Sentences with word «slatwall»

Digital inkjet print on canvas with plastic on acrylic mirrored MDF slatwall with aluminum edging.

Metal fixtures; car taillight; plastic sign; acrylic and mixed media on canvas on acrylic mirrored MDF slatwall with aluminum edging; fluorescent lights with acrylic sheeting, 96 x 96 x 11.

Her use of commercial slatwall panels as an artistic medium for both Crow and Corvette (2011), the latter installed among three works in the «Collective Conversations» gallery, is a departure from traditional materials of painting and sculpture, but a clear reference to Minimalist and Modernist aesthetics.

The eight - by - eight foot slatwall pieces deliberately reference the work of Minimalists Donald Judd and Dan Flavin as well as Minimalism's rejection of Abstract Expressionism, according to the Parrish.

Flavin's fluorescent light installation (1963) and Keith Sonnier's neon one (2004) are reflected in the mirrored slatwall of Corvette and are echoed in the fluorescent tubes centered beneath it.

«By employing shelves, window displays, mirrored platforms, and retail slatwalls as a literal platform to display objects and images, my installations question the paradox inherent in manic consumption and advertising language.»

Meckseper's work Natural History is part of her ongoing slatwall series in which she employs industrial retail systems commonly used to display merchandise.

Additionally, Meckseper's wall works, made out of store display slatwall panels and printed canvases, highlight appropriated advertisings such as the packaging of male underwear labels 2 (X) ist.

Corvette (2011), a second slatwall piece, is installed in the Collective Conversations gallery.

The industrial slatwall functions like a minimalist painting — its built - in horizontals echoing the purity of Agnes Martin, while simultaneously being a readily available vehicle for product display.

«We wanted to transform slatwall, the mundane store display material, into an architectural element.

JOSEPHINE MECKSEPER The Bird of the Air 2012 Mixed media on MDF slatwall with aluminum edging 96 x 96 x 14 1/2 inches (243.8 x 243.8 x 36.8 cm) ARG # MEJ2012 - 001

Detail of: Urban Climate 2013 Metal fixtures, fluorescent light, acrylic on canvas, inkjet print on canvas on black acrylic MDF slatwall with aluminum edging 96 x 96 x 12 1/2 inches (243.8 x 243.8 x 31.8 cm) ARG # MEJ2013 - 008

«Some do well with slatwall and pegged product; others do best with the product neatly displayed in galvanized tins on tables,» she says.

The slatwall work is installed next to John Chamberlain's sculpture Tambourinefrappe (2010) in the Look and Look Again gallery.

JOSEPHINE MECKSEPER The Lily of the Field 2012 Mixed media on MDF slatwall with aluminum edging 96 x 96 x 12 1/2 inches (243.8 x 243.8 x 31.8 cm) ARG # MEJ2012 - 002

Urban Climate 2013 Metal fixtures, fluorescent light, acrylic on canvas, inkjet print on canvas on black acrylic MDF slatwall with aluminum edging 96 x 96 x 12 1/2 inches (243.8 x 243.8 x 31.8 cm) ARG # MEJ2013 - 008

«Crow,» 2011, Metal fixtures; car taillight; plastic sign; acrylic and mixed media on canvas on acrylic mirrored MDF slatwall with aluminum edging.

«Corvette,» 2011, metal fixtures; acrylic fixtures; metal chains; metal rings; metal buckles; metal hooks; tail light; digital inkjet print on canvas with plastic; on acrylic mirrored MDF slatwall with aluminum edging (All installation views are photographed by Josephine Meckseper and are © Josephine Meckseper, with images courtesy Andrea Rosen Gallery, New York.)

It also has lighting, power outlet, a slatwall back for hanging accessories and storage on the side.

The slatwall for the merchandise looks like the back of the exterior horizontal siding in an uninsulated attic.