Sentences with phrase «small canvases from»

This style crystallized early in Sharf's career, as evidenced in a series of small canvases from the mid-1960s first shown at Betty Parsons Gallery in New York.

This style crystallized early in Scharf's career, as evidenced in a series of small canvases from the mid-1960s first shown at Betty Parsons Gallery in New York.

Not exact matches

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After strapping to his waist a canvas pouch stuffed with antibiotics, syringes and bandages, Stewart set off from the outskirts of Osijek, a small city in Croatia, and ran several miles through a battle zone, past woods where Serbian snipers lurked, into Osijek proper.

The most expensive piece was the small 6» x6» canvas, but you could do this adorable hand print bunny on anything from construction paper to a ceramic tile — endless possibilities.

Your room comes alive with the warmth of the local children from the township photographed on canvas to give you a feeling of a small town in Africa.

Kurchanova writes: «Apart from large canvases covered by Pollock's signature all - over web of patterned, dripped or sculpted paint, a range of his smaller abstract paintings adds complexity to our understanding of his work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his work as based in physical action and unmediated involvement of the artist's hand.

Rose Sharp writes that Goodman's oeuvre «is a little bit difficult to sum up, perhaps, because over the course of this long and productive career, her creative output has vacillated between painting and drawing (with forays into three - dimensional constructions); smooth surfaces and chaotic buildup on canvas; and intimate small - scale works and jaw - dropping large paintings that grab your eye from across the room.

Painted on every conceivable kind of surface, from aluminum foil and corrugated cardboard boxes to cotton batting and artichoke leaves, these small works honor artists ranging from Alfred Jensen, who shares Martin's interest in numerology («Good Morning Alfred Jensen, Good Morning,» reads a 2005 - 07 painting whose rainbow of stripes frames, in Jensen-esque colors, a bikini - clad calendar model) to Dash Snow (a messy little canvas of 2006 - 07 titled Dash Snow Bombing, in which the late enfant terrible appears in a tiny blurry photo by Ryan McGinley, spray - painting a wall).

Golub experimented with scale, and the works assembled for this exhibition range in size from the smaller works on paper to monumental, unstretched canvases that extended from floor to ceiling at the Serpentine Gallery.

«Erik den Breejen, the guy who paints images of musicians using lyrics from their songs, presented three small studies on canvas along with some larger work @ St Nicholas Studios.»

«Of Earth and Sky» includes paintings on linen canvas and on wood panel — ranging in size from 54 x 50 inches to as small as 8 x 10 inches — along with a suite of works on paper.

Perhaps it takes the unique perspective of a childhood spent on a small island to see the infinite guises of the world in which we live; Ikeda's unique skill is in his translation of these reflections onto the blank canvas from which, it could be said, all life begins.

Divided in 6 separate rooms, the installation includes some 60 individual stoneware and porcelain pieces, as well as couple of rare editions on paper by Kusaka, and around 40 pieces by Wood, ranging from small collage showing his studio process, limited edition multiples, a series of floral pieces on paper, all the way to monumental oil and acrylic pieces on canvas.

From New York City, Liam Everett makes small and medium size paintings that explore the disparate imagery that appears to him as he's in the act of working the oil paint into the canvas.

The Museum's small - format, highly - detailed canvas, which evinces a strange perspective, was the springboard for Eliav to create a sprawling installation of twenty large - scale paintings that will completely fill the exhibition space, each work conveying parts of the scene from a different perspective and in a different painting mode.

Also on view are vast canvases that have been stitched together from smaller fragments.

Lateness became part of the myth: of an underdog determined to make it the hard way; an artist working from daybreak to sunset in a studio so small it could hold only a single canvas; a secretive man who kept neither diaries nor notes, nor even talked to his wife about his work.

Her «thing» is a little bit difficult to sum up, perhaps, because over the course of this long and productive career, her creative output has vacillated between painting and drawing (with forays into three - dimensional constructions); smooth surfaces and chaotic buildup on canvas; and intimate small - scale works and jaw - dropping large paintings that grab your eye from across the room.

This superlative show is huge in every sense: big themes, giant icons of mid century art, enormous canvases, and no small amount of ambition on the Royal Academy's part, tackling an often shied from movement — or «ism» — which was last explored in such a survey in the UK back in 1959.

Each of his chosen images, which are drawn from found or remembered source material, is subdivided into a grid of small squares that are transferred to the canvas one by one.

There is also a sense of tame psychedelia that pervades in all three artists» works, from Bergstrom's small formalist paintings that use text as a compositional device — a blue and white canvas that spells Bad Trip, abstractly scrawled across the canvas — to Norton's An Altered State, where peyote and poppies are pressed between sheets of glass and fired, installed on the wall.

The exhibition, the artist's fourth show at the gallery, will include approximately 100 small paper mounted on canvas paintings as well as 25 collage constructions and a set of sketches in response to Francisco Goya's drawings including his Los Desastres de la Guerra series, all dating from 2009 to the present.

