Sentences with phrase «small collages by»

The elegant abstractions of Sedje Hémon (1923 — 2011) come across as sympathetic, although faintly dated, and small collages by Elisabeth Wild appear as average, if not mediocre, formal experiments.

Not exact matches

These small collages are composed by the painter as studies for her larger canvases, but it's hard to imagine that their successors could trump them in terms of spontaneity or sheer joie de vivre.

Divided in 6 separate rooms, the installation includes some 60 individual stoneware and porcelain pieces, as well as couple of rare editions on paper by Kusaka, and around 40 pieces by Wood, ranging from small collage showing his studio process, limited edition multiples, a series of floral pieces on paper, all the way to monumental oil and acrylic pieces on canvas.

N. Dash «s first solo show with Untitled also includes small scale photo collages based on cotton fabric manipulated by the artist in her studio.

There, there were a few memorable highlights, such as mirror paintings by Michelangelo Pistoletto from the 1970s and 80s, shown by the Repetto Gallery; striking portraits and still - lifes by Wayne Thiebaud, shown by Allan Stone Projects; small paintings by Gerhard Richter and Alexej von Jawlensky in the Galerie Ludorff's booth; and Yayoi Kusama's glittering collages, reminiscent of precious stones, shown by Omer Tiroche Gallery.

These drawings and paintings form only a small part of Mammen's oeuvre, however, with her later work expanding to include sculpture — clearly influenced by the likes of Henry Moore, with an interest in the permeation of mass and space — and various styles of abstract painting, incorporating both a Picasso-esque period and a later phase of collage and childlike strokes, calling to mind the likes of Paul Klee and Joan Miró.

In these smaller works, he collaged international newspapers, old magazines and mail order catalogues transformed by bold strokes of paint into dynamic compositions.

THURSDAY, MAY 2 NOON LUNCH, 12:30 - 1:30 P.M. PROGRAM FACULTY BIENNIAL ARTIST TALKS: Kirsten S. Johnson and Kathryn Van Steenhuyse Multiplicity with Kirsten S. Johnson, Associate Professor in Graphic Design Inspired by the collages of Ernst, Picasso, Matisse and Schwitters» Merz Pictures, Johnson creates small and large - scale photomontages.

Led by Anne Desmet, internationally renowned printmaker, collage artist and Royal Academician, this two - day practical workshop, appropriate for beginner and intermediate levels, will introduce the remarkable art and craft of traditional wood engraving printing and its specialist materials, tools, techniques and history in an intimate, small group setting.

Written by Kyla Ryman, each page of this unusual seek - and - find book reveals a small part of Mutu's artwork Le Noble Savage (2006), allowing readers to explore each part of the collage work closely.

Prices ranged from $ 6,000 apiece for a John Bock collage (several were inside the small corridor) and $ 8,500 for Dan McCarthy's ceramics (seen atop the small corridor), to pricier double - digit works by Francis Upritchard, David Shrigley, and Mark Grotjahn, among others.

These days I start work by making small collages based on shapes preloaded from a long - accumulated image bank.

There were «under $ 5,000, small paintings by Ray Parker, Christo collages, and multiples by Jean Arp; under $ 10,000, a unique wall relief sculpture from 1969 by Gerald Laing, granite sculpture by Brazilian Iran do Espiritu Santo, and photographs by Jim Naughton, paintings by Jules Olitski, and Leon Golub.

The Real Estate Show, Installation view (At the center, drawings by Joseph Nechvatal; Photograph to the right by James Casabere; Large black and white mural by Mike Glear; small collages and cigarette packs on floor by Bobby G. — Robert Goldman), 125 Delancey Street, New York, January 1980, Courtesy of Becky Howland.

Small rooms serve as intimate spaces to highlight a few special pieces, including Paul Chan's moving (in both senses of the word) 6th Light and a typically eccentric film collage by Joseph Cornell — the first solo show by whom, Carpenter pointed out, was at the Walker in 1953.

This showcase of nearly two - hundred small - scale drawings, prints, collages, and paintings on paper by the Chicago - based artist, reveal his provocatively unhinged state - of - mind.

Ruscha first came to prominence there in the late 1950s with small collages that he made which were influenced by those of Jasper Johns and Robert Rauschenberg.

Her painting is distinguished by constant changes, experimentation and development and her works cover such subjects as socio - political portraits, primitive masks, underwater scenes, tropical flowers and wild animals, as well as including a number of small collages.

The same gallery contains a triptych of small works in oil and collage (est. $ 150,000 - $ 200,000) by another Belgian artist, Francis Alÿs.

This painting showed a Madonna decorated with resin - covered elephant dung and surrounded by small collaged images of female genitalia from pornographic magazines.

I was visually confused by his work as it encompassed so many different styles from abstract to figurative, collage to sculpture, and many small surrealistic installations.

The show is directly inspired by American writer Richard Brautigan's 1976 cult classic, Sombrero Fallout: A Japanese Novel, and is comprised of nine small scale paintings exquisitely rendered in pencil, watercolour and collage.

«Small Collages, Constructions and Watercolors by Roy De Forest, Tony De Lap, Fred Martin and Nell Sinton,» San Francisco Museum of Modern Art, San Francisco, CA, 1962.

By including paintings and collages from 1959 - 65, the heyday of Pop Art, and from 1988 - 89, when many were lamenting painting's fallen status, the exhibition suggests that Drexler has been painting all along, and that we know only a small fraction of her work.

She also worked as a mural painter for the Works Progress Administration, and spent years experimenting variously with collage, biomorphic abstraction, hard edge abstraction, small - scale works inspired by her Jewish heritage and large - scale works informed by her personal life.

