Sentences with phrase «slow motion sequences»

Finally, I shot some slow motion sequences using the special mode in each phone camera.

It looks like a lot of terrible acting in between overly dramatic slow motion sequences and ridiculous dialogue.

Doc may be better socially and sexually connected, but his quizzical expression and foggy consciousness, sometimes evoked in slow motion sequences, belie a void, a sense of loss at the heart of the film.

While weapons use is minimal, the hand - to - hand combat is brutal with sound effects and slow motion sequences.

Whether that actually a good thing or more of a Trojan Horse to smuggle in more hyper macho battle scenes and slow motion sequences of giant mortar shell casings falling to the ground (because big guns are so awesome, guys, right?)

It's still way too much a Guy Ritchie film than a Sherlock Holmes film (and that slow motion sequence through the woods made me want to scream).

Begin slow motion sequence, set to Chariots of Fire music: I would've shoved my purse into your arms and ran full - blast towards it... yelling full - on Braveheart - They - Will - Never - Take - Our - Freedom -(Or - Our - Vintage - Quilt)- style.

Not exact matches

Seeking to understand how the cone snail springs its slow - motion trap, the Utah researchers searched the gene sequences of all of the proteins expressed in the venom gland of Conus geographus.

The action sequences, especially the climactic one, are choreographed with flair, with a few Matrix influences to be found (slow motion, a camera circling the action).

In a slow - motion sequence - accompanied by the slowly - building tone of Strauss's Also Sprach Zarathustra - he picks up an animal bone and uses it to smash at and shatter the skeleton, first tentatively and then more vigorously.

The follow - up to 2016's surprise superhero smash is even more overtly «edgy,» concluding its opening sequence with a shot in which its nigh - indestructible hero is blown to bits, his severed head and limbs turning graceful slow - motion spirals as they ride a fireball toward the camera.

As a plus Pathfinder's sporadic action sequences are spectacularly violent - limbs and heads fly and blood spurts arc gracefully through the air in slow motion as the mighty Vikings bring their axes and swords down upon hapless natives, but when the characters aren't scuffling you'll begin to wonder what happened to the plot, or what's going on inside the characters» heads.

Only Cundey asserting himself now and again (particularly in a masterful ménage a trios sequence shot in hallucinatory slow - motion) grants The Witch Who Came from the Sea its lingering cult status.

Another notable strength of the film is the slick imagery, courtesy of DP Gianfilippo Corticelli, who uses slow - motion shots stylishly and appropriately (a sequence with Cruz dancing in a puddle as Hirsch photographs her is stunning.)

An unfazed tough guy walking away from an massive explosion in slow motion, it's a tipping point reached long ago — this sequence has become a well - worn cliché in the visual vocabulary of pop culture even beyond cinema.

It's as if I'm watching an over the top action movie and fast forwarding to all of the action packed sequences and replaying them in slow motion over and over.

The flashback sequence was shot during the 2010 Tomatino festival with Swinton in the middle, gloriously wide - screen and slow motion.

but the movie is too boring and just can be watched for action sequences the slow motion in the action sequences and final sand blow in the castle has left without any impact.

Each action sequence looks like an expressionist painting and are strengthened by Jenkins's exceptional use of slow motion (a style I've resented in recent years).

His near - parody trademarks are still on display (excessive slow - motion, and you better believe just one image of a bullet - riddled American flag isn't enough) but these are well - staged, pulse - quickening sequences.

All joking aside, Danish provocateur Lars von Trier here turns in a product that, while undoubtedly sad, is also disarmingly beautiful (emphasis on the opening, slow - motion sequence) and emotionally resonant without feeling overbearing.

Though it has a lot of fun playing with slasher tropes and cinema in general (showing the way Max and her friends are affected by elements like musical cues, monochromatic flashback sequences and slow motion within the fictional movie), the film isn't funny or scary enough, ultimately becoming a victim of its own satire due to its insistence on preserving the genre's traditionally bad acting and writing.

The cinematography is inspiring, drawing from seemingly disparate techniques, from sprawling landscapes to sharp, slow motion moves and frenzied hand held sequences.

Rosi uses the same montage style from the «baptism murder» sequence in Coppola's film, cutting from a lavish dinner held in Luciano's honour to scenes of bosses being shot to death in various locations, mostly in Peckinpah-esque slow - motion.

The slow - motion sequences are absolutely stunning, and almost surreal.

From an opening sequence that has a naked, greased - up Tom Hardy (as Petersen) punching at a cage in slow - motion while The Walker Brothers» art - pop classic «The Electrician» blares on the soundtrack, Bronson makes kicking ass — and waiting to kick ass — into an aesthetic all its own.

