Sentences with phrase «slow painting time»

Around 1970, while in the John St. studio, Frances began working on large horizontal abstract paintings that were involved with ideas of gravity, slow painting time, indeterminate color, and trying to create a complex painting space that appeared geometric, but alternately shifted into a deeper space.

Not exact matches

We needed to slow the pace, take our time, and pick our shots; getting the ball into the paint.

I really only decided to tell the tale of The Slowest Birth Of All Time (Baby Number One) in order to paint the picture of why I was so shocked to have a speedy Accidental Home Birth (Baby Number Two).

This time the record extends beyond the rocky slopes of Mauna Loa, Hawaii, home to the most storied carbon dioxide record, and includes 39 other sites around the globe to paint a troubling picture of a greenhouse gas rise with no signs of slowing down.

The rain is slow and steady at Portimão's Algarve International Circuit, and it's finally time to slide behind the wheel and spread the pretty beads of moisture across the Vantage's Lime Essence paint.

I knew it would be slow going at first because I also suffer from Van Gogh Syndrome — that means I'm a genius but people have a hard time recognizing my genius in my lifetime (Van Gogh only sold one painting in his lifetime).

To go with the combat comes the Dead Eye mode, this allows you to slow down time for short periods and «paint» targets before unleashing a hail of deadly accurate bullets into their noggin.

Sales are slow right now, it's cold, it's dark and I don't feel like painting, but I make myself go to my studio, whether I make something or not, I might just sit there, I might clean and organize or I might even paint... doesn't matter, you have to keep going and get in your studio, everything passes with with time, never give up and for sure, never quit.

Artist Walead Beshty, who authored the essay for the exhibition's illustrated catalogue, explains, «Just as the ritual object accrues meaning incrementally and over time through a repetitive process of investment and stewardship, DeFeo came to favor producing paintings through a process of slow accumulation in lieu of the explosive and loose gestural compositions that were common at the time.»

Borremans paintings seem to slow and dissolve time and reality in a cinematic manner.

Slowing down in a world where «everything is changing all the time» is of the essence to McKeever, who never takes credit for finishing his paintings: «They finish themselves», he says.

In this gallery talk led by Jenna Weiss, Manager of Public Programs, slow down and spend time looking closely at select works in the exhibition Florine Stettheimer: Painting Poetry.

Johns, who turns 87 this month, forever changed the way we think about process, building up the surfaces of his paintings with slow, sensuous, wax - laden marks that seem to fold the flow of his time into his imagery.

Highlights include chocolate paintings that could be traded for fair trade chocolate, a city comprising foam buildings that morphed due to climate change, and an opportunity to take time to slow down with your family along a lazy river.

Ultimately, the power of the White Paintings lies in the shifts in attention they require from the viewer, asking us to slow down, watch closely over time, and inspect their mute painted surfaces for subtle shifts in color, light, and texture.

One of the most important painters of our time, Richter shows no signs of slowing down: the new paintings, characterized by vibrant colors and layered compositions, reveal an artist still at the height of his powers.

A reader of contemporary poetry as well as a former student of Latin and Greek, White recognizes a time when culture was slower — a time when the act of painting was mediated by a knowledge of what preceded it, and when poetry was actually read.

Time appears to slow down in Vieux's paintings like it does for the lover in Death Valley — they visualize cinematic representations of time warping worm - holes while objects from an exploded modernist home fall slowly through the air, psychedelic guitar vibrating in the backgroTime appears to slow down in Vieux's paintings like it does for the lover in Death Valley — they visualize cinematic representations of time warping worm - holes while objects from an exploded modernist home fall slowly through the air, psychedelic guitar vibrating in the backgrotime warping worm - holes while objects from an exploded modernist home fall slowly through the air, psychedelic guitar vibrating in the background.

«The process of making these is so slow and organic — like creating an aftermath or a debris field where you intuit, and sometimes actually make out, the lives of many generations of humans, alongside nonhuman traces, and objects, all laid down under pressure — which take time to make and are filled with that time, pieces of what might have been a larger canvas of handiworks that reference entire lives, whole communities that are brought into the field of the painting, where the painting itself becomes another community,» described Sacks his painting method in a 2014 interview with Natasha Kurchanova published on Studio International.

At times he paints with feverish activity, or again with slow deliberation.

Conversation then turned to the schism between painting, a slow medium engaging one viewer at a time, and newer mediums attuned to the large - scale expectations of global art fairs.

For example, A Slow Time in Arcadia, from which the exhibition derives its title, depicts frolicking wolf dogs in a mountainous terrain painted in bright reds, oranges, yellows, and blues.

Time slows down in front of these paintings.

David Pagel of the Los Angeles Times described the work: «Unlike so much of what makes up today's visual landscape, Penkala's paintings are slow burns.

Visual artist Alex Da Corte's (2012) solo exhibition Slow Graffiti at Secession Vienna, was featured in The New York Times and Wallpaper, which called the show «a 6,500 sq. ft. world of wonderfully weird sculptures, paintings and film.»

Cora Cohen's paintings, now on view at Guided By Invoices, invite the viewer to pause, to slow down and to step out of the demands of our time - bound reality.

Halvorson makes each painting on site in one go, a process that slows time down, returning to the vantage of an earlier era.

RH: Strangely, when looking at one of your paintings, time is simultaneously slowed down and sped up.

She works in slow motion -LSB-...] her paintings rely upon the considerable time span that separates them.

Just as direct experience becomes memory through the slow accumulation of time, I use paint to build surface over time, isolating events in a language of color.

His output has shifted from the ultimate boom - time symbol of the diamond skull, to the slow and solitary practice of painting (last November, he made redundant an unconfirmed number of assistants).

Yau: Well, your paintings are really about slowing time down.

Despite Walther's studies at the Kunstakademie Dusseldorf in the early 1960s, a hotbed of European artistic talent that bred classmates such as Gerhard Richter; despite his subsequent four - year immersion in New York City, similar to stays that propelled fellow Germans such as Hanne Darboven to statewide institutional recognition; and despite his participation in seminal shows, including the Museum of Modern Art's «Spaces» in 1969 and Harald Szeemann's Documenta 5 in 1972, North America has still been slow to recognize Walther's significance for the expansion of painting, for the convergence of art and design, and for time -, performance -, and (especially) participation - based art.

(Mr. Koestenbaum's larger points about the way the perusal of paintings can slow vision and stops time make his essay valuable for anyone interested in the medium, especially its abstract branch.)

In my most recent paintings, I have been working from memory as well, slowing down, and focusing more on allowing visual metaphors to emerge over time.

These paintings are what the artist Suzan Frecon calls «slow,» meaning that they reveal themselves quietly over time.

Redaction and erasure are integral to this process since each work is approached as a zone where time can be sped up, slowed down or rewound in order to contort the painting into a behavior that is unfamiliar and constantly shifting.

They look like the paint was applied quickly, perhaps in an attempt to prevent the conscious mind from interfering too much in the process, yet with time gaps between painting sessions, creating for the artist opportunities to study them, to reflect and even to forget, whilst for the eventual viewer, layers of underpainting slow down the resulting image.

I can proceed at my own pace which is very slow right now as I am learning little by little not to feel guilty about taking the time to draw and paint.

This includes auto, monochrome, beauty, video, HDR, beauty video, panorama, night shot, light painting, time - lapse, slow - mo, watermark, audio note, document scan and Good Food.

Glazes also dry a lot slower than regular paints and provide a good «open - time» to work with.

, and that means going slow, taking time to get everything prepared so that when you finally do get around to the actual painting part of the project, you know that it will turn out looking really great.