A small 1958 canvas collage by Conrad Marca - Relli hangs alongside a powerful ink - on - paper abstraction by Franz Kline from 1952.

For his first exhibition of paintings in a decade, the artist will feature two large - scale oil on panel works (each measures approximately eight by sixteen feet and seven by twelve feet respectively), six smaller paintings on panel and a number of collage works on paper.

By 1957, British Pop star Peter Blake (who collaborated with Utah's Jann Haworth on the cover of «Sgt. Pepper's Lonely Hearts Club Band») could overturn expectations with a small shock in «On The Balcony,» a seemingly elaborately collaged canvas that is, in fact, entirely painted.

The collages, begun in 1955, further emphasized the distance between his own style and Abstract Expressionism by using an unexpectedly small format and carefully trimmed shapes.

The collection itself runs the gamut from small, whimsical collages by Joseph Cornell to charged, charcoal «Woman» drawings by Willem de Kooning, to 19th century Japanese woodblock prints of charming geishas.

Medium - size yet imposing collages by Josh Smith contrast with the subdued elegance of Monique van Genderen small format paintings, whose abstract shapes respond to Jean - Pascal Flavien drawings.

Major carvings including Kneeling Figure 1932 and Large and Small Form 1934 are shown with paintings, prints and drawings by Nicholson and rarely seen textiles, drawings, collages and photograms by Hepworth.

A small collage from my Off The Map series is exhibited in Gallery I, which was curated by Gus Cummins.

The small three - dimensional collages in the exhibition are made from found objects and photographs taken by Fecteau and others that the artist has collected over the last 20 years.

Focusing on material stored by Tomie in her studio - home, Miyada found notebooks of studies that were virtually unknown, even in the art circuit, containing small collages that reveal how the artist's pictorial experimentations began.

The pin - holed paper collages recall sparkling constellations, with small glimpses of the glittering paper underneath, by creating an effect of viewing light and color traveling from a great distance.

But, alongside snapshots of friends, we have a collage by Henrik Olesen, a drawing by Mark Dion, an early work by Danh Vō, a print by Monica Bonvicini and a small print of us cross-peeing in a park, which was the first performance piece we ever did together, back in 1995.

Also on view is one of the artist's earliest screenprints, the 1986 «Blueberry Field,» as well as a portfolio of six aquatints called «Small Cuts» that Katz made in 2008 inspired by the early collages he made in the late 1950s.

There in the ever dimming late - afternoon light, surrounded by his newest works — comparatively small to mid-sized painted wall reliefs and large - scale collages of computer generated images — we spoke of his views and attitude toward his work, both past and present.

I am writing this statement not quite knowing what the immediate outcome will be, but am aware of the potential collective impact that this distinctive community of creators will have with Brian Belott's innovations in collage, Ákos Birkás's philosophy about painting a certain situation, Regina Bogat's devotion to art making with clever variations on certain abstract themes, Matt Bollinger's extra-large and bracing graphite drawings, Paul DeMuro's painterly electricity, Marc Desgrandchamp's time - fragmented paintings, Michael Dotson's paintings of the «Disney - esque,» Michel Huelin's relationship with nature and software, Irena Jurek's very meaningful cat character, Alix Le Méléder's proposals of four colors determined by the passage of the brush, David Lefebvre's painted images cut out of magazines or downloaded from a mobile phone, Pushpamala N.'s ethnographic documentations which have been compared to Cindy Sherman, Wang Keping's unique wooden sculptures that juxtapose vivid emotion with a marked sense of introversion, Katharina Ziemke's pictorial treatment of current events, and me, the co-host with a small drawing.

Whilst continuing with his art, he would begin each day by making a small collage which he would sell to raise money for his Foundation.

These books (Diaries, 2018) feature small sculptures and collages — a medium broadly adopted by Surrealism and much loved by Eva Kot» átková by virtue of its intrinsic nature of joining together different fragments and elements to create new compositions — and represent a diary in which thoughts and notes around disfunctions and peculiarities of the todays world are collected.

The current group show at Hellion Gallery features works from a small selection of artworks from some of the participants: an assemblage by Fontana, psychedelic paintings by Brendan Monroe, a landscape collage by Mary Iverson and more.

A selection of the artist's small collaged drawings, sparsely populated by sketched, cartoonish images of jewels, magazine cutouts and a USDA food pyramid amid an array of gestural marks, hint at the roots of the large paintings» abstract forms.

The show, made up of larger woodcuts, wall paintings, and smaller drawings (some include collage, some were made by typewriter), features a striking juxtaposition of elements.

On view through May 31, «Painterly Pasted Pictures» at FreedmanArt in New York is a small but smart exhibition that brings together a group of collages from the 20th century united by the stylistic trait of «painterliness.»

So, having spent the morning looking at the predominantly cinematic John Hoyland canvases in the inaugural «Power Stations» exhibition at Damien Hirst's Newport Street Gallery (NSG), an afternoon session viewing John Bunker's comparatively small collages at the Westminster Reference Library was a suitable combination and, by good chance, seen in the right order.

Among these, truly knockout photography by Walker Evans, Bernice Abbot and August Sander; a fragment from an Egyptian frieze, dating back to the reign of Akhenaten; Giacometti's The Forest, and two small collaged works by Franz Kline, Untitled (c. 1950 -» 52), which tops this review, and Study for «Flanders» (1961).

Send large, hi - res images (no small images, collages or special effects) to [email protected] by February 18, 2015 with the categories you'd like your project to be considered for.