Not exact matches
There are more than a dozen works on view
in Trump's apartment, including a series of prints by conceptual artist John Baldessari, a massive work by art - market juggernaut Christopher Wool, a
small piece by the up - and - coming artist Will Boone, prints by photographer Mariah Robertson, and a
small, colorful
abstract painting by the young art - world star Alex Da Corte.
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in.
Basketball - obsessed Indiana and its 1954 state champions from
small - town Milan were the real - life inspiration for this stirring sports drama, set
in an
abstract terrain of
painted court lines and clean - cut grass, a place where second chances can happen.
Kurchanova writes: «Apart from large canvases covered by Pollock's signature all - over web of patterned, dripped or sculpted
paint, a range of his
smaller abstract paintings adds complexity to our understanding of his work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his work as based
in physical action and unmediated involvement of the artist's hand.
In leaving the exhibition, my thoughts keep returning to the three
small paintings and how
abstract painting has uniquely developed through the guidance of creator.
Brooklyn - born painter Walter Price stands out as particularly impressive
in this context, with a selection of
small skewed and
abstracted figure -
in - landscape
paintings.
Question: I would like someone to ask me why,
in an art world that loves fashion, entertainment and spectacle, and
in an age that loves movies and social media, I keep on
painting small abstract paintings.
Blue Mountain Gallery presents new
abstract paintings by Janet Sawyer
in a group of works on canvas and
smaller works on paper.
A
painting I have never been able to see or find an image of since remains
in my memory: a large work though made of relatively
small shaped fragmented parts arranged
in the shape like a giant
abstracted question mark.
It also shows a
small selection of Riley's seminal
abstract paintings, illuminating the ways
in which the artist developed her radical style.
I was made aware of this helpful piece of writing by renowned photographer Carl Chiarenza, whose work is included
in a
small group exhibit of
abstract paintings and photographs currently on view at Main Street Arts Gallery.
Although a critical force within the group, the artist's contributions to Memphis —
in the form of graphic patterns — were only a
small segment of her career; as the ICA show makes clear, Du Pasquier is a multifaceted artist, and she became particularly interested
in abstract and figurative
painting.
Contributed by Leora Lutz «Lampblack» (and the show title of the same name) is a new perfume created by Bruno Fazzolari
in conjunction with a series of
small,
abstract paintings on appropriated...
It may mean something that almost all the
abstract painting in the show is by women, from Ulrike Müller's
small geometric enamel - on - steel pictures, as precious as antique cameos, to Nancy Brooks Brody's black - and - white grids radiant with half - hidden color.
The lyrical abstraction of these
paintings is contrasted with
smaller geometric
abstract paintings, rigid
in structure and form, but handmade, with deliberately imperfect and variably weighted lines,
in an ironic and humorous way.
Every single one has extraordinary color: the variety and brightness each piece carries, detail: the amount of work that is put into every aspect of each
painting that make it look so realistic and
abstract, lighting: the bright light shining throughout each image giving each piece an intriguing positive / enthusiastic energy, shading: the detailed shadings on each face giving them that 3 - dimensional look, definition: the quality of the defined lines that are portrayed through every
painting (piece) and every
small detail
in the
painting (like the faces and body parts) line: the complex and balanced lining that is seen
in both, the
abstract and realistic images
in these works, texture: somewhat giving off an appealing texture to the works by the dimensions, as if you can reach out and grab the images, dimension: the realistic look that each women has (3 - dimensional), spacing: the space is used wisely
in each work, very nicely spread out adding to its originality, touch: the clear and powerful finishing touch that every piece has, and the most visible that is seen
in every piece here, is simply life.
Abts creates surprising,
small abstract paintings that are being touted as the antidote to the «florid figuration» that has dominated contemporary
painting in recent years.
THIERRY GOLDBERG Looking at Stas Volovik's
small,
abstract paintings, you might guess that they were made
in the 1930s by a previously unknown follower of Kandinsky's late work.
These drawings and
paintings form only a
small part of Mammen's oeuvre, however, with her later work expanding to include sculpture — clearly influenced by the likes of Henry Moore, with an interest
in the permeation of mass and space — and various styles of
abstract painting, incorporating both a Picasso-esque period and a later phase of collage and childlike strokes, calling to mind the likes of Paul Klee and Joan Miró.
