Movie One eventually ends up in an ugly bar in Mexico, where Salma Hayak steals the show during
a slow dance sequence.
Not exact matches
Another notable strength of the film is the slick imagery, courtesy of DP Gianfilippo Corticelli, who uses
slow - motion shots stylishly and appropriately (a
sequence with Cruz
dancing in a puddle as Hirsch photographs her is stunning.)
Indeed, her superfluous,
slow - motion pole
dance that sits beside the film's opening credits
sequence does serve as a useful and immediate red flag as to the lazily familiar road the underpowered film will tumble down.
Griffin actually becomes friends with Bernie and takes him out for a night on the town under the pretense that they're coming from a costume party, with the whole
sequence consisting of the pair singing along to Flo Rida's «Low,» dining at T.G.I. Friday's, and Bernie
slow dancing with some woman.
The resurgent Babette Mangolte's Water Motor (1978)(Broadway 1602 / Sikkema Jenkins) elegantly documents Trisha Brown's loose - limbed
dancing, with a seductive repetition of the
sequence in
slow motion.