It seemed like I was
constantly dealing with
slow - moving platforms, or waddling through empty corridors, or sliding up and down pointless poles and ladders, or partaking in whatever other dull activities the designers could think of to make the
process of reaching my destination at any given instance as
time consuming and annoying as possible.
Redaction and erasure are integral to this
process since each work is approached as a zone where
time can be sped up,
slowed down or rewound in order to contort the painting into a behavior that is unfamiliar and
constantly shifting.