27 Hilary Lloyd: Video and
slide installations by a British artist who explores fractional plays of light and the vagaries of the gaze.
Our son was hoping we could afford to buy
the slide installation by Carsten Höller at the New Museum.
Not exact matches
Jim Pomeroy: Light Weight Phantoms (
installation view), 1977;
slides presented with stereo - optic device; lent
by the artist.
Binder contains mostly
slides documenting individual works,
installations, and exhibitions, organized
by body of work.
Not only did pictorial references — works featuring
installation views of a James Coleman
slide show, an X-ray previously exhibited
by Isa Genzken of the German artist's own skull — to this subject abound, but the near holographic quality of Quaytman's surfaces rendered these images as if projected.
Höller's art takes the form of proposals for radical, new ways of living
by creating sculptures and diagrams for visionary architecture as well as transportation alternatives, such as his renowned
slide installations.
Her exhibitions include co-curating the 2004 and 2006 Whitney Biennials, and curating major survey exhibitions of Dan Graham, Louise Bourgeois, Sol LeWitt, Donald Judd, and Yoko Ono, as well as exhibitions of Paul McCarthy, James Lee Byars, Jack Goldstein, and several group exhibitions including «Signs of the Times: Film, Video and
Slide Installation and Britain in the 1980s», «Scream and Scream Again: Film in Art», and «Into the Light: The Projected Image in American Art 1964 - 1977», voted best group show in New York in 2001
by the International Association of Art Critics.
Flashback, a collaboration with musician Arto Lindsay, is a
slide installation with a soundtrack
by Lindsay.
9 September to 7 November 2010 Wednesday to Sunday 11 am — 6 pm John Adams, Ian Bourn, Ian Breakwell, Marc Camille Chaimowicz, David Critchley, Catherine Elwes, Roberta Graham, Steve Hawley, Susan Hiller, Stuart Marshall, Cordelia Swann and Graham Young «Polytechnic» is an exhibition of video,
installation and tape /
slide works made between the late seventies and early eighties
by -LSB-...]
Sean Kelly Gallery is pleased to announce an exhibition
by Julião Sarmento featuring new paintings, works on paper, and a
slide projection
installation, which is a collaboration with Arto Lindsay.
The
slide - tape
installation, INITIALS, 1993 - 94, is one of a trilogy of pioneering works
by Coleman from the 1990s, acquired
by IMMA through funding from the Heritage Committee of the National Cultural Institutions in 2004.
Ms. Simon will give a
slide lecture on July 11 at 3 p.m.. Also on view at Guild Hall is the solo exhibition, «Grace Hartigan: A Survey,» the group show, «Artists
By Artists,» and an installation of four sculptures by Dina Recanati in the outdoor garde
By Artists,» and an
installation of four sculptures
by Dina Recanati in the outdoor garde
by Dina Recanati in the outdoor garden.
Accompanied
by installations providing a visual script in the form of
slide projections, photocopies and other ephemera, Vonna - Michell's works are characterised
by fragments of information, detours and repetitions designed to confuse and enlighten in equal measure.
, Cooper Hewitt National Design Triennial, USA 2008 Skin + Bones: Parallel Practices in Fashion & Architecture, London, Tokyo, LA 2007 Love & Money: the Best of British Design Now, British Council 2006 Hypothetical
Slide House, Carsten Holler's Unilever Series Show at the Tate Modern, London UK 2005 Groundswell: Constructing the Contemporary Landscape, MoMA, USA 2003 Monographic Show at the Institute of COntemporary Art (ICA), London, UK 2002 Selected
by the British Council to create a site - specific
installation to represent Britain at the 8th International Venice Architecture Biennale, Italy 1999 Cities on the Move, Hayward Gallery, UK 1995 Monolithic Architecture, Heinz Architectural Center, Pitssburgh, USA
Rosenquist's thirty - three -
by - seventeen - foot painting Fire
Slide (1967) is installed in the United States Pavilion — a geodesic dome designed
by R. Buckminster Fuller — at Expo 67, the Montreal World's Fair.11 Rosenquist's
installation Forest Ranger (1967) is presented at Palazzo Grassi, Centro Internazionale delle Arti e del Costume, Venice, in the exhibition Campo Vitale: Mostra intemazionale d'arte contemporanea.
Those who are unnerved
by the thought of tumbling several stories down thin metal
slides to the gallery's floor will find little reassurance in the
installation's title: Test Site.
This will be the artist's first exhibition in New York since 2007 and includes the U.S. debut of Scopophilia, a new 25 - minute - long
slide installation commissioned last year
by the Louvre Museum.
The exhibition also includes Her Luminous Distance, a
slide - based
installation featuring a device used
by astronomers to detect small pattern differences between photographic plates
by alternately switching between images, blinking back and forth between the two.
Ephemeral
installations, earthworks and permanent site - specific works were in vogue, and soon the very phrase «public sculpture» had been replaced
by public art, an amorphous new category in which art could be almost anything: LED signs, billboards,
slide or video projections, guerrilla actions, suites of waterfalls.
In his film and
slide installations, such as The Curves of the Needle (2003), Wyn Evans manipulates sound to form a parallel «text» to the visuals, where meaning is opened up
by the unexpected slippage that occurs when the soundtrack is dislodged, changed or removed.
