Sentences with phrase «sleight of»

I changed my mind when I realised the MWP and LIA (from peer reviewed work) were erased from the graphs and sleight of hand coupled with poorly placed thermometers created the rapid upward slope of the Hockey Stick illusion.

I don't see it as sleight of hand.

This is a typical sleight of hand produced by the AGWSF fisics, it does a similar play in sentence structure when making the Water Cycle disappear.

Simple sleight of hand deceit to be able to claim that the «increase in greenhouse gases is causing this by «greenhouse gas» «trapping» and «backradiation», putting the blame mostly on Carbon Dioxide.

As with the second law arguments, one has to know quite a bit of detail to see where they have tweaked real physics to create their sleight of hand explanations.

You're repeating another AGWSF sleight of hand meme here, «most» — how is it most when for example, an incandescent lightbulb emits only 5 % visible light and 95 % thermal infrared heat?

It's a sleight of hand play on the word «absorbed» which is coupled with the claim that «all electromagnetism is the same and all create heat on being absorbed», and, not differentiating between the different ways energy can be conserved.

I'm pointing out the sleight of hand that AGWSF has put into place to promote the AGW through the Greenhouse Effect.

Just as the real gases of nitrogen and oxygen and carbon dioxide have been replaced by sleight of hand by the real world physics imaginary «ideal gas», without mass therefore not subject to gravity and without weight, and without volume and attraction, which means, their Greenhouse Effect atmosphere is empty space, which is why they have no sound.

So, in typical sleight of hand AGWSF uses a description from real physics in which the atmosphere of fluid gases are all greenhouse gases, and misappropriates it to refer only to its version of «greenhouse gases».

First, you pulled the old «sleight of hand» trick on me, by changing the data series from the past 15 years (May 1997 through April 2012), to the past 16 years (starting May 1966 instead).

If you're calculating that as AGWSF teaches you to calculate by the sleight of hand planckian graphic that the 300 mile wide visible layer atmosphere around the Sun defines its heat, then you get the fake fisics meme of 6,000 °C.

None of Trenberth's sleight of hand or Hansen's prestidigitation..

It's a sleight of hand trick, pretending that the new value had been there all of the time.

I have been explaining how the claimed «Greenhouse Effect» is an illusion created by sleight of hand manipulation of real physics.

As I've shown conclusively in deconstructing the sleight of hand creating the fictional «Greenhouse Effect», this isn't based on real world physics, but on manipulating the terms and processes and properties of real physics basics.

It is you who are resorting to sleight of hand.

And he used a bit of «chartmanship» sleight of hand in his Fig. 5 — instead of showing the 2001 - 2013 extended period of cooling, he broke it into two cooling periods, 2002 - 2008 and 2009 - 2013, to make the «pause» seem shorter and more in line with earlier short periods of cooling.

I have explained the trick creating the illusion of the «Greenhouse Effect of 33 °C warming by greenhouse gases» which anyone with even half a brain could follow, as well as giving some other examples of the fake fisics created to hide this sleight of hand, and all the response I get is silence or verbal diarrhoea as distraction.

Twisting the truth to talk about who owns the company is sleight of hand trickery used to deceive people for your own gain.

The CON is convincing by sleight of hand wordplay that 1 - 4 % water and practically zilch percent trace gas carbon dioxide are that blanket..

It appears Wigley and therefore the IPCC knew of the problems but chose to sidestep them by carefully directing the focus — a scientific sleight of hand.

Nice sleight of hand Steve.

It still contains statistical sleight of hand, basic errors in economics, and shaky climatology, but it's better than State of Fear.

(Notice a bit of sleight of hand here.

So any «sleight of hand» (not well specified in the article) that Norway may be using today in some respects might soon be canceled out by recognition of other activities it can not currently claim.

Part the pleasure of painting, part sleight of hand — Heyer's works offer transcendence without the pretension of being «saved».

With some meteorological sleight of hand, visitors wandering throughout the gallery of the Broad Contemporary Art Museum actually control the stormy weather with each footstep.

Rappaports» sleight of hand takes us through soft and hard, transparent and opaque, dark and light, and the material and the spirit — the stuff of transformation.

Disappearing Into One draws on ideas of sleight of hand and misdirection.

Curated by students from the MFA Curating courses at Goldsmiths College and Chelsea College of Art, the exhibition draws on ideas of sleight of hand and misdirection in both the production and presentation of artworks.

