Sentences with phrase «slow moving film»

RAGE With a 142 minute running time and multiple plotlines, Rage is a quite slow moving film, which didn't always keep my interest.
Final Portrait is an odd, slow moving film that's completely character driven.
The enormous cast really aids the slow moving film with life.
With the addition that it's a fairly slow moving film, I can see many viewers complaining about this picture and stirring up controversy.
This is a slow moving film, about a mess of a man doing up things.
House of Sand and Fog is a ponderous, slow moving film which, if you allow yourself to take the time and let yourself fall into the excellent characterizations by Connelly and Kingsley, becomes a ponderous film with a killer ending that, even if you see it coming a mile away, is still a killer ending worth sitting for.

Not exact matches

There's outrage around the world over a surveillance video filmed last month that captures the horrific scene of a toddler getting crushed by a slow - moving S.U.V..
This two - hour long film is slow - moving and often drags.
However, the team also filmed flowers from five species frequented by the moth and found they don't move back and forth fast enough for this slower response to be a problem.
After a slow decline over the last several films, Part 6 being the most offensive, New Line gets its ass in gear and the series moves into a better place!
It really works the momentum of this film moves quick and only mildly slow when it needs to explain science to the people who don't understand much about it.
The most accurate thing about this movie is the title because it is real labor to watch this slow moving, boring film.
An intelligent and scary horror film that makes a more than welcome commentary on the horrors of war and gender oppression in Iran, using a lot of symbolism and keeping us in an increasing state of anxiety as it moves in a deliberate, slow - burning pace towards a terrifying climax.
This beautifully filmed Western is basically a slow moving two hour chase, down a snowy mountain ridge into the desert plains.
Con it can be slow some times If you like coming age films, click flicks or really moving films, you should give this a try.
Slow moving and detailed but it grows on you, like films will when they're nearly three hours long.
A torpidly slow epic with a script that moves at the speed of light, the film is pockmarked with incidents that never cohere into a clear narrative.
Although the film moves at a rather slow pace and is unevenly edited, it nevertheless serves as a vehicle for Mr. Hawke who gives an extraordinary performance as the ill fated musician.
Honestly, I felt this to be a very slow - moving and pedestrian film about the Vatican during the 60s.
B -: Brilliant acting / directing but extremely slow moving and very depressing... who needs this kind of angst at a film?
Now, this isn't a film that will instantly have you singing his praises from the rooftops but what it is, is a slow moving but deeply involving drama that pays attention to it's characters and their subtleties.
Sicario is a well written story, however the film does fall short in some scenes with slow moving plot points and a handful of unnecessary scenes.
That said, the film is considerably more commercial (and splattery) than Gray's last, The Yards, which was slow, almost groggy: The light seemed unable to pass through air thickened by corruption; the protagonist (Wahlberg again) moved through the bowels of Queens like a somnambulist.
Filmed without narration, subtitles, or any comprehensible dialogue, Babies is a direct encounter with four babies who stumble their predictable ways to participating in the awesome beauty of life.Needless to say, their experience of the first year of life is vastly different, yet what stands out is not how much is different but how much is universal as each in their own way attempts to conquer their physical environment.Though the language is different as well as the environment, the babies cry the same, laugh the same, and try to learn the frustrating, yet satisfying art of crawling, then walking in the same way.You will either find Babies entrancing or slow moving depending on your attitude towards babies because frankly that's all there is, yet for all it will be an immediate experience far removed from the world of cell phones and texting, exploring up close and personal the mystery of life as the individual personality of each child begins to emerge.
Could be because I had super low expectations but as a sci - fi action film and a retread it moves really well, doesn't slow down, and keeps the action escalating.
It's highly regarded (as are all of his films) which got me interested, on top of the sci - fi focus, but it also sounded like it might be the slowest moving and most bleak title of his oeuvre.
Whereas Cemetery of Splendour moves at a slow, fittingly oneiric pace, Guy Maddin's The Forbidden Room wildly careens from one episodic fragment of its re-imagined film history to another.
