And when a substance of hers, that Buchannon describes as stronger than «bath salts on meth,» washes up on shore, the gang goes
into action to solve the crime, but also for additional phallic jokes (more than just Oscar's member is sacrificed on the alter of cheap laughs), near drownings, shootings, various vomiting scenes (a body function that seems to have totally replaced farting in the screenwriter's lowest denomination guidebook), shipboard fires, shark attacks, Mitch
getting fired and replaced by Brody, and
slow - motion shots of well - endowed women running up and down the beach.
In that story Krigstein does interesting things with panel repetition or thinly slicing certain panels so you
get a strobe effect as a subway car races by, or he
slows down a moment of
action, of someone falling on the subway tracks, by carving it
into six or seven tiny vertical panels, and that's as much an inspiration for what we are doing as anything.