Sentences with phrase «slide projection includes»

The double - slide projection includes archival photographs and documents chosen by the artist to show the Chávez Ravine settlement from the 1940s and the territory as it exists today.

Not exact matches

A blank set of cards and an additional three question set is included along with corresponding projection slides.
What I like here are the busy conjunctions of slide projections, films and models (including one of his studio), and the daring of his cinema - in - the - round, its range and humour - though it lacks Islam's sophistication, Macuga's reticence, Wilkes» directness.
Highlights of the installation include the diptych slide projection Dispossession (2013), which explores Attia's research on the Vatican's collection of ethnological artifacts; Artificial Nature (2014), a floor sculpture constructed of many antique prosthetic legs; and a work composed of two large - scale reproductions of historical paintings depicting Catholic masses, Émile Jean - Horace Vernet's The First Mass in Kabylia (1854) and Victor Meirelles's The First Mass in Brazil (1861).
They include depictions of analogue and digital projection equipment (e.g. slide projectors, overhead projectors, video projectors, etc.) that are paired with painted representations of their projected images.
The work combines original and found imagery including hand - painted slides, Super 8 mm and 16 mm films, video, overhead and liquid projections with original music and sound.
Collier's exhibition includes recent works from her ongoing series «Women Crying»; two text - based photographic works based on printed materials originally used in group - therapy and self - analysis; works from her latest series «Crying (Comic)» and «Tears (Comic)»; and a 35 mm slide projection piece «Women With Cameras (Self Portrait)».
Working in very diverse mediums, including 16 mm film and slide projection, painting, assemblage sculpture and vintage photography, the artists share an approach to making that allows them to navigate their relationship with the world and its substances in a way that is tactile and therefore often quite instinctive.
The wide variety of materials that constitute the exhibition (including collections of photographs, slide projections, periodicals, recent film and video installations, sculptures, and printed works on paper) create numerous situations within which to consider not only the materiality of images and the technologies that form their reception, but also the conflicted social history that lies under their surfaces and is inextricable from their origins.
The Contemporary Arts Museum Houston is alive with the dazzlingly chaotic hum of the late Stan VanDerBeek's category - defying, utopian hybrids of film, technology and performance, including one of his «movie murals,» which combine film excerpts with slide and acetate projections on an epic scale.
A total of twelve installations will be on show at Witte de With, including video, sculpture, and sound pieces, as well as slide projections and one set of photographic images.
Baumgarten's body of work has included ephemeral sculptures, photographic work, slide projection pieces, 16 mm film works, recordings, drawings, prints, books, short stories, as well as site - specific works and wall drawings and architecture related interventions.
The resulting imagery, somewhere between Andy Warhol and South Park, is then re-presented in a number of formats including video, film and slide projection as well as lightbox, etching and collage.
Coleman, whose primary media include photography, film and slide projections, video and theatrical formats, has exhibited extensively throughout Great Britain and Europe.
Elements include Projection sur caisse (Projection on Crate, 1968), a slide show of nineteenth - century paintings alongside art postcards tacked up on a wall; and Section Publicité (Publicity Section, 1972), extensive, annotated photo - documentation of eagle imagery in everything from public sculpture to soccer clubs.
This approach characterized his sensational retrospective at Tate Britain in 2003, and is sure to define this follow - up show, which is slated to include slide projections, publications, and music, as well as a series of performances in the Tanks.
Price visits REDCAT on Monday (April 7) for the program, Body and Flesh: The Tactile Cinema of Luther Price, which features two slide projection pieces, including Light Fractures (2013), several Super 8 films, and a new 16 mm film.
Other themes at the exhibition include a mixed media installation by Guillermo Bert, which features video testimonies of L.A. immigrants projected onto suspended tumbleweeds; multiple slide projections and audio narratives exploring what it means to be a second - generation Filipina by looking to the past, present and future by artist Michelle Dizon; and a video installation that critiques systemic patriarchy and misogyny by Michele O'Marah.
Works added to the collection of the Solomon R. Guggenheim Museum during 2010 included a 2009 16 mm film, Beau Geste, by Morocco - based Yto Barrada, a 2009 slide - projection installation, In the Near Future, by New York — based Sharon Hayes, a 19 - channel digital video, The Torn First Pages, 2004 — 8, by Indian artist Amar Kanwar, the 2006 interactive piece This Progress by German artist Tino Sehgal and the 2010 sound installation The Shallow Sea by Scottish artist Susan Philipsz.
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