2016 Summer Show, Goodman Gallery, Cape Town, South Africa 2016 In Context: Where We Are, Goodman Gallery, Cape Town, South Africa 2016 Sleight of Hand.

I'm interested in pairing these two opposites again — this idea of the sleight of hand and this sort of off - handedness, where it seems seamless, and it's almost as if I'm trying to make one continuous long gesture.

For all their mystery, for all the taciturnity of their refusal, these paintings lodge the totality of their effect in a sleight of hand through which the material surface of the picture appears to be supplanted by an optical membrane: a resonant film that seems the very envelope of vision, like the blackness you «see» when you shut your eyes.

When seen in concert with these images, the otherwise unadorned furniture objects become imbued with new formal potential, as if by sleight of hand, ready to re-enter domestic spaces with a newly aesthetic agenda.

2011: Rudimentary Perfection, Recoat Gallery, Glasgow; Never Judge, Stolenspace Gallery, London; 2010: Overseas & Undertones, ABV Gallery, Atlanta; Sleight Of Hand, Recoat Gallery, Glasgow; LTRHDS 2010, 1000 # Bend, Melbourne and Red Bull Gallery, Sydney.

Select group exhibitions featuring her work include SUPERPOSITION: Equilibrium & Engagement, 21st Biennale of Sydney (2018); Screen: Virtual Material, DeCordova Sculpture and Park Museum, Lincoln, MA; (2018); All things being equal..., Zeitz Museum of Contemporary Art, Cape Town, South Africa (2017); Beyond Boundaries: Feminine Forms, Pennsylvania Academy of Fine Arts, Philadelphia; Women's Work, National Gallery, Cape Town, South Africa; Home Land Security, FOR - SITE Foundation, San Francisco (2016); Sleight of Hand: Painting and Illusion, San Jose Museum of Art, San Jose, CA (2014); The Artist's Museum, Museum of Contemporary Art, Los Angeles (2010); and Skin Fruit: Selections from the Dakis Joannou Collection, curated by Jeff Koons, New Museum, New York (2010).

Into this diminutive gallery, with ship - in - a-bottle sleight of hand, Tufnell has fitted a full size billiard table: a massive, heavy Victorian beast of a thing, covered with gently faded baize.

Her five years in film set design made her adept at artifice, and she is an expert in misdirection and sleight of hand.

The final images involve great sleight of hand, collapsing the space of the painted and the photographic, suggesting the malleable nature of memory and imagination.

ATLANTA — Pratfall Tramps at the Atlanta Contemporary Art Center is an exhibition that works by sleight of hand.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

A little sleight of hand in the way it draws attention to such repressive language, whilst opening the broadness of the «coloured people» to become something expansive, rather than stifling.

«Transitions: States of Being» «Sleight of Hand» Oliver Laric's Versions 2012 Zuckerman Museum of Art / through December 4

Richard Aldrich One Kind of Sleight of Hand 2010 Pen on transparency on computer printout 8.5 x 11 inches (unframed) 21.6 x 27.9 cm 13.5 x 11 x 1.5 inches (framed) 34.3 x 27.9 x 3.8 cm

Out of photography's intractableness, Heinecken's blurry image of Reagan, one part machine, two parts sleight of hand, breaches this dichotomy.

Her conceptual expansions of photographic abstraction manifest in series such as Sleight of Hand and Haptic Wonders (both 2011 — ongoing), which primarily focus on the photogram.

With sleight of hand, she lays out a tapestry of visual trickery, reconstructed artifacts, and misinterpreted histories.

SOLO EXHIBITIONS 2013 Black and Blue, Perry Rubenstein Gallery, Los Angeles, California 2010 Sleight of Hand, Patricia Low Contemporary, Geneva, Switzerland 2009 John Bauer — Paintings, s.e Gallery, Bergen, Norway 2009 New Paintings, Van Bau Gallery, Vestfossen, Norway 2008 John Bauer, Maruani & Noirhomme, Knokke, Belgium 2007 White Out, Patricia Low Contemporary, Gstaad, Switzerland 2007 John Bauer, Bellwether Gallery, New York 2003 Free - Floating Anxiety, Bellwether Gallery, New York 1998 New Oils, Clementine Gallery, New York

With sleight of hand ease, they can be visually deceptive, but they don't aspire to all out trickery.