Never in a million years would I have guessed that the same filmmaker might turn around and make something like Tangerine, his punk - as - fuck portrait of a much seedier L.A.. It's not just a total creative 180, but kind of the opposite of a sell - out
move: Trading a formulaic story for an unpredictable one and a
slick Indiewood aesthetic for a gorgeous, radical lo - fi approach, Baker trains his iPhone
camera on the kind of characters — black and transgender prostitutes, immigrant cabbies — that the movies rarely acknowledge, let alone put into starring roles.