Indeed, her superfluous, slow - motion pole dance that sits beside the film's opening credits sequence does serve as a useful and immediate red flag as to the lazily familiar road the underpowered film will tumble down.

Kurzel manages to develop him outside of his prose alone in some stunning battle sequences that reinvigorate the artistry of slow motion.

Carla not only has some of the only entertaining solo scenes in the film, but she's also instrumental in some of its best comedic moments - including a slow - motion dodgeball fight between all the film's parental and kid characters that comes at the end of an already entertaining sequence set within a SkyZone trampoline park.

Gone are any swooping camera shots and slow motion stylized death sequences.

The main carryover from Woo's Hong Kong thrillers is the elegant sense of craft in his articulation of action sequences, though the degree of stylization is much less: Woo specialties, like slow motion, tend to be restricted to short individual shots rather than taking up whole sequences.

It's an incredibly stylish homage to the genre, with gorgeous high contrast black and white cinematography and plenty of slow motion moody dream sequences.

Part of the time, Ritchie, who shares screenplay credit with Harry Potter executive producer / Man from U.N.C.L.E scribe Lionel Wigram and lapsed filmmaker Joby Harold (the 2007 thriller Awake), applies the Sherlock Holmes treatment: the cloudy gray visuals, the slow - motion fight sequences, the irony - heavy anachronistic sense of humor.

And let's not forget about the action sequences, which feature awesome fight choreography, impressive special effects allowing the heroes and villains to throw air, fire, water or air at each other, and some really cool long unbroken shots that use zoom - ins and slow - motion in a way that recalls «The Matrix» or «300».

But renowned Hong Kong action director Woo puts a striking new spin on the chaos, using lots of slow motion, freeze frames, and dissolves during the many well - staged action sequences.

Raids and chase sequences are depicted in crude slow motion and accompanied by awkward synth music.

The hockey sequences, incidentally, are for shit, with various extras falling down and skating in slow - motion whenever Youngblood's on the ice.

Wong's violent interludes are most often brief riots of slurred or slow - motion action alternating unexpectedly with freeze - frames; these sequences, delivered so rapidly one can often barely perceive what's happening, are obviously abstract versions of the action scenes in conventional martial - arts films (The Eagle Shooting Heroes included).

Check it out here... SEE ALSO: Bryan Singer teases another Quicksilver slow - motion sequence -LSB-...]

Last month, director Bryan Singer confirmed that there would be another slow - motion Quicksilver sequence in 2016's X-Men Apocalypse, leaving -LSB-...]

A bloody battle opens «Macbeth», a sequence in which director Justin Kurzel shifts back - and - forth between real - time and slow - motion («300» - esque).

We once again get some choice British Invasion tunes effectively married to slow - motion character strolls; The Kinks should be grateful for the potent exposure three of their songs are given, while the Rolling Stones» «Play with Fire» is employed for the film's most affecting sequence, adding to the list of instances where the director and band are in harmony.

Fantasy sequences involving Conrad's reconstruction of his mother's car accident play out in beautiful slow - motion sequences.

After the monologues trickle to an eventual stop, there come the sort of Matrix - inspired action sequences involving fast impact and slow - motion resolution, lots of guns in the John Woo tradition, and lots of water in the Adrian Lyne tradition.

The curiosity factor is certainly high on the streaming service's first aspiring blockbuster, a movie that looks every bit the big - screen effects extravaganza — right down to its sickly neon glow and cacophony of slow - motion fight sequences.

All the slow motion, tracking moves, and framing and wide and long shots are hauntingly descriptive: In that strangulation sequence, a shot in an apartment hallway with Bulger and his victim in the foreground slowly accommodates, in the background, one out - of - focus henchman, then another.

The slow - motion sequence splices together two landmark moments in the skater's infamously derailed career: the 1991 Skate America competition during which she lands her first triple axel jump and (after a judge orders her banned from competitive skating for life) a boxing match in which Harding is knocked down by her opponent, her body arcing across the air, blood gushing from her mouth as she hits the floor with a thunderous smash.

Whether this is meant as a critical genre analysis (See, music sequences in a musical are expendable contrivances, so to demonstrate, here are some slow - motion sequences of gunfire and swordplay to serve as a substitute) or a terribly misfired homage is beside the point.

Front - runner: «Split's» fragmented title sequence cleverly hints at the villain's multiple personalities, and «Baby Driver» has an impeccably choreographed coffee run set to «Harlem Shuffle»; «Wormwood» — the Netflix docu - series that also got a theatrical release as a movie — has a dreamy depiction of a man falling in slow motion from a hotel window.

Filmed in 3D with stunning slow motion photography sequences, the film returns the celebrated character to the dark, visceral incarnation from John Wagner and Carlos Ezquerra's revered comic strip.