Not exact matches
Sloppy joes quickly became a regular in our weeknight menu — it's healthy & filling; it
comes together pretty quickly; and it's one of my favorite leftovers to take to
work.
But two games in have confirmed what most reasonably minded supporters have been saying namely a quality DM is essential... coq is
work in progress... They won so much in 50 50 tackles it was shocking... Ox looked good when he
came on but overall thought bellerin handled himself well against dangerous wingers and wld be my man of match... Santi was too
sloppy in first 45 to claim it and Alexis is still not 100 per cent but still gives his all... Some of ozils touches are just sublime but he cld
work a bit harder FFS... Over to wenger now to close deals in next 7 days or he can F off for me
Peter Debruge of Variety also finds it to be a «lumbering, confused, and cacophonous mess,» but, while acknowledging that it's almost impossible to divorce the film from its production woes, Indiewire's Eric Kohn writes, «It's
sloppy and amateurish in parts, but always reaching for something, often resulting in a fascinating half - formed beast
working through a lot of baggage: a vanity project about the nature of vanity, centered around one of literature's most famous examples, in the context of the most famous vanity projects of all time
coming to fruition.
Heddaya writes: «From the outside, Weathersby's pieces straddle the clinical geometry of Op art and the organic architectural character of traditional room dividers and panels, like the Arab mashrabeya or the Japanese screen, and are unobtrusive, orderly, suggestive even of a painterly monasticism... Ken Weathersby is certainly not the first artist to have manipulated painting and denotation, or desecrated the ever - cooling corpse of canvas — the project has a distinctly vintage, Black Mountain College feel to it — but there is a focused and exploratory energy at
work in his pieces, a maturity of purpose that stands at ascetic remove from the cloying color and
sloppy corporeality that too often
comes to the fore in Bushwick.»
Ken Weathersby is certainly not the first artist to have manipulated painting and denotation, or desecrated the ever - cooling corpse of canvas — the project has a distinctly vintage, Black Mountain College feel to it — but there is a focused and exploratory energy at
work in his pieces, a maturity of purpose that stands at ascetic remove from the cloying color and
sloppy corporeality that too often
comes to the fore in Bushwick.
Some of the innovative
work of Robert Millikan and Margaret Mead was
sloppy (worse has been claimed, but I personally
come down on the side of sloppiness rather than deceit.)