Her film and
slide installation works have recently been included in exhibitions at The New Museum and the Museum of Modern Art in New York, and the Long Beach Museum of Art in Long Beach, California.
Not exact matches
The
work of Egyptian artist Basim Magdy (b. 1977, Egypt) spans from drawing to film, painting to
slide installations that touch upon issues of science, war, and progress, hovering between a nostalgic look to the past and a disenchanted imagery of the future.
Highlights of the
installation include the diptych
slide projection Dispossession (2013), which explores Attia's research on the Vatican's collection of ethnological artifacts; Artificial Nature (2014), a floor sculpture constructed of many antique prosthetic legs; and a
work composed of two large - scale reproductions of historical paintings depicting Catholic masses, Émile Jean - Horace Vernet's The First Mass in Kabylia (1854) and Victor Meirelles's The First Mass in Brazil (1861).
In 2011, she
worked closely with Gensler and the New Museum to install Carsten Höller's
slide and recently partnered with the Museum on the
installation of the Chris Burden survey exhibition.
The Belgian artist Carsten Höller is known to a wider public for his
work Test Site, an art
installation in the turbine hall of the Tate Modern in London that consisted of five
slides, visitors could
slide down.
One of the most persistent themes in contemporary art since the early 1990s has been the proliferation of
work that addresses «ruined modernity» and «failed utopias»: in other words, a type of art that reformats iconic examples of 20th - century architecture and design into painting, sculpture, photography, video,
slide shows, archival
installations, etc..
Binder contains mostly
slides with some transparencies, documenting the
installation as well as individual
works.
Binder contains mostly
slides documenting individual
works,
installations, and exhibitions, organized by body of
work.
Binder contains mostly
slides of artist's
work ranging from 1995 to 2000 with
installation views, as well as color printouts, transparencies, and a bio and press.
Contains
slides of individual
works as well as
installation views of Gayman's 1987 exhibition at American Fine Arts.
The exhibition also re-creates two of VanDerBeek's significant
works: Movie Mural (1968), a multimedia
installation comprised of several
slide and video projections, and a version of the large fax murals created at MIT's Center for Advanced Visual Studies and the Walker Art Center in the early 1970s.
Not only did pictorial references —
works featuring
installation views of a James Coleman
slide show, an X-ray previously exhibited by Isa Genzken of the German artist's own skull — to this subject abound, but the near holographic quality of Quaytman's surfaces rendered these images as if projected.
Shirin Sabahi's
works range from video and
slide projection
installations to collages and artist books.
The majority of Vonna - Michell's practice comprises fast paced spoken word performances and recordings which culminate in perpetually circling, detouring and repetitive narratives; the artist's
work is multi-layered, arriving in
installations which incorporate fragments of information such as
slide projections, photocopies and other ephemera.
9 September to 7 November 2010 Wednesday to Sunday 11 am — 6 pm John Adams, Ian Bourn, Ian Breakwell, Marc Camille Chaimowicz, David Critchley, Catherine Elwes, Roberta Graham, Steve Hawley, Susan Hiller, Stuart Marshall, Cordelia Swann and Graham Young «Polytechnic» is an exhibition of video,
installation and tape /
slide works made between the late seventies and early eighties by -LSB-...]
Sean Kelly Gallery is pleased to announce an exhibition by Julião Sarmento featuring new paintings,
works on paper, and a
slide projection
installation, which is a collaboration with Arto Lindsay.
All camera formats utilized, and include digital images, 35 mm
slides, 4x5 transparencies and portfolio prints of collections including: paintings,
works on paper, artist's books, sculpture,
installation and performance pieces, furniture, ceramics, jewelry and crafts, architecture, period interiors, decorative fine art, objects, rare books, manuscripts etc. as well as period gardens and landscapes.
The wide variety of materials that constitute the exhibition (including collections of photographs,
slide projections, periodicals, recent film and video
installations, sculptures, and printed
works on paper) create numerous situations within which to consider not only the materiality of images and the technologies that form their reception, but also the conflicted social history that lies under their surfaces and is inextricable from their origins.
The artist, who was born in 1977 in Assiut, Egypt, and now lives in Basel and Cairo, has created a multifaceted oeuvre in recent years encompassing film, photography,
slide projections,
installations, and
works on paper.
The
slide - tape
installation, INITIALS, 1993 - 94, is one of a trilogy of pioneering
works by Coleman from the 1990s, acquired by IMMA through funding from the Heritage Committee of the National Cultural Institutions in 2004.
Part 3 — Michael Heizer, Actual Size: Munich Rotary — from March 25 to April 10 Michael Heizer (b. 1944), renowned for his large scale earth
works and landscape interventions, will present his iconic
installation «Actual Size: Munich Rotary», realized in Germany in 1970 and composed of six black - and - white glass
slide projections, six custom - made steel projectors, and six steel pipes with wood platforms.
Accompanied by
installations providing a visual script in the form of
slide projections, photocopies and other ephemera, Vonna - Michell's
works are characterised by fragments of information, detours and repetitions designed to confuse and enlighten in equal measure.
