Sentences with phrase «small collages at»

So, having spent the morning looking at the predominantly cinematic John Hoyland canvases in the inaugural «Power Stations» exhibition at Damien Hirst's Newport Street Gallery (NSG), an afternoon session viewing John Bunker's comparatively small collages at the Westminster Reference Library was a suitable combination and, by good chance, seen in the right order.

He showed a number of small collages at a two - man exhibition, together with Marc Ratliff, at Judson Gallery.

Not exact matches

«Thanks to all of you, near and far, old and young, who joined the Cassini mission in marking the first time inhabitants of Earth had advance notice that our picture was being taken from interplanetary distances,» said Linda Spilker, Cassini project scientist at NASA's Jet Propulsion Laboratory, Pasadena, Calif. «While Earth is too small in the images Cassini obtained to distinguish any individual human beings, the mission has put together this collage so that we can celebrate all your waving hands, uplifted paws, smiling faces and artwork.»

I thought that transformation was mostly internal until I looked back at these collages and saw all the small changes I had made throughout the 12 months last passed, from ditching my jeans altogether even for runs to the supermarket to a marked, marked improvement in my hair game.

I love Kristens style and I totally get her comment on looking at supposed age appropriate collages and thinking wow for one I am to small for theses styles and two they just do nt speak to me.

While at Hambidge, I finished a large scale collage piece and made numerous small, experimental drawings.

I'm pleased to announce that an essay of mine is included in the catalogue accompanying «Joseph Fiore: Small Collages», an exhibition currently on display at Meredith Ward Fine Art.

Among a selection of her small scale collage paintings, you'll see three fabric - based modular books she made for her recent exhibition at the State Silk Museum in Tbilisi, Georgia.

The scope of Michael Meads» work is large, and wandering from room to room in «Bent Not Broken» at the Ogden Museum of Southern Art, his range of mediums and forms is awe - inspiring: acrylic paintings, charcoal drawings, papier - mâché masks, screen - printed images overlaid on gessoed wood panels, vivid sculptural triptychs, a small bound book of collages.

When I started making collages — and they were so small at first — people used to say: «Oh, these would be great as studies for a big painting.»

The exhibition, the artist's fourth show at the gallery, will include approximately 100 small paper mounted on canvas paintings as well as 25 collage constructions and a set of sketches in response to Francisco Goya's drawings including his Los Desastres de la Guerra series, all dating from 2009 to the present.

Her solo show at Max Hetzler titled «Bet Your Sweet Life» features Scale of Things (to come)(2010) an interactive staircase made of metal chains and tubes which will offer a view of the gallery space from above, the video No Head Man (2009), photographs, collages and different series of small spray - drawings and large scale drawings from the series Hurricane and Other Catastrophes.

Offering insights into his exquisite small collages, the artist discusses an artistic practice that began at age forty - one and has continued into his ninety - second year.

Site - specific installation overvew: 17 collaged dry - wall panels with collaged elements, canvas with torn edges, photo transfers, acrylic, text, 9 1/2 ft high at highest point; 5 bronze elements, underground cable, and 1 tall and 2 smaller broken border posts with barbed wire from the former East German Border, 5 curved broken sections from the top of the former Berlin wall

Critics have often noted that his collages rank among his highest achievements, and few of the works at the Parrish or the late paintings at Ameringer McEnery Yohe in Chelsea compare with collages or the small collection of assemblages that appeared at New York University's Grey Art Gallery under the exhibition title «Concrete Improvisations.»

The artist's early collages, produced at a smaller size than most of her sculptures, provide important insight into her thinking and working process and the importance of wood in her work.

2005 Ecole de New York - Expressionnisme Abstrait - oeuvres sur papier - MAMAC - Musee d'Art Moderne et d`Art Contemporain Nice, Nice Expresionismo Abstracto - Obra sobre papel - Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao Mäzene der Kunst auf Papier - Staatsgalerie Stuttgart, Stuttgart Maestro del Collage - de Picasso a Rauschenberg - Fundación Joan Miró, Barcelona Large Drawings - GALERIE KLÜSER 2, Munich Small Drawings - GALERIE KLÜSER 2, Munich Selected Drawings - Galerie Klüser, Munich Looking at Words - Andrea Rosen Gallery, New York City, NY New Acquisitions: Part I The Moderns - Leslie Sacks Fine Art, Los Angeles, CA Red is everywhere - Rockland Center for the Arts, West Nyack, NY For Meyer Schapiro - A portfolio of 12 - Haggerty Museum of Art, Milwaukee, WI Works on Paper - Marlborough New York, New York City, NY On the Square - Philadelphia Art Alliance, Philadelphia, PA Highlights - New Acquisitions - John Berggruen Gallery, San Francisco, CA Schrift, Zeichen, Geste.

The Real Estate Show, Installation view (At the center, drawings by Joseph Nechvatal; Photograph to the right by James Casabere; Large black and white mural by Mike Glear; small collages and cigarette packs on floor by Bobby G. — Robert Goldman), 125 Delancey Street, New York, January 1980, Courtesy of Becky Howland.

FALL 2017 classes at the Pelham Art Center Create, explore and play with collage media in a small, congenial setting with a supportive group at the Pelham Art Center.

Small rooms serve as intimate spaces to highlight a few special pieces, including Paul Chan's moving (in both senses of the word) 6th Light and a typically eccentric film collage by Joseph Cornell — the first solo show by whom, Carpenter pointed out, was at the Walker in 1953.

Kremen did not show his work publicly until a 1978 exhibition at the Southeastern Center for Contemporary Art featuring mostly small non-representational collages.

The show is small, but it shores up a West Coast, Beat - era moment in Chelsea: California Minimalism at Zwirner, late Bruce Conner collages at Inglett, and Klagsbrun's December survey of Wallace Berman.

A collection of richly textured works, which blend gestural painting, figurative drawing and collage on everything from small pieces of cardboard to boards measuring nearly 4 x 6 feet, the exhibition is an audacious debut in a city where the shadows of Abstract Expressionism still loom large whenever an artist splatters, drips, scrapes, pours, or otherwise flings paint at or on a surface to make an image.

«Now «n Then» offers various examples of paintings from such histories over a span of sixty years including student works from R.I.S.D. in the late 1950s, a unique collage / combine from his MFA days at Cornell University in 1961, a small series of strictly black and white oil paintings from 2010 which were done between a larger group of imaginary still life paintings and a following group of minimalist color paintings.

This particular example of Flag, which is relatively small at approximately 11 x 17 inches and done in encaustic on silk and collaged onto canvas, carries a price estimate of $ 15 million to $ 20 million.

At the same time, she started discovering collage, a medium that allowed her to intuitively explore subjects in smaller formats.

The current group show at Hellion Gallery features works from a small selection of artworks from some of the participants: an assemblage by Fontana, psychedelic paintings by Brendan Monroe, a landscape collage by Mary Iverson and more.

A selection of the artist's small collaged drawings, sparsely populated by sketched, cartoonish images of jewels, magazine cutouts and a USDA food pyramid amid an array of gestural marks, hint at the roots of the large paintings» abstract forms.

Most recently, Opshinsky's small scale cut - paper collage series, Philadelphia A-Z, was featured in a joint exhibition with Philadelphia - artist, Mark Price at FrameWorks Studio & Gallery.

On view through May 31, «Painterly Pasted Pictures» at FreedmanArt in New York is a small but smart exhibition that brings together a group of collages from the 20th century united by the stylistic trait of «painterliness.»

I would be tempted to leave some of that wallpaper in the foyer or at least create a small framed collage with samples of all of the wallpapers in the home!