The artist uses the technique of automatic drawing to create the
small painting, which is an
abstract drawing made
in a short period of time and
in a spontaneous manner.
Dynamic images fragment into mosaics of
small abstract paintings,
in which there is no longer a distinction between background and foreground.
Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera, (June 6 — August 30, 2015), featuring new works from the Berlin - based artist's recent body of
abstract paintings for which he selected
small books from flea markets, manipulating and altering the found objects; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen
in collaboration with his Los Angeles - based collective Machine Project; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes - overlooked artist
in the first museum survey of her work since 2001.
Small abstract sculpture
in red and black, mid century modern style 15 x 7 x 8 inches black and red
painted steel and wood This delightful, contemporary minimalist sculpture made o...
Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of
abstract paintings for which he manipulated
small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen
in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist
in the first museum survey of her work since 2001.
A
small, flat silhouette
in the shape of a vessel is
painted on one side with a nude female Venus figure, and on the other side with
abstract patterns
in washy colors — a careful method with a quick look inherited from Modern
painting masters.
In Bischoff's earliest non-representational
paintings the
abstract shapes are large, still deriving from figures against a background; gradually, the shapes have become
smaller and more fragmented.
This will be an interesting chance to get a closer look at the process of a prolific
abstract painter
in a
smaller, gallery setting, as the New Work show will be an assortment of gouache color studies, 2D drawings, and large - scale
paintings.
Although he may be better known for his larger - than - life - sized, grisaille, figural
paintings, Alfred Leslie spent the 1950s working
in an
abstract expressionist vein, creating
paintings of explosive color as well as
small - scale
abstract works on paper.
It's always made me furious that I couldn't
paint good
small paintings — there's no reason why you can't make
small abstract paintings, but I still can't do it except once
in a while.
Shunning novelty and artistic ego, Steven Husby's two
small, hard - edged
abstract paintings are unrivaled
in this group show.
enamel
paint and metallic powders on archival paper 10.5 x 8.5 inches
in 20 x 16 inch matte
abstract work on paper,
small abstract, colorful
abstract work on paper, soft colors, light blue, purple About the artist: Bruce Weldon Murphy was born and raised
in Tyler, Texas.
Susanna (1993), a
painting in which Gallagher uses the disembodied iconography of minstrelsy — grins, goggle eyes and rubber lips — to create an
abstract surface of
small circles, dots and curves.
Cheim and Read Cheim and Read displays four
abstract oil
paintings and one bronze
in a
small all - female collection reflective of the gallery's widely respected curatorial reputation.
«It began
in 1976, with
small abstract paintings that allowed me to do what I had never let myself do: put something down at random», he explains.
In our case we chose to create — or suggest — a dialogue between historical works on paper, abstracts from 1968 to 1988 by Eugene James Martin (1938 - 2005), and bring them into a conversation with small - scale paintings by three abstract painters, Clayton Colvin, Odili Donald Odita, and Leslie Smith III, all of which have a profound drawing quality in their wor
In our case we chose to create — or suggest — a dialogue between historical works on paper,
abstracts from 1968 to 1988 by Eugene James Martin (1938 - 2005), and bring them into a conversation with
small - scale
paintings by three
abstract painters, Clayton Colvin, Odili Donald Odita, and Leslie Smith III, all of which have a profound drawing quality
in their wor
in their work.
I was an
abstract painter when I left Yale, and I was really aware, partially because minimalist artists had helped me articulate this, how standing
in front of a
painting or sculpture felt different depending on whether it's symmetrical or asymmetrical, if it towers over you, or it's
smaller than your head how all of those things affect bodily feeling.
«Between the Lines» is a
small size
abstract framed oil on canvas
painting created
in 2018 by American artist Geri Eubanks.
In the small back room of Leadbased, the artist - in - residence stands against the wall, paintbrush poised in its prosthetic hand, admiring four of its latest abstract landscape painting
In the
small back room of Leadbased, the artist -
in - residence stands against the wall, paintbrush poised in its prosthetic hand, admiring four of its latest abstract landscape painting
in - residence stands against the wall, paintbrush poised
in its prosthetic hand, admiring four of its latest abstract landscape painting
in its prosthetic hand, admiring four of its latest
abstract landscape
paintings.
