Of particular note this year is the small panel by Evertz, an example of this colorist's investigation into gray that was the subject of a breathtaking show at Minus Space.2 Landfield's
small canvas reveals the lyrical abstractionist at his finest.
Landfield's
small canvas reveals the lyrical abstractionist at his finest.
Not exact matches
Her choice of unlikely, humble materials —
small pieces of bone, worn wood, thin semi-translucent white plastic bags, half - burnt cigarette papers, or the edge of two stapled
canvases — that
reveal and hide themselves, questions what it might mean to paint with found objects.
The artist's first major exhibition in the region features ten large - scale paintings as well as
smaller canvases, wherein according to the artist, «the architecture of place meets the architecture of the sky»,
revealing phenomena of paint and light, in an oeuvre teetering between a call for salvation and a silent abyss...
In addition to his mostly large - scale oils on
canvas are over a dozen
smaller watercolor and mixed media paintings,
revealing the breadth of his technique and vision.
His nudes, on the other hand,
reveal echoes of the past, as can be seen in the
small series made in 1997 which comes back to life in the rectangular outlines of a
canvas and in the change of technique to oil painting.
Although the
canvas is
small, the detail and texture fascinates, the initial stabs of colour are merely the start of a surface that
reveals much more for the taking.
For her booth, she built an elevated white platform in a corner to display 24
small paintings by Phillipe Decrauzet, the reds and blacks shifting like a spinning zoetrope, with one
canvas - size block of white cube cut out to
reveal a bit of the sky outside, peeking in.
Daniel Heidkamp (through July 26) Mr. Heidkamp's
canvases — flanked by
smaller shows of the fashionably hands - off photocopy - transfer abstractions by Patrick Berran and the colorful, fashionably nonchalant gestural ones by Jennifer Nichols —
reveal an artist exploring a versatile natural talent while extending the plein - air tradition.
The first of Gottlieb's signature «Burst» paintings, Black, Blue, Red (1956), will be included in the exhibition as well as a series of nine
small, untitled
canvases he created in 1968 that
reveal Gottlieb's interest in exploring new color relationships.