where the slasher genre has been done to death, it's difficult to create a new character that resonates with an audience.

Vacancy (Screen Gems, April 20) Starring: Luke Wilson, Kate Beckinsale, Frank Whaley, Ethan Embry Director: Nimród Antal Rating: NR The Pitch: After their car breaks down, a married couple (Wilson and Beckinsale) wind up in an isolated motel, where their evening of watching low - budget slasher films is ruined by the discovery that said films were all made in their room.

Sands of the Coliseum is a really cool turn - based fighting brawler and slasher fighting game where you have to command your army of brave gladiators to win epic fights against specialized warriors!

A killer puzzle game where you control Skullface, a psychotic slasher hell - bent on revenge.

Slayaway Camp is a killer puzzle game where you control Skullface, a psychotic slasher hell - bent on revenge.

I chose to play as the «Slasher» class, where I specialized in driving to the basket.

Check my post about Draw Slasher from last year, where you'll find what are the differences.

Looks like there's a move where he does the classic «slasher stalk» while shrugging off any and all damage he might receive before reaching his hapless victim.

One of the biggest draws to horror and slasher films is the fear of not knowing where the killer is or who will still be alive by the time the credits roll.

This is opposed to the typical horror genre where things are just creepy, or slasher style horror where there is a single murderous psychopath with an axe / chainsaw / knife / whatever.

Ward uses a code of slasher horror imagery to embody a world of 100000000000000 years of neoliberalism, a world built from a Reverse Midas Touch where everything has turned to shit.

Its stories still probe our subconscious, feeding off human insecurities; evil creatures or disturbed slashers still threaten otherwise sleepy settings where virtuous characters survive and the bawdy ones are violently eliminated.