Sentences with phrase «slow film does»

While this sometimes - slow film does have its flaws - the greatest being the inability of the comedic characters to gain empathy from the audience, it offers positive messages of working through disappointments and making commitments.

Not exact matches

I don't know how much of a delay «Top Chef» has between filming and broadcast, so even if they took up the school lunch challenge, Congress might have already acted * — Agweek says that Sen. Lincoln (D - AR) hopes to hold a markup session in the Senate Agriculture Committee on March 26 (via Slow Food USA) and it is not inconceivable that the new legislation could pass quickly.

However, the team also filmed flowers from five species frequented by the moth and found they don't move back and forth fast enough for this slower response to be a problem.

Then, filmed in luxurious slow motion, the knight flips his do back like a medieval Breck Girl, and the flaxen strands shimmer in the light.

Our solution to this problem was to film without music and then add the music back to the video scoring the music to the movement and exercise as best as can be done until the rep speed drastically slows down because of fatigue.You will notice how the music ebbs and flows with the intensity of the exercise and even the breaks between exercises have their own special music that is much calmer in nature.

Despite the amazing vintage clothing and decor I didn't like either of the characters and found the whole film to be stiff, and painfully slow.

It really works the momentum of this film moves quick and only mildly slow when it needs to explain science to the people who don't understand much about it.

The problem with the early episodes — written and directed by Jim Mickle, who also made the film «Cold in July,» based on a Lansdale novel — has to do with a slow pace and a sameness that muffle the humor and menace we expect from smart noir.

The film does slow down a bit in the final act to give the big finale room to breathe, but that's hardly a bad thing.

This is a slow moving film, about a mess of a man doing up things.

It definitely strives to be an indie film, as the offbeat dialogue and slow - paced tone does beam through the screen.

The Bottom Line, don't let a terrific cast fool you, this film is slow and all over the place.

It's adapted by Tracy Letts from his 1993 play (Friedkin also turned Letts's play Bug into a film in 2006), and its theatrical origins do become obvious in the way certain characters are left disconcertingly off screen; the movie is concluded with a long, slow and single - location sequence, which makes it looks oddly like a filmed stage play.

That said, the film is rather slow, and, while it is interesting, it's didn't grab me as much as it probably should have, or as much as I thought it might.

From there, he launched a steady film career that slowed down considerably in the late»50s, after he began appearing on television but did not end until 1994, when Brinegar made his final screen appearance, as a stagecoach driver, in the 1994 film version of Maverick.

There are quite a few moments when the film slows down in order to service characters that have yet to be developed, but those moments don't last long at all.

My only problem I have with this movie is that the film does have a somewhat slow pace for a animated movie especially for a 90 minute animated film, but everything is all done extremely well and it is definitely one of Ghiblis best.

Now this film does start off very slow, but the film does now how to mix the Action and dialogue in really well.

Overall, despite kind of a slow pace towards the beginning, the film quickly picks up and doesn't let go until its final moments.

Sicario is a well written story, however the film does fall short in some scenes with slow moving plot points and a handful of unnecessary scenes.

This one has a slow, shuffling story involving people whose miseries are often obscure and whose personalities don't inspire affinity — and then the film is burdened further with ponderous piety.

As I just mentioned, you really do need to pay attention to this film, even with the slow pace, or you will get lost.

We don't want to say anything more — and frankly, the trailer makes it difficult to intuit much, save for some mysterious affliction that seems to render people immobile — but our film critic A.A. Dowd caught the film at Cannes this year and praised it, saying Lanthimos «brings a thunderous, quaking dread to every square inch» of his latest project, like a «twisted slow - burn Cape Fear.»

Could be because I had super low expectations but as a sci - fi action film and a retread it moves really well, doesn't slow down, and keeps the action escalating.

Both films are post-apocalyptic sci - fi thrillers where the the population of Earth is threatened into nonexistence in a short amount of time, while the survivors do what they can in order to keep from suffering the same fate at the hands of those who have gone rabidly insane — the zombies here aren't the slow, lumbering ones we generally associate with the genre either.

