The double -
slide projection includes archival photographs and documents chosen by the artist to show the Chávez Ravine settlement from the 1940s and the territory as it exists today.
Not exact matches
A blank set of cards and an additional three question set is
included along with corresponding
projection slides.
What I like here are the busy conjunctions of
slide projections, films and models (
including one of his studio), and the daring of his cinema - in - the - round, its range and humour - though it lacks Islam's sophistication, Macuga's reticence, Wilkes» directness.
Highlights of the installation
include the diptych
slide projection Dispossession (2013), which explores Attia's research on the Vatican's collection of ethnological artifacts; Artificial Nature (2014), a floor sculpture constructed of many antique prosthetic legs; and a work composed of two large - scale reproductions of historical paintings depicting Catholic masses, Émile Jean - Horace Vernet's The First Mass in Kabylia (1854) and Victor Meirelles's The First Mass in Brazil (1861).
They
include depictions of analogue and digital
projection equipment (e.g.
slide projectors, overhead projectors, video projectors, etc.) that are paired with painted representations of their projected images.
The work combines original and found imagery
including hand - painted
slides, Super 8 mm and 16 mm films, video, overhead and liquid
projections with original music and sound.
Collier's exhibition
includes recent works from her ongoing series «Women Crying»; two text - based photographic works based on printed materials originally used in group - therapy and self - analysis; works from her latest series «Crying (Comic)» and «Tears (Comic)»; and a 35 mm
slide projection piece «Women With Cameras (Self Portrait)».
Working in very diverse mediums,
including 16 mm film and
slide projection, painting, assemblage sculpture and vintage photography, the artists share an approach to making that allows them to navigate their relationship with the world and its substances in a way that is tactile and therefore often quite instinctive.
The wide variety of materials that constitute the exhibition (
including collections of photographs,
slide projections, periodicals, recent film and video installations, sculptures, and printed works on paper) create numerous situations within which to consider not only the materiality of images and the technologies that form their reception, but also the conflicted social history that lies under their surfaces and is inextricable from their origins.
The Contemporary Arts Museum Houston is alive with the dazzlingly chaotic hum of the late Stan VanDerBeek's category - defying, utopian hybrids of film, technology and performance,
including one of his «movie murals,» which combine film excerpts with
slide and acetate
projections on an epic scale.
A total of twelve installations will be on show at Witte de With,
including video, sculpture, and sound pieces, as well as
slide projections and one set of photographic images.
Baumgarten's body of work has
included ephemeral sculptures, photographic work,
slide projection pieces, 16 mm film works, recordings, drawings, prints, books, short stories, as well as site - specific works and wall drawings and architecture related interventions.
The resulting imagery, somewhere between Andy Warhol and South Park, is then re-presented in a number of formats
including video, film and
slide projection as well as lightbox, etching and collage.
Coleman, whose primary media
include photography, film and
slide projections, video and theatrical formats, has exhibited extensively throughout Great Britain and Europe.
Elements
include Projection sur caisse (
Projection on Crate, 1968), a
slide show of nineteenth - century paintings alongside art postcards tacked up on a wall; and Section Publicité (Publicity Section, 1972), extensive, annotated photo - documentation of eagle imagery in everything from public sculpture to soccer clubs.
This approach characterized his sensational retrospective at Tate Britain in 2003, and is sure to define this follow - up show, which is slated to
include slide projections, publications, and music, as well as a series of performances in the Tanks.
Price visits REDCAT on Monday (April 7) for the program, Body and Flesh: The Tactile Cinema of Luther Price, which features two
slide projection pieces,
including Light Fractures (2013), several Super 8 films, and a new 16 mm film.
Other themes at the exhibition
include a mixed media installation by Guillermo Bert, which features video testimonies of L.A. immigrants projected onto suspended tumbleweeds; multiple
slide projections and audio narratives exploring what it means to be a second - generation Filipina by looking to the past, present and future by artist Michelle Dizon; and a video installation that critiques systemic patriarchy and misogyny by Michele O'Marah.
Works added to the collection of the Solomon R. Guggenheim Museum during 2010
included a 2009 16 mm film, Beau Geste, by Morocco - based Yto Barrada, a 2009
slide -
projection installation, In the Near Future, by New York — based Sharon Hayes, a 19 - channel digital video, The Torn First Pages, 2004 — 8, by Indian artist Amar Kanwar, the 2006 interactive piece This Progress by German artist Tino Sehgal and the 2010 sound installation The Shallow Sea by Scottish artist Susan Philipsz.