In these paintings, he started from photographs he divided into small, square units that, after being enlarged, were painstakingly copied on canvas.

We see Mr. Castellani hit on his signature approach in the 1959 «Superficie nera,» a small, charming all - black work in which the bulges in the canvas result from chestnuts, not nails, and the effect is of a starry sky.

In her latest show at Blue Mountain Gallery, which opens on October 5th with a reception for the artist October 7th from 5 - 8, Margaret Grimes shows three large canvases and a series of small ones all depicting woods and thickets.

* Known for the free eroticism of her small, representational drawings and paintings, the impact of Rama's large rubber - on - canvas abstract collages from 1970 and 1971 is just as great.

The shift in scale from massive to manageable is counterbalanced with visual density: the washy grey ink on the larger works allows light to pass through to the primed canvas lending them an airiness in contrast to the smaller pieces, which are so thoroughly inked they absorb light.

Newman appears again in Twice Hammered (2011), where one finds the reproduction of Diao's earlier Barnett Newman: The Paintings (1990; for which Diao presents all of Newman's paintings at small scale and reduced to the shapes of their canvases) next to that work's accompanying catalogue entry from a May 2005 Christie's Hong Kong 20th Century Chinese and Asian Contemporary Art sale.

Approaching photo - realism are works from such artists as St. Louis» Michael Neary, who injects bizarre elements like a skeleton in a basket and a Shiva behind lemons in his «Vanitas: Talk to the Hand» (2010), or the permutations through smaller studies to the large dominant canvas «Backyard Summer» (2010) by Jeremy Long from Ithaca, New York with its edges of magic realism reminiscent of Peter Blume.

Adele Renault is a Belgium painter best known for her photo realistic portraits — creating it from small scale canvases to wall sized murals.

The small pieces of paper that blanket the piece curl up and peel away from the canvas, like dead leaves or sunburnt skin.

Each renowned in their own right, this group of artists have the distinguishing feature of working with intricate stencils in their artwork, from small original works on canvas to large scale murals.

Drawn from public and private collections, it includes a number of the monumental canvases for which the artist is widely known, as well as smaller works that offer an intimate perspective on her creative process.

The latter contributes a number of scrappy, colorful collage works; Gahl has a small painting of flowers and a larger canvas that incorporates an enlarged image of a house painter that the artist has scavenged from his own childhood drawings.

Site - specific installation overvew: 17 collaged dry - wall panels with collaged elements, canvas with torn edges, photo transfers, acrylic, text, 9 1/2 ft high at highest point; 5 bronze elements, underground cable, and 1 tall and 2 smaller broken border posts with barbed wire from the former East German Border, 5 curved broken sections from the top of the former Berlin wall

From a distance these delicate paintings read as monochromes, but up close their intricate surfaces become visible: small arched semi-circles of white paint almost completely covering the ground of the canvases.

Murray states, «Fifteen years ago I moved from figurative to abstract work on small canvases, limiting myself to black oil paint.

In the small instances where he allows photorealism to slip in, it is always to highlight something manmade, keeping his faces and skin soft, while a modern logo or design feature will jump from the canvas.

Bessone works from images of small porcelain figurines, which she enlarges to fill colossal canvases.

Next to it are a series of small canvases called Women's Words, each emblazoned with often derogatory names given to women and parts of their bodies, from the affectionate Love to the Village Bicycle, from Bit of Crumpet to Dirty Old Slapper.

Laurel McKenzie is exhibiting a group of pigment prints on canvas in a small group exhibition (with Don Gore and David Gatiss) at Stephen McLaughlan Gallery from 14 until 31 August.

One particularly striking work is Molly Zuckerman - Hartung's The Failure of Contingency (2012), in which painted ribbons of canvas spill like linguine over the floor, beginning from a small square frame and ending in a puddle of fabric underneath two folding chairs.

Each lies right next to five small drip canvases also from 1950, hung in columns, like Abstract Expressionist totem poles or African sculpture.

Ms. Mehretu, who received her M.F.A. from the Rhode Island School of Design in 1997, has always layered her canvases with diagrams and information as a starting point: architectural plans of arenas or fortified cities underpin her small dashes and shapes that move in swarms across her early paintings.

In the downstairs gallery are three smaller and more recent sculptures, two Blu and a Giallo, whose curves develop out from what look like stretchers for canvas paintings.

The exhibition brings together a selection of John Baldessari's (b. 1931) paintings from 1966 - 68 and includes examples of the experimental, small canvases and the larger Text and Photo - Text Paintings.

In his debut solo exhibition at the Bermudez Projects space in Downtown Los Angeles, Sullivan offers a dozen or so paintings ranging from small to mid-size, painted either on canvas or wood panel.

Some paintings feel better large, some smaller, and my canvases range in size from 36 to 72 square inches.

The smaller canvases portray animals alone in clean, dark voids very different from their natural habitats.