Sentences with phrase «slide installations by»

27 Hilary Lloyd: Video and slide installations by a British artist who explores fractional plays of light and the vagaries of the gaze.
Our son was hoping we could afford to buy the slide installation by Carsten Höller at the New Museum.

Not exact matches

Jim Pomeroy: Light Weight Phantoms (installation view), 1977; slides presented with stereo - optic device; lent by the artist.
Binder contains mostly slides documenting individual works, installations, and exhibitions, organized by body of work.
Not only did pictorial references — works featuring installation views of a James Coleman slide show, an X-ray previously exhibited by Isa Genzken of the German artist's own skull — to this subject abound, but the near holographic quality of Quaytman's surfaces rendered these images as if projected.
Höller's art takes the form of proposals for radical, new ways of living by creating sculptures and diagrams for visionary architecture as well as transportation alternatives, such as his renowned slide installations.
Her exhibitions include co-curating the 2004 and 2006 Whitney Biennials, and curating major survey exhibitions of Dan Graham, Louise Bourgeois, Sol LeWitt, Donald Judd, and Yoko Ono, as well as exhibitions of Paul McCarthy, James Lee Byars, Jack Goldstein, and several group exhibitions including «Signs of the Times: Film, Video and Slide Installation and Britain in the 1980s», «Scream and Scream Again: Film in Art», and «Into the Light: The Projected Image in American Art 1964 - 1977», voted best group show in New York in 2001 by the International Association of Art Critics.
Flashback, a collaboration with musician Arto Lindsay, is a slide installation with a soundtrack by Lindsay.
9 September to 7 November 2010 Wednesday to Sunday 11 am — 6 pm John Adams, Ian Bourn, Ian Breakwell, Marc Camille Chaimowicz, David Critchley, Catherine Elwes, Roberta Graham, Steve Hawley, Susan Hiller, Stuart Marshall, Cordelia Swann and Graham Young «Polytechnic» is an exhibition of video, installation and tape / slide works made between the late seventies and early eighties by -LSB-...]
Sean Kelly Gallery is pleased to announce an exhibition by Julião Sarmento featuring new paintings, works on paper, and a slide projection installation, which is a collaboration with Arto Lindsay.
The slide - tape installation, INITIALS, 1993 - 94, is one of a trilogy of pioneering works by Coleman from the 1990s, acquired by IMMA through funding from the Heritage Committee of the National Cultural Institutions in 2004.
Ms. Simon will give a slide lecture on July 11 at 3 p.m.. Also on view at Guild Hall is the solo exhibition, «Grace Hartigan: A Survey,» the group show, «Artists By Artists,» and an installation of four sculptures by Dina Recanati in the outdoor gardeBy Artists,» and an installation of four sculptures by Dina Recanati in the outdoor gardeby Dina Recanati in the outdoor garden.
Accompanied by installations providing a visual script in the form of slide projections, photocopies and other ephemera, Vonna - Michell's works are characterised by fragments of information, detours and repetitions designed to confuse and enlighten in equal measure.
, Cooper Hewitt National Design Triennial, USA 2008 Skin + Bones: Parallel Practices in Fashion & Architecture, London, Tokyo, LA 2007 Love & Money: the Best of British Design Now, British Council 2006 Hypothetical Slide House, Carsten Holler's Unilever Series Show at the Tate Modern, London UK 2005 Groundswell: Constructing the Contemporary Landscape, MoMA, USA 2003 Monographic Show at the Institute of COntemporary Art (ICA), London, UK 2002 Selected by the British Council to create a site - specific installation to represent Britain at the 8th International Venice Architecture Biennale, Italy 1999 Cities on the Move, Hayward Gallery, UK 1995 Monolithic Architecture, Heinz Architectural Center, Pitssburgh, USA
Rosenquist's thirty - three - by - seventeen - foot painting Fire Slide (1967) is installed in the United States Pavilion — a geodesic dome designed by R. Buckminster Fuller — at Expo 67, the Montreal World's Fair.11 Rosenquist's installation Forest Ranger (1967) is presented at Palazzo Grassi, Centro Internazionale delle Arti e del Costume, Venice, in the exhibition Campo Vitale: Mostra intemazionale d'arte contemporanea.
Those who are unnerved by the thought of tumbling several stories down thin metal slides to the gallery's floor will find little reassurance in the installation's title: Test Site.
This will be the artist's first exhibition in New York since 2007 and includes the U.S. debut of Scopophilia, a new 25 - minute - long slide installation commissioned last year by the Louvre Museum.
The exhibition also includes Her Luminous Distance, a slide - based installation featuring a device used by astronomers to detect small pattern differences between photographic plates by alternately switching between images, blinking back and forth between the two.
Ephemeral installations, earthworks and permanent site - specific works were in vogue, and soon the very phrase «public sculpture» had been replaced by public art, an amorphous new category in which art could be almost anything: LED signs, billboards, slide or video projections, guerrilla actions, suites of waterfalls.
In his film and slide installations, such as The Curves of the Needle (2003), Wyn Evans manipulates sound to form a parallel «text» to the visuals, where meaning is opened up by the unexpected slippage that occurs when the soundtrack is dislodged, changed or removed.