These photographs serve as source of many of her
installations, variously grouped into
slide projections, sculptural wall
works, or table assemblages.
Although Piper's early and student
work made use of traditional fine art media such as paint and canvas (such as The Body Politic, 1983), [3] from the late 1980s he became primarily associated with technically innovative
work that explored multi-media elements such as computer software, websites, tape /
slide, sound and video within an
installation - based practice.
The exhibition is comprised glass edition
works from 2014 - 2016 which take keys, hammers and shovels as their motifs, together with an
installation using «shoji» (
sliding paper doors) of Ono's artist book «Spare Room» published in 2003 for her solo exhibition «Yoko Ono Women's Room» at the National Museum of Modern Art in Paris.
In this time he has produced a number of remarkable music
works including his video
work Rambling Man, 1998; a
slide and music piece entitled Aberdeen, 2000 after the birthplace of Kurt Cobain; A sound
installation entitled Listening Lounge II, 1999; Little thought, 2000, a video clip for one of his own songs.
Ephemeral
installations, earthworks and permanent site - specific
works were in vogue, and soon the very phrase «public sculpture» had been replaced by public art, an amorphous new category in which art could be almost anything: LED signs, billboards,
slide or video projections, guerrilla actions, suites of waterfalls.
Blake's practice consists primarily of mixed - media
work and encompasses site - specific
installations, photo - constructions, drawing and sculpture,
slide - projections and films.
London - based Argentine artist Amalia Pica uses sculpture, performance art, photography,
installation,
slide projections, and drawing to create
works that explore forms of communication, metaphor, and social engagement, with a particular interest in moments of failure, slippage, and mistranslation.
In 2008, Coleman completed the successful showing at IMMA of his trilogy of pioneering
works from the 1990s, with the
slide installation Background, 1991 - 94, following the
installation of I N I T I A L S, 1993 - 94, in 2006 and Lapsus Exposure, 1992 - 94, in 2007.
It offers a retrospective view of the artist's
work through her
slide projections, photographs, video
installations and documentation of
works in public space.
João Penalva is known for producing large - scale
installations in various media, as well as more intimate
works with video and
slide projections, sound, drawing, painting and found materials.
The archives include all manner of interesting ephemera, including business dealings with big - name artists, histories of
installations, brochures, reviews,
slides and photographs of artists»
work, correspondence with collectors, dealers and artists, as well as annotated auction catalogs.
Among these
works: «Veloce galoppa verde cipolla», 1960/70, neon and tobacco leave by Pier Paolo Calzolari; a
work from the «Disegni» series by Giulio Paolini and the admirable «Rosa dei venti», an
installation from 1992, lyric homage to metaphysics and the enigmatic mannequins of Giorgio De Chirico; «Venere con la Pipa», silkscreen on stainless steel media, a Michelangelo Pistoletto's icon; «Mimetico», a shred of camouflage canvas (as a ready - made) dated 1968 by Alighiero Boetti; the
work «Particolare», projector and
slide from 1972/2016 by Giovanni Anselmo; «Baco da Setola» from 1968 by Pino Pascali; a big diptych made of steel sheet by Jannis Kounellis, rhythmed with shelfs with different elements of different materials from 1994; and lastly a spiral snail from 1982 by Mario Merz.
This thematic exhibition brings together
work from across the medium's history — from daguerreotypes to
slide projections to video
installations — that consider the way photography's complex and ever - changing relationship with time has reflected and inflected our ideas about permanence and obsolescence, history and memory.
Among the items acquired were the 1968 aluminum - and - rubber - hose -
work Pipe by Bill Bollinger, and five untitled graphite - on - paper drawings by the same artist from the same year; a 2009 nine - minute 35 mm
slide projection, free fotolab by Phil Collins; two 8 mm videos, Eastern Morning, 2008, and Three Screen Ray, 2006, by Bruce Conner; an untitled 1971 acrylic - on - wood sculpture by Carmen Herrera, plus three untitled 1966 ink - on - paper drawings by the same artist; a 1966 — 98 video
installation, 16 Millimeter Earrings, by Meredith Monk; and a 2000 — 9 paint and marker on photo collage by William Pope L.
The film and video
works in the collection mark the dramatic shift that occurred at that moment, as artists challenged the traditional mediums of painting and sculpture by creating performances, film
installations, videos,
slide works, and films.
Works added to the collection of the Solomon R. Guggenheim Museum during 2010 included a 2009 16 mm film, Beau Geste, by Morocco - based Yto Barrada, a 2009
slide - projection
installation, In the Near Future, by New York — based Sharon Hayes, a 19 - channel digital video, The Torn First Pages, 2004 — 8, by Indian artist Amar Kanwar, the 2006 interactive piece This Progress by German artist Tino Sehgal and the 2010 sound
installation The Shallow Sea by Scottish artist Susan Philipsz.
A world away from a Doric - columned establishment institution, exceptionally family - friendly, with an open feel almost like an indoor play park, the Turbine's most successful
installations have been the ones which not only
worked within its space but actively engaged with its audience: Olafur Eliasson's Weather Project or Carson Holler's twisting
slide.