Indeed, Nispel's film is so slow - moving that it blows its one lead — it was actually completed before the battle - heavy spectacle of 300 and Apocalypto, but still manages to look and sound like a leaden knockoff.
To counter the heady and slow - moving debut film, director and co-writer Nicholas Meyer fashioned a high - spirited naval adventure with Ricardo Montalban delivering an all - time melodramatic villain performance and battle scenes energized by James Horner's ringing score.
Brickman does a handful of a snazzy moves — some with editing, some with the narration, some with lighting and slowing down the film (nothing ostentatious, but certainly a little different from the rest of his approach)-- and the score tempers it.
This slow - moving family interaction film shows a family in turmoil when the secret machinations of some of the relatives to sell family - owned land for a shopping mall are brought to light during a reunion.
While it may be filmed beautifully, To the Wonder doesn't exactly move its gestating 112 - minute duration along any faster with everyone on - screen galloping around their front yard or a field full of slow moving bison genitalia.
Set months following a devastating World War III, the film posits a world in which most of the Northern Hemisphere has been contaminated with radiation poisoning and people are moving down to Australia in order to escape the slow - moving but ever encroaching radiation dust.
It was not just that Margin Call was a little slow moving, it is that the film feels like it is on the same level the entire time.
One can't help wishing for a film that focuses unrelentingly on Neeson, but that film would move at a much slower clip, as The Grey rarely lets up in the first act, with Carnahan achieving skillful tension and the production utilizing specific and effective sound design to spotlight the uninhabitable environment.
The film seems to drag by in places which rendered it a much slower - moving hour and forty - five minutes than it should have been with such a star - studded cast; the flaw in its pacing is something that should be unforgivable given the playfulness of the style and tones on display.
But while I don't suspect Scott Cooper's film will win any Oscars as Michael Cimino's did, his all - star cast also gives superlative performances that will keep audiences engaged for the entire 116 suspenseful (albeit slow moving) minutes.
Duck Butter is not a film about a whirlwind lesbian romance — rather, it's a slow - moving train crash about a relationship that appears doomed from the start.
In spite of the film's subject, it is very slow - moving and lacking in the excitement of the big disaster movies.
Though the film moves at a fairly slow pace, meandering towards its crackerjack ending, it's never boring, and that's to the immense credit of Garland's clever script and some excellent performances.
It's a slow moving and thoughtful film that sensitively deals with feelings of loneliness and isolation.
Though the film moves at a fairly slow pace, meandering towards its crackerjack ending via Caleb's sessions with Ava and his post-meeting debriefings with Nathan, it's never boring, and that's to the immense credit of Garland's clever script and some excellent performances.
That's particularly interesting, considering how slow moving that particular film's development has been by Marvel.
Clint Eastwood has made some very fine films as director, often attracting more in the way of critical praise than good box office because of their slow - moving, highly - considered nature.
This slow - moving Iranian art film makes way for a non-stop display of impeccably gorgeous celluloid, black - and - white images dancing against a grainy hi - fi score that's in part Sergio Leone spaghetti Western and equally a rave scene.
The end result is as much a film as it is a graceful ballet and a slow - moving work of poetry.
In this slow - moving film, two young women would like nothing better to run into their father, missing for years when he was pulled away from his home in the Ottoman Empire during World War I when the Turks fought on the «wrong side» and drafted into the army to break rocks like members of a chain gang.
She's a haunting character, and Larson plays her with a quiet, yearning tension that's quite moving, but the film works to simplify her very complex bond with her parents, even throwing in a melodramatic slow - motion run toward her dying father near the end.
The film is slow moving but with purpose.
A marginal improvement over Kelly Reichardt's last film, the nigh unwatchable Meek's Crossing, Night Moves follows three radicals (Jesse Eisenberg's Josh, Dakota Fanning's Dena, and Peter Sarsgaard's Harmon) as they conspire to perpetuate an act of eco-terrorism - with the film detailing the long, slow buildup to said act and its predictably disastrous aftermath.
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