Ilori was inspired by his memories of the public playground that was part of the council estate in north London where he grew up, and, adding a bit of play to the LDF spectrum, the installation includes a slide, a seesaw and a roundabout, on a set crafted in Ilori's signature palette of super-saturated hues.
At the other end of the spectrum, practicing alternative collage by integrating sculpture and image was Shynn Kim's Mind Space (2014); a multi-media installation consisting of a slide projector, slides, wood, and vinyl sheets.
On view here is an installation of 80 hand painted slides titled Throwback, which are projected onto a unique screen box built by the artist.
Five Steps Toward an Eight - Year Manifesto By Praneet Soi I Still from Kumartuli Printer, Notes on Labor Part 1 (2010), slide installation of 80 transparencies with rotary slide projector.
The first showing in Ireland of the slide installation Background, 1991 - 94, by the internationally - acclaimed Irish artist, James Coleman, opens to the public at the Irish Museum of Modern Art on Friday 1 August 2008.
Black and white and colour photographs, polaroid's and coloured slides Images of drawings, etchings and bronze sculptures, colour slides of installation shots from the solo exhibition at the Iowa Museum of Art (1995), slides of installation shots by JC Mazur possibly from the group exhibition «Feminin - Masculin» at the Centre Georges Pompidou, Paris, France (1995), colour Polaroid photographs of small bronze pieces of women labelled «Copperfield Archive», «Zilko» and «Umbilical Cord».
Colour and black and white photographs Includes colour installation shots by Anthony Stokes of the Venice Biennale, Italy (1982), colour slides of installation shots of «Les Champs de la Sculpture 2000», Champs - Elysees, Paris, France (1999), colour transparencies of installation shots of the solo exhibition at the Galerie Hans Mayer, Dusseldorf, Germany (1994), colour installation shots of bronzes including Hare on Ball and Claw, 1989/90, and Drummer, 1996, installed in the gardens of Galerie Hans Mayer, black and white installation shots by John Webb of «Sculptures in Stone 1973 - 1979» at Waddington Galleries, London, UK, a black and white installation shot of «Barry Flanagan sculptures in bronze 1980 - 1981» at Waddington Galleries.
Among these works: «Veloce galoppa verde cipolla», 1960/70, neon and tobacco leave by Pier Paolo Calzolari; a work from the «Disegni» series by Giulio Paolini and the admirable «Rosa dei venti», an installation from 1992, lyric homage to metaphysics and the enigmatic mannequins of Giorgio De Chirico; «Venere con la Pipa», silkscreen on stainless steel media, a Michelangelo Pistoletto's icon; «Mimetico», a shred of camouflage canvas (as a ready - made) dated 1968 by Alighiero Boetti; the work «Particolare», projector and slide from 1972/2016 by Giovanni Anselmo; «Baco da Setola» from 1968 by Pino Pascali; a big diptych made of steel sheet by Jannis Kounellis, rhythmed with shelfs with different elements of different materials from 1994; and lastly a spiral snail from 1982 by Mario Merz.
Other themes at the exhibition include a mixed media installation by Guillermo Bert, which features video testimonies of L.A. immigrants projected onto suspended tumbleweeds; multiple slide projections and audio narratives exploring what it means to be a second - generation Filipina by looking to the past, present and future by artist Michelle Dizon; and a video installation that critiques systemic patriarchy and misogyny by Michele O'Marah.
The 35 mm slide paintings, with their cut - canvas windows, through which the slides are illuminated from the back (the electronics were made by the artist's father), present images of past performances, installations and paintings, none of which exist today.
In 2005 Rachel Whiteread created her installation EMBANKMENT, followed by Carsten Höller's interactive spiralling slides Test Site in 2006.
Among the items acquired were the 1968 aluminum - and - rubber - hose - work Pipe by Bill Bollinger, and five untitled graphite - on - paper drawings by the same artist from the same year; a 2009 nine - minute 35 mm slide projection, free fotolab by Phil Collins; two 8 mm videos, Eastern Morning, 2008, and Three Screen Ray, 2006, by Bruce Conner; an untitled 1971 acrylic - on - wood sculpture by Carmen Herrera, plus three untitled 1966 ink - on - paper drawings by the same artist; a 1966 — 98 video installation, 16 Millimeter Earrings, by Meredith Monk; and a 2000 — 9 paint and marker on photo collage by William Pope L.
The film and video works in the collection mark the dramatic shift that occurred at that moment, as artists challenged the traditional mediums of painting and sculpture by creating performances, film installations, videos, slide works, and films.
Works added to the collection of the Solomon R. Guggenheim Museum during 2010 included a 2009 16 mm film, Beau Geste, by Morocco - based Yto Barrada, a 2009 slide - projection installation, In the Near Future, by New York — based Sharon Hayes, a 19 - channel digital video, The Torn First Pages, 2004 — 8, by Indian artist Amar Kanwar, the 2006 interactive piece This Progress by German artist Tino Sehgal and the 2010 sound installation The Shallow Sea by Scottish artist Susan Philipsz.
• Monitored activities in the post Emergency Operations Center (EOC) and assisted Installation Operations Center (IOC) Battle Captains in maintaining Continuous drafts and Integrated Logistics Support slides for approval by the Garrison Commander.
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