Flashback, a collaboration with musician Arto Lindsay, is
a slide installation with a soundtrack by Lindsay.
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(Travis Wilkerson, 2017) projected video
with live filmmaker narration; Crossroads Festival at SFMOMA, San Francisco, CA Gone, Gone Beyond (People Like Us, 2017) 10 - projector video
installation; Grey Area, San Francisco, CA I'll Be Around (Jeremy Rourke, 2017) multi-video & 16 mm
with live music performance; Artists» Television Access, San Francisco, CA Lost Landscapes of San Francisco 12 (Rick Prelinger, 2017) silent video
with live filmmaker and audience narration; Castro Theatre, San Francisco, CA The Maribor Uprisings (Milton Guillén & Maple Razsa, 2017) branching video
with guided audience participation; Maine International FilmFestival, Waterville, ME Mosswood (Kerry Laitala & Voicehandler, 2017) dual - 16 mm projector performance
with live music; Mosswood Chapel, Oakland, CA Night Country (John Davis & Joshua Churchill, 2017) triple - 16 mm projector performance
with live music; Mosswood Chapel, Oakland, CA Temporal Cities (Lizzy Brooks & Radka Pulliam, 2017) projected video
with 35 mm
slides; Other Cinema at Artists» Television Access, SanFrancisco, CA What Is Nothing [After What is Nothing](Kristen Reeves, 2017) nonuple - 16 mm projector performance; San Diego Underground Film Festival, San Diego, CA
Karl Haendel, High Performance Stiffened Structures, 2013,
installation with multiple
slide projections, Locust Projects, Miami, January 2013.
Coleman's
installations, pairing
slide projection
with synchronized audio, don't lend themselves to easy categorization.
In 2011, she worked closely
with Gensler and the New Museum to install Carsten Höller's
slide and recently partnered
with the Museum on the
installation of the Chris Burden survey exhibition.
Jim Pomeroy: Light Weight Phantoms (
installation view), 1977;
slides presented
with stereo - optic device; lent by the artist.
The earliest piece, I Am Sitting in a Room (1969), is a
slide - and - sound
installation created
with composer Alvin Lucier, where duplication of analogue, audio recordings, and Polaroid photographs compromise media integrity.
Binder contains mostly
slides with some transparencies, documenting the
installation as well as individual works.
Binder contains mostly
slides of artist's work ranging from 1995 to 2000
with installation views, as well as color printouts, transparencies, and a bio and press.
As the 1999 American representative at the Venice Biennale, she addressed topics of slavery and oppression in American society,
with an
installation that used walls embossed
with Braille, which caught a dazzling red powder as it
slid down from above, literally making language visible.
Computer controlled, five - channel laser disc / sound
installation with five projectors, two sound systems, two
slide projectors, and
slides (color, sound).
Sean Kelly Gallery is pleased to announce an exhibition by Julião Sarmento featuring new paintings, works on paper, and a
slide projection
installation, which is a collaboration
with Arto Lindsay.
A total of twelve
installations will be on show at Witte de
With, including video, sculpture, and sound pieces, as well as
slide projections and one set of photographic images.
installation with recliner chair, telephone table, audio CD and
slide show (dimensions variable)
The
slide projector, once commonly found in households and academic institutions; and image projections, a display method that predates any photographic process and that constantly endures through time
with its prevalence in new media,
installation and performance art because of its ability to transform space.
Part 3 — Michael Heizer, Actual Size: Munich Rotary — from March 25 to April 10 Michael Heizer (b. 1944), renowned for his large scale earth works and landscape interventions, will present his iconic
installation «Actual Size: Munich Rotary», realized in Germany in 1970 and composed of six black - and - white glass
slide projections, six custom - made steel projectors, and six steel pipes
with wood platforms.
Installation shot of One Side of Broadway, 2005, continuous black and white 35 mm
slide projection
with sound, projection screen.