However, the idea with slow direction and pace is that we have to enjoy the actual story and I am sad to say that I did not connect with the actual script at all, meaning that this entire film became a long and arduous journey for me.

At times the film does feel a little drawn out, too slow and soothing in parts, but your patience is rewarded with a satisfying final act.

Still, MURDER does suffer from a slower second act than it should, suddenly pulling out yet another suspect who's been hidden since the first 15 minutes of the film.

It is purposefully slow, a film meant to be lived in and considered carefully when it's done.

This is a well - paced film that doesn't slow down, and flows smoothly like a kind of tone poem.

It's become something of a trademark for Shyamalan to imbue his films with a slow, deliberate pace - something that doesn't always work (ie Unbreakable).

The first act is painfully slow and unlike the director's later film ALUCARDA, the film doesn't kick off with bizarre visuals and horror elements.

He is also broken hearted and one of the strengths of the film is the slow reveal that his obsessiveness and controlling nature had more to do with his breakup rather than the imagined sins he projects onto his ex-girlfriend.

Having actors the caliber of Mirren, Clarke and Snook (appearing in her second Spierig production) also doesn't hurt, mostly so much of the film involves slower dialogue - heavy moments.

Paterson is a typical Jim Jarmusch film: slow paced, quirky, filled with a diverse cast of interesting characters (with place serving as a character in and of itself), capturing the beauty and mystery of day to day living while telling a story that doesn't really have a beginning or an ending.

Brickman does a handful of a snazzy moves — some with editing, some with the narration, some with lighting and slowing down the film (nothing ostentatious, but certainly a little different from the rest of his approach)-- and the score tempers it.

Since «George Washington» (2000) opens with a teenage girl's dreamy, wise - beyond - her - years narration as the camera floats in slow - motion through waving fields of grass and glides along railroad tracks, you probably don't need to be told that first - time feature director David Gordon Green, then just twenty five and fresh out of film school, was a big Terrence Malick fan.

Every so often the film's pace slows to a crawl and these ill - fitting supporting players do distort the fluency of the narrative, but «Joe» does still function as a highly impressive character piece.

While it may be filmed beautifully, To the Wonder doesn't exactly move its gestating 112 - minute duration along any faster with everyone on - screen galloping around their front yard or a field full of slow moving bison genitalia.

The girls in the film really take control of the action and what they do at the end of the movie is worth all the slow tension building.

They don't slow down the film to let her catch up.

This is a film that definitely improves as it goes along — the beginning is treacle - y slow and it's quite hard to get into the story, something which isn't helped by the fact that Petit doesn't seem like a particularly nice man; focussed, passionate & dedicated yes but a little lacking in the people skills department.

One of the cool things about the movie (though not necessarily original) is that after he does something really cool, the film will instant replay it in slow motion and from various camera angles.

This middle section of the film concludes with a kind of slow - motion dance, as the six brothers sing about loneliness on the farm while listlessly doing their chores (the axe chops and wood saws of which provide rhythmic punctuation to the song, «Lonesome Polecat»).

A slower version of this film doesn't work as well.

Gwyneth Paltrow has been starring in notable Hollywood films since the early 90's and it doesn't look like she's slowing down any time soon.

Triptych is a quiet, slow paced film but does not hurt the effectiveness of the characters.

In less than a week, the seventh film in the «Fast & Furious» franchise has passed $ 500 million at the global box office, and doesn't look likely to slow down until the end of the...

Table 19 may be a bit too slow for some people to appreciate this type of film, but the amazing ensemble cast and great writing amplifies the amazing art of storytelling, reaffirming that there are interesting and unique stories out there that don't involve super heroes, or the next big Hollywood trend.

The film didn't really even build the sisters» relationship with the grandmother which definitely could've made her slow descent into death more heartbreaking (it also could've helped explain why neither of their parents were there).