Ilori was inspired
by his memories of the public playground that was part of the council estate in north London where he grew up, and, adding a bit of play to the LDF spectrum, the
installation includes a
slide, a seesaw and a roundabout, on a set crafted in Ilori's signature palette of super-saturated hues.
At the other end of the spectrum, practicing alternative collage
by integrating sculpture and image was Shynn Kim's Mind Space (2014); a multi-media
installation consisting of a
slide projector,
slides, wood, and vinyl sheets.
On view here is an
installation of 80 hand painted
slides titled Throwback, which are projected onto a unique screen box built
by the artist.
Five Steps Toward an Eight - Year Manifesto
By Praneet Soi I Still from Kumartuli Printer, Notes on Labor Part 1 (2010),
slide installation of 80 transparencies with rotary
slide projector.
The first showing in Ireland of the
slide installation Background, 1991 - 94,
by the internationally - acclaimed Irish artist, James Coleman, opens to the public at the Irish Museum of Modern Art on Friday 1 August 2008.
Black and white and colour photographs, polaroid's and coloured
slides Images of drawings, etchings and bronze sculptures, colour
slides of
installation shots from the solo exhibition at the Iowa Museum of Art (1995),
slides of
installation shots
by JC Mazur possibly from the group exhibition «Feminin - Masculin» at the Centre Georges Pompidou, Paris, France (1995), colour Polaroid photographs of small bronze pieces of women labelled «Copperfield Archive», «Zilko» and «Umbilical Cord».
Colour and black and white photographs Includes colour
installation shots
by Anthony Stokes of the Venice Biennale, Italy (1982), colour
slides of
installation shots of «Les Champs de la Sculpture 2000», Champs - Elysees, Paris, France (1999), colour transparencies of
installation shots of the solo exhibition at the Galerie Hans Mayer, Dusseldorf, Germany (1994), colour
installation shots of bronzes including Hare on Ball and Claw, 1989/90, and Drummer, 1996, installed in the gardens of Galerie Hans Mayer, black and white
installation shots
by John Webb of «Sculptures in Stone 1973 - 1979» at Waddington Galleries, London, UK, a black and white
installation shot of «Barry Flanagan sculptures in bronze 1980 - 1981» at Waddington Galleries.
Among these works: «Veloce galoppa verde cipolla», 1960/70, neon and tobacco leave
by Pier Paolo Calzolari; a work from the «Disegni» series
by Giulio Paolini and the admirable «Rosa dei venti», an
installation from 1992, lyric homage to metaphysics and the enigmatic mannequins of Giorgio De Chirico; «Venere con la Pipa», silkscreen on stainless steel media, a Michelangelo Pistoletto's icon; «Mimetico», a shred of camouflage canvas (as a ready - made) dated 1968
by Alighiero Boetti; the work «Particolare», projector and
slide from 1972/2016
by Giovanni Anselmo; «Baco da Setola» from 1968
by Pino Pascali; a big diptych made of steel sheet
by Jannis Kounellis, rhythmed with shelfs with different elements of different materials from 1994; and lastly a spiral snail from 1982
by Mario Merz.
Other themes at the exhibition include a mixed media
installation by Guillermo Bert, which features video testimonies of L.A. immigrants projected onto suspended tumbleweeds; multiple
slide projections and audio narratives exploring what it means to be a second - generation Filipina
by looking to the past, present and future
by artist Michelle Dizon; and a video
installation that critiques systemic patriarchy and misogyny
by Michele O'Marah.
The 35 mm
slide paintings, with their cut - canvas windows, through which the
slides are illuminated from the back (the electronics were made
by the artist's father), present images of past performances,
installations and paintings, none of which exist today.
In 2005 Rachel Whiteread created her
installation EMBANKMENT, followed
by Carsten Höller's interactive spiralling
slides Test Site in 2006.
Among the items acquired were the 1968 aluminum - and - rubber - hose - work Pipe
by Bill Bollinger, and five untitled graphite - on - paper drawings
by the same artist from the same year; a 2009 nine - minute 35 mm
slide projection, free fotolab
by Phil Collins; two 8 mm videos, Eastern Morning, 2008, and Three Screen Ray, 2006,
by Bruce Conner; an untitled 1971 acrylic - on - wood sculpture
by Carmen Herrera, plus three untitled 1966 ink - on - paper drawings
by the same artist; a 1966 — 98 video
installation, 16 Millimeter Earrings,
by Meredith Monk; and a 2000 — 9 paint and marker on photo collage
by William Pope L.
The film and video works in the collection mark the dramatic shift that occurred at that moment, as artists challenged the traditional mediums of painting and sculpture
by creating performances, film
installations, videos,
slide works, and films.
Works added to the collection of the Solomon R. Guggenheim Museum during 2010 included a 2009 16 mm film, Beau Geste,
by Morocco - based Yto Barrada, a 2009
slide - projection
installation, In the Near Future,
by New York — based Sharon Hayes, a 19 - channel digital video, The Torn First Pages, 2004 — 8,
by Indian artist Amar Kanwar, the 2006 interactive piece This Progress
by German artist Tino Sehgal and the 2010 sound
installation The Shallow Sea
by Scottish artist Susan Philipsz.
• Monitored activities in the post Emergency Operations Center (EOC) and assisted
Installation Operations Center (IOC) Battle Captains in maintaining Continuous drafts and Integrated Logistics Support
slides for approval
by the Garrison Commander.