Not exact matches
The odd hybrid of
small town soap opera and brutal crime thriller builds slowly — maybe a little too slowly for some — but director Richard Fleischer does an impressive job of weaving the stories and character
around each other visually, with characters criss - crossing through scenes and Fleischer panning his camera to across the vast
canvas to pick out threads of others stories.
Divided in 6 separate rooms, the installation includes some 60 individual stoneware and porcelain pieces, as well as couple of rare editions on paper by Kusaka, and
around 40 pieces by Wood, ranging from
small collage showing his studio process, limited edition multiples, a series of floral pieces on paper, all the way to monumental oil and acrylic pieces on
canvas.
A
small canvas by Pollock's wife, Lee Krasner (1908 - 84), Promenade (1947), also shows the influence of his style on those
around him.
Both presenting new
canvases and working on a large scale — the
smallest painting in the exhibition is 6 feet tall — the two artists» paintings are hung alternating
around the gallery space.
I also lingered
around a personal favorite, Thomas Zipp's array of
small canvases and drawings hung atop a reproduction of Pollock's The Wooden Horse: Number 10A, 1948 (at Guido Baudach).
Its cutting, flame - like forms swirl
around the left edge of the
canvas threatening to envelop the
smaller white form that floats at the right.
Secrets pulled from the bowl are turned into text paintings on
canvas, and a
small set of these
canvases are displayed above and
around the station for writing.
It's a
small square, and the charcoal drawing continues
around the sides of the
canvas.
In my mind's eye I see Ad eternally creating his «last painting,» workmanlike, in a methodical dance
around a supine
canvas, balancing the quickly drying paint in each corner, seeking an even, flat surface with no trace of his sure hand or the
small brush he was brave enough to rely on.
Black
canvases the size of bedsheets were hung from multiple washing lines in the
small outdoor space of this former community center, close to the security fences
around Ma'ale ha - Zeitim and Ma'ale David — Jewish settlements which have taken root in the Arab area in the last 20 years.
This group exhibition showcases work on
small canvases by gallery and chosen artists from
around the globe.
The purple heart shape of the title takes up nearly half of the
canvas, and
around it
smaller, colour / forms harmonize, mediating, for me, a set of binary oppositions like hard and soft, head and heart, colour and line, form and content, object and image, words and music.
By carrying her
small canvases (measuring only a few inches in each dimension)
around with her she is able to chase the light that is so critical to her work.
This group exhibition showcases the paintings and photography of a select group of gallery and chosen artists from
around the globe whose dynamic compositions and narratives are contained with a «
small canvas.»
I just grabbed two
small containers of craft paint and alternated pouring them on the
canvas and then painting them
around.