Although Piper's early and student work made use of traditional fine art media such as paint and canvas (such as The Body Politic, 1983), [3] from the late 1980s he became primarily associated
with technically innovative work that explored multi-media elements such as computer software, websites, tape /
slide, sound and video within an
installation - based practice.
The exhibition is comprised glass edition works from 2014 - 2016 which take keys, hammers and shovels as their motifs, together
with an
installation using «shoji» (
sliding paper doors) of Ono's artist book «Spare Room» published in 2003 for her solo exhibition «Yoko Ono Women's Room» at the National Museum of Modern Art in Paris.
Bard combines contemporary media (bronze, plexiglass,
slide projections)
with concrete blocks, urban rubble and the cardboard boxes of the homeless to create
installations that are as moving as they are disturbing.
Installations were filled
with new media like
slide projectors, films, video, light, sound, but also wind, scents, elements of nature.»
London - based Argentine artist Amalia Pica uses sculpture, performance art, photography,
installation,
slide projections, and drawing to create works that explore forms of communication, metaphor, and social engagement,
with a particular interest in moments of failure, slippage, and mistranslation.
In 2008, Coleman completed the successful showing at IMMA of his trilogy of pioneering works from the 1990s,
with the
slide installation Background, 1991 - 94, following the
installation of I N I T I A L S, 1993 - 94, in 2006 and Lapsus Exposure, 1992 - 94, in 2007.
Aoyama Satoru, «News From Nowhere», 2016/2017, mixed media
installation with embroidery on vintage prints, duplicated 35 mm
slides and photographs.
Five Steps Toward an Eight - Year Manifesto By Praneet Soi I Still from Kumartuli Printer, Notes on Labor Part 1 (2010),
slide installation of 80 transparencies
with rotary
slide projector.
João Penalva is known for producing large - scale
installations in various media, as well as more intimate works
with video and
slide projections, sound, drawing, painting and found materials.
The archives include all manner of interesting ephemera, including business dealings
with big - name artists, histories of
installations, brochures, reviews,
slides and photographs of artists» work, correspondence
with collectors, dealers and artists, as well as annotated auction catalogs.
Among these works: «Veloce galoppa verde cipolla», 1960/70, neon and tobacco leave by Pier Paolo Calzolari; a work from the «Disegni» series by Giulio Paolini and the admirable «Rosa dei venti», an
installation from 1992, lyric homage to metaphysics and the enigmatic mannequins of Giorgio De Chirico; «Venere con la Pipa», silkscreen on stainless steel media, a Michelangelo Pistoletto's icon; «Mimetico», a shred of camouflage canvas (as a ready - made) dated 1968 by Alighiero Boetti; the work «Particolare», projector and
slide from 1972/2016 by Giovanni Anselmo; «Baco da Setola» from 1968 by Pino Pascali; a big diptych made of steel sheet by Jannis Kounellis, rhythmed
with shelfs
with different elements of different materials from 1994; and lastly a spiral snail from 1982 by Mario Merz.
The 35 mm
slide paintings,
with their cut - canvas windows, through which the
slides are illuminated from the back (the electronics were made by the artist's father), present images of past performances,
installations and paintings, none of which exist today.
This thematic exhibition brings together work from across the medium's history — from daguerreotypes to
slide projections to video
installations — that consider the way photography's complex and ever - changing relationship
with time has reflected and inflected our ideas about permanence and obsolescence, history and memory.
A world away from a Doric - columned establishment institution, exceptionally family - friendly,
with an open feel almost like an indoor play park, the Turbine's most successful
installations have been the ones which not only worked within its space but actively engaged
with its audience: Olafur Eliasson's Weather Project or Carson Holler's twisting
slide.
These material remnants are then reworked into meticulously composed
installations —
with diverse media such as
slide projections, sound, photography, and video, to tapestries, prints, and silk screens — in which projections and allusions have free reign.
Last night, we watched as Google began setting up a seriously massive
installation, complete
with the classic Google
slide that you normally only see at its headquarters in Mountain View, California.