The
painting scene
in San Francisco
in the»40s centered around a
small, tight - knit group of teachers and serious students at the California School of Fine Arts (renamed the San Francisco Art Institute
in 1961), who were influenced by Clyfford Still (1904 - 1980), a major first - generation
abstract expressionist painter, who taught at CSFA from 1946 until the early»50s when he moved to New York.
[19]
In a series of insidious
small abstract paintings from 1994 — 95, words forming threats are rendered as blank widths of contrasting color like Morse code.
The second half of the show has
small paintings (and photos thereof)
in the dandyish mode
in vogue at the moment — Tim Eastman's swaths of linen adorned with sketchy flowers, Alissa McKendrick's pale mint and peach abstractions (hung next to a wall drawing of a
small cat made with faint
paint) and Cliff Borress's photographs of
abstract paintings in plushly appointed rooms.
In the San Francisco Chronicle Kenneth Baker reports that Bay Area painter John Wood has the rare knack of making
small, busy
abstract paintings seem big.
In his new work, the painterliness is more expressive and composition pared down: a small sad donkey wails into the large abstract atmosphere, or in another painting, a goofy horse with a heroic cape pounces into a large field of vibrant pink brushwor
In his new work, the painterliness is more expressive and composition pared down: a
small sad donkey wails into the large
abstract atmosphere, or
in another painting, a goofy horse with a heroic cape pounces into a large field of vibrant pink brushwor
in another
painting, a goofy horse with a heroic cape pounces into a large field of vibrant pink brushwork.
Light and shadow become palpable forces
in Schreiber's ethereal photographs of artwork ranging from Barry Flanagan's
small metal sculpture «Hare With Telescope» to kinetic
abstract paintings by Gerhard Richter to Rirkrit Tiravanija's «Young man, if my wife makes it...,» a metal bowl of Asian food done
in plastic, complete with wooden chopsticks.
Critic Dore Ashton, who visited the University of New Mexico
in 1950, notes: «One of my enduring memories was seeing, for the first time, a
painting by Richard Diebenkorn — a golden vision of the Southwest,
abstract, with
small currents of shadow drawing by the winds
in the sands, and filled with the special light that still emanates from his
paintings.»
The work is
small in scale, which when perceived from afar appears to be
abstracted landscape yet it opens up with a layered depth of
paint and color when viewed more closely.
Among the works that did well were Lot 16, a charming
small sculpture, one of three examples down
in 1945 - 6, by David Smith, shown above, that sold for $ 220,000 (not including the buyer's premium) and had had a high estimate of $ 150,000; Lot 5, «Atantolone,» a gloss household
paint on canvas of colored dots on a white field that sold for $ 170,000 (not including the buyer's premium), well over its high estimate of $ 120,000; Lot 14, a large 1943
painted wood and wire sculpture, «Constellation,» by Alexander Calder (1898 - 1976) that sold for $ 1,982,500 (including the buyer's premium), more than double its high estimate, and Lot 24, a larger Calder sculpture, «Trepied,» that sold near its low estimate for $ 1,542,500 (including the buyer's premium); Lot 20, a large and very interesting and
abstract but not very colorful 1953 Francis Bacon (1909 - 1992), «Two Figures at a Window,» that sold above its $ 1.2 million high estimate for $ 1,542,500 (including the buyer's premium); Lot 27, «Tour III» by Brice Marden (b. 1938) that sold within its estimates for $ 1,487,500 (including the buyer's premium), tying the artist's record; Lot 41, «Grillo,» by Jean - Michel Basquiat (1960 - 1988) that sold for $ 1,102,500 (including the buyer's premium), also within its pre-sale estimates; and Lot 31, «Vierwaldstätte See,» a large black and white 1969 landscape by Gerhard Richter (b. 1932) that sold for $ 1,047,500 near its low estimate of $ 1 million.
We are not accustomed to focusing on something so
small in a large
abstract painting, unless as
in a
painting by Pollock it is the chance spattering of a more expansive gesture.
Behind the nominal blossom, an array of
small, interlocking organic shapes resides somewhere between a garden's stone wall,
abstract memories of flagstones frequently employed
in paintings by Jasper Johns and Sam Francis» biomorphic pools of runny
abstract color.»
These spiky constructions — which are like
abstract root systems — were inspired by nature, as were the artworks Asawa made while a student at Black Mountain:
small oil
paintings on paper, a potato print, a work
in ink on paper made with a BMC (Black Mountain College) laundry stamp.