However, more than a few
slightly soft shots popped up along the way, a factor not helped by some mild but consistent edge haloes.
Not exact matches
Wide
shots came across as
slightly soft, but most of the movie demonstrated reasonably solid clarity and accuracy.
Fine object detail is sharp and defined in close - up
shots, and fluctuates from
slightly soft to pristine in wide - angle / sweeps.
Shot using the Red One digital camera, I Spit on Your Grave 2010 has a glossy but
slightly soft look that I find exceptionally clean but uncompelling.
A few
shots seemed
slightly ill defined, especially when they featured leading ladies; those utilized mild examples of
soft focus.
A few
shots appeared
slightly soft, but those occurred infrequently.
The occasional
slightly soft wider
shot emerged, but I felt the majority of the movie offered nice clarity.
The only
slightly «
soft»
shots connected to the original photography and usually related to process or effects elements.
These rendered wide
shots as
slightly ill defined and a little
soft.
Some
shots, especially outdoor ones, have a
slightly soft look with gentle auras around light colors; I think this is due to the camera technology of the time more than insufficient remastering.
Universal's DVD is a decent transfer of the film - the
soft focus cinematography yields a less - than sharp transfer, and some of the night
shots are
slightly grainy, in spite of Schrader's deliberate use of in - camera opticals to preserve image quality.