Sentences with phrase «slightly pale color»

Vocals were usually the star of the show, with excellent clarity at the front of the attack, though at times they were rendered with a slightly pale color.

Not exact matches

And, each batch was a slightly different color - from golden brown to pale yellow (all crispy though!).

-- On a lower speed, add eggs one at a time and vanilla until well incorporated — Increase mixing speed to high and let it go for 10 minutes — the mixture will become really pale and will almost double in size — In a medium sized bowl, whisk together flour, baking powder, baking soda, and salt — When 10 minutes are up, add flour mixture slowly until just combined, about 45 - 60 seconds — Chop up and mix together all of your baking and snack ingredients in a small bowl, and fold into batter with a spatula until just incorporated — Using a medium - sized ice cream scoop, portion cookie dough on parchment paper - lined cookie sheet and wrap the entire thing tightly with plastic wrap — Refrigerate for a minimum of 1 hour and up to 1 week — Heat oven to 400F and arrange cookies on cookie sheets at least 4 ″ apart — Bake 9 - 11 minutes, until they are golden in color and slightly brown along the edges — Cool the cookies completely on the sheet pan (or just eat them immediately...)

Add sugar and whisk until eggs are pale in color and thickened slightly.

In a large bowl, whip the egg yolks and sugar until pale yellow in color and slightly thicken.

With a stand mixer or handheld rotary mixer, beat the egg mixture until slightly fluffy and paler in color (about 3 minutes).

Fabanaise has a slightly looser consistency and a paler color than Just Mayo, which is thicker and tinted a more classic mayo yellow.

While comparable to Sel Gris de Guerande, this finishing salt has a slightly less moisture content, and is almost imperceptibly paler in color.

Extra virgin olive oils can naturally range in color from slightly pale yellow to golden to lighter shades and (sorry, we could not resist) olive green.

Somehow 2 out of the last 3 posts I've worn a slightly weird mustard yellow color, which I realize is strange for a pale blonde girl.

The colors are natural off white, pale green, a slightly darker green and light blue.

These have a great cowboy silhouette in the toe, minimal yet sculptural detailing, a great pale wheat color, and the slightly tapered chunky heel that I am drawn to these days.

Dyed in a pale pink color, it has a slightly textured look and a delicate sheen.

I love the pale blue color of this dress and the slightly sparkly print, although I think I should have ironed it first, and I should definitely have watched out for those low branches!

The color palette is slightly pale, which is typical for the era and just as I've always known the film to be.

The visuals are a little soft and mildly grainy and the color palette slightly pale, but these characteristics are surely consistent with the movie's original look.

The closest thing to problems you can spot are minor: some static shots seem to ever so slightly jostle (probably a filming issue), grain weighs down on a few shots, and the pale - skinned cast make colors seem a tad bit pale.

Neel's famous naked self - portrait (1980) depicts the artist in old age, perched on a blue and white striped sofa surrounded by blocks of vital color — green, yellow, blue — calm and fearless in herself, staring at the viewer through slightly skewed glasses (her only attire), mouth firmly downturned and cheeks ruddy above the deliquescence of her aged body, a sinking galleon of pale flesh.

Slightly undulating fields of pale color are bisected by confident lines, creating demarcated negative spaces throughout.

HELEN FRANKENTHALER (B. 1928) A Little Zen, from Four Pochoirs (Harrison 29) pochoir and screenprint in colors, 1970, on Arches Imperial Rough, signed and dated in pencil, numbered 9/50 (there were also 7 artist's proofs), published by Abrams Original Editions, New York, the full sheet, the paper slightly toned, soft rippling throughout, a few small stains in places, pale time staining, otherwise in very good condition, framed S. 22 x 30 1/2 in.

HELEN FRANKENTHALER (B. 1928) Cedar Hill (Harrison 121) woodcut in colors, 1983, on handmade Mingei Momo, signed and dated in pencil, numbered 43/75 (there were also 18 artist's proofs), published by Crown Point Press, Oakland, the full sheet, the colors very slightly attenuated, the palest light - staining, otherwise in very good condition, framed S. 20 1/4 x 24 3/4 in.

HELEN FRANKENTHALER (B. 1928) White Portal (Harrison 10) lithograph in colors, 1967, on Arches, signed and dated in pencil, numbered «H / C 5/7» (an hors commerce impression, the edition was 18 plus 4 artist's proofs), published by ULAE, West Islip, New York, with full margins, pale light -, mat and time staining, the colors slightly attenuated, otherwise in good condition, framed L. 18 3/4 x 14 3/4 in.

AFTER HELEN FRANKENTHALER Heavenly Twins (not in Harrison) offset lithograph in colors, 1959, on wove paper, signed in red crayon, numbered 5/100 (there were also an unknown number of artist's proofs), the full sheet, light - and time staining, the colors slightly attenuated, pale surface soiling, mat staining on the reverse, slight rippling, occasional handling creases, framed S. 28 